Ḥāshīyat al-Ṭarasūsī ʻalá Mirʼāt al-uṣūl

li-Muḥammad ibn Aḥmad ibn Muḥammad al-Ṭarasūsī.

1.° Excerpta ex chronicis domini Andreae Dandulo, incliti Venetiarum Ducis : ad calcem subjicitur catalogus Ducum Venetiarum ab urbis origine et Paulutio Romano, primo Duce, ad annum 1480. et Joannem Mocenicum. — 2.° Informatione data per Polo Moresini a Cecho Simoneta, Conseier del signor di Milano Duca Francesco.

Colbertinus

Fray Pedro de Gante : 1480-1980.

Título anterior de la publicación: Boletín de la Comisión Española de la UNESCO

Miquel Mai (ca. 1480-1546). Art i cultura a la cort de Carles V

The doctoral thesis was an study about Miquel Mai, a polític, jurist, bibliophile and art collector in Barcelona in the first half of the XVI century. The thesis presents the figure of Miquel Mai by his biographic history, with emphasis in the principals chapters that he was participant. After, there was a chapter whose principal theme its the connection between Miquel Mai and the Erasmism movement. Third, it was an analysis of all the art objects that Miquel Mai accumulates. Fourth, the thesis explores the library (formed by more than 2000 books). And finally, we studied the relationship between the art objects who decorate the library and the same books that was in the library.

Entre histoire et fiction: la représentation du règne d'Arthur dans le manuscrit enluminé du Brut en prose, Londres, Lambeth Palace 6 (c. 1480)

The manuscript London, Lambeth Palace 6, contains the Middle English prose Brut, a text which benefited from a great popularity throughout the fifteenth century. It was copied by an English scribe and richly illuminated by the Master of Edward IV and his assistants at Bruges around 1480. This article studies the representation and integration of the reign of Arthur in the historical framework of the Brut or Chronicles of England, including its fictional aspects: Arthur emerges as a historical character but also as a chivalric and mythical figure. The analysis covers the miniatures ranging from the plot leading to the conception of Arthur to the end of his reign (fols. 36-66). The textual and iconographic choices of the prose Bruts are highlighted by comparisons with Geoffrey of Monmouth’s Historia Regum Britanniae, Wace’s Brut, and later prose rewritings in the Lancelot-Grail romance cycle, especially Merlin and its Vulgate Sequel. They show the continuous interest raised by Arthur in the aristocratic and royal circles of late fifteenth century England and the relationship be¬tween continental and insular historiographical, literary and artistic traditions.

Der Regensburger "Ritualmordprozeß" 1476 - 1480

Raphael Strauß

Ausst. 320 - Ablaßbrief aus Anlaß des Jubeljahres. 1480

Vorbesitzer: Hans (Johannes) von Sorgenloch genannt Gänsfleisch (Surgenloch dictus Ginßfleiß)

Ausst. 321 - Ablaßbrief aus Anlaß des Jubeljahres. 1480

Vorbesitzer: Katherina [von] Sorgenloch genannt Gänsfleisch, geb. Gostenhof(f)er zu Schenckenberg