Jean Marie Guyaus Philosophie der Moral [microform]/

Thesis--Heidelberg.

遺伝か教育か

Mode of access: Internet.

La première année de lecture courante ... /

Mode of access: Internet.

Sittlichkeit ohne Pflicht = Esquisse d'une morale sans obligation ni sanction /

Translation of: Esquisse d'une morale sans obligation ni sanction.

Les fleuves dans l'œuvre romanesque de Jean-Marie Gustave Le Clézio

Relying on Merleau-Ponty's phenomenology of perception and on Mircea Eliade's works on the Sacred and the Profane, this study explores the river as a perceptual space and as the sacred Center in a cosmic vision of the world in twelve of Jean-Marie Gustave Le Clézio's fictional works, from The Interrogation (1963) to Revolutions (2003). In the first chapter, after introducing the field of study, I discuss the relation between the radical subjectivity and the evasiveness of perceiving subjects in Le Clézio's fiction. Next are some thoughts on the relation between Merleau-Ponty's and Le Clézio's ideas. The second chapter studies the river as an experience in the text, first as a topographical space, then as a sound world. The investigations move on to its water as a visual and a tactile phenomenon. Then follows the human use of the river, the (absence of) baths, and the river as a traveling space. The chapter closes with the study of the metaphorical use of the word, occurring mainly in urban space and for phenomena in the sky. The third chapter is organized around the river as the Center of the world in a religious cosmogony, where the river represents the origin of the world and of the human race. The core analysis shows how the middle of the river is a symbolic space of a new beginning. As a sacred space, the river abolishes time as the object of contemplation and as relative immobility from the point of view of a person drifting downstream. The functions of a new beginning and of abolition of time are combined in the symbolic immersions in the water. Finally, the dissertation explores other symbolical spaces, such as the unknown destination of the drift, and the river as the Center of a utopia. The chapter closes with the existential agony as a result of the elimination of the Center in the urban environment. In the final chapter, the river is compared to other watercourses : the creek, the brook and the rapids. The river is more of a spatial entity, whereas the actual water is more important in the smaller watercourses. The river is more common than the other watercourses as a topographical element in the landscape, whereas the minor watercourses invite the characters to a closer contact with their element, in immersions and in drinking their water. Finally, the work situates the rivers in a broader context of different fictional spaces in Le Clézio's text.

Nouveau coutumier général, ou Corps des coutumes générales et particulières de France et des provinces connues sous le nom de Gaules. Tome 3 / ... avec les notes de MM. Toussaint Chauvelin, Julien Brodeau et Jean-Marie Ricard,... jointes aux annotations de MM. Charles Du Molin,... François Ragueau et Gabriel-Michel de La Rochemaillet, mis en ordre... et enrichi de nouvelles notes... par M. Charles A. Bourdot de Richebourg...

[Coutume. France. 1724]

Nouveau coutumier général, ou Corps des coutumes générales et particulières de France et des provinces connues sous le nom de Gaules. Tome 1 / ... avec les notes de MM. Toussaint Chauvelin, Julien Brodeau et Jean-Marie Ricard,... jointes aux annotations de MM. Charles Du Molin,... François Ragueau et Gabriel-Michel de La Rochemaillet, mis en ordre... et enrichi de nouvelles notes... par M. Charles A. Bourdot de Richebourg...

[Coutume. France. 1724]

Nouveau coutumier général, ou Corps des coutumes générales et particulières de France et des provinces connues sous le nom de Gaules. T. 2, partie 2 / ... avec les notes de MM. Toussaint Chauvelin, Julien Brodeau et Jean-Marie Ricard,... jointes aux annotations de MM. Charles Du Molin,... François Ragueau et Gabriel-Michel de La Rochemaillet, mis en ordre... et enrichi de nouvelles notes... par M. Charles A. Bourdot de Richebourg...

[Coutume. France. 1724]

La educación en las novelas de Jean Marie de Buck.

Estudiar en las obras 'Dios hablará esta noche' y 'El silencio de un adolescente' de Jean Marie de Buck. Las principales ideas pedagógicas contenidas en estas novelas se reducen a: realismo pedagógico. El educando tiene múltiples posibilidades y la educación actuando sobre ellas produce resultados positivos. Por estos motivos, hay que mantener en el adolescente un alto nivel de exigencia en los aspectos personal, social y trascendente. La educación es una obra que se tiene que llevar a cabo en común entre el educando y los distintos educadores que le ayudan. Dios habla a través de las personas, de las cosas de los acontecimientos. Hay que fomentar en el educando una disposición de apertura al mensaje que se le dirige y que únicamente él puede realizar.

Dancing in translation: Irina Brook’s mise en scène of 'Danser à Lughnasa', Jean-Marie Besset’s translation of Brian Friel’s 'Dancing at Lughnasa'

This essay contributes to debates about theatre and cross-cultural encounter through an analysis of Irina Brook’s 1999 Swiss / French co-production of Irish playwright Brian Friel’s Dancing at Lughnasa, in a French translation by Jean-Marie Besset. While the translation and Brook’s mise en scène clearly identified the source text and culture as Irish, they avoided cultural stereotypes, and rendered the play accessible to francophone audiences without entirely assimilating it to a specific Swiss or French cultural context. Drawing on discourses of theatre translation, and concepts of cosmopolitanism and conviviality, the essay focuses on the potential of such textual and theatrical translation to acknowledge specific cultural traces but also to estrange the familiar perceptions and boundaries of both the source and target cultures, offering modes of interconnection across diverse cultural affiliations.

O pop rock e a escritura poética em Voyages de l’Autre Côté, de Jean-Marie Gustave Le Clezio

A literatura contemporânea expressa o rompimento das fronteiras entre a cultura erudita e a cultura de massa ou comercial, criando formas híbridas que convivem no interior do texto. No romance Voyages de l’autre cote (1975), de Jean-Marie Gustave Le Clézio, as canções do pop rock embalam as viagens da fada Naja Naja e de seus amigos em busca do ‘outro lado’. Desta forma, a impregnação da música popular à escritura poética, parece ajudar a libertar a imaginação, preparando as personagens para o encontro do infinito sensível.