991 resultados para Gustav Adolf-Verein.
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Mode of access: Internet.
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Signatur des Originals: S 36/F00742
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Signatur des Originals: S 36/F00814
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Boberach: In einem Vortrag im Demokratischen Verein des Berliner Bezirks 48 wird die Demokratie in Auseinandersetzung mit Kommunismus und Anarchie einerseits, mit Guizot andererseits definiert
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Thesis (doctoral)--Universitat Leipzig.
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The dissertation analyses the political culture of Sweden during the reign of King Gustav III (1771-1792). This period commonly referred to as the Gustavian era followed the so-called Age of Liberty ending half a century of strong parliamentary rule in Sweden. The question at the heart of this study engages with the practice of monarchical rule under Gustav III, its ideological origins and power-political objectives as well as its symbolic expression. The study thereby addresses the very nature of kingship. In concrete terms, why did Gustav III, his court, and his civil service vigorously pursue projects that contemporaneous political opponents and, in particular, subsequent historiography have variously pictured as irrelevant, superficial, or as products of pure vanity? The answer, the study argues, is to be found in patterns of political practice as developed and exercised by Gustav III and his administration, which formed a significant part of the political culture of Gustavian Sweden. The dissertation is divided into three parts. The first traces the use and development of royal graces chivalric orders, medals, titles, privileges, and other gifts issued by the king. The practice of royal reward is illustrated through two case studies: the 1772 coup d état that established Gustav III s rule, and the birth and baptism of the crown prince, Gustav Adolf, in 1778. The second part deals with the establishment of the Court of Appeal in Vasa in 1776. The formation of the Appeals Court was accompanied by a host of ceremonial, rhetorical, emblematic, and architectural features solidifying its importance as one of Gustav III s most symbolic administrative reform projects and hence portraying the king as an enlightened monarch par excellence. The third and final part of the thesis engages with war as a cultural phenomenon and focuses on the Russo-Swedish War of 1788-1790. In this study, the war against Russia is primarily seen as an arena for the king and other players to stage, create and re-create as well as articulate themselves through scenes and roles adhering to a particular cultural idiom. Its codes and symbolic forms, then, were communicated by means of theatre, literature, art, history, and classical mythology. The dissertation makes use of a host of sources: protocols, speeches, letters, diaries, newspapers, poetry, art, medals, architecture, inscriptions and registers. Traditional political source material and literary and art sources are studied as totalities, not as separate entities. Also it is argued that political and non-fictional sources cannot be understood properly without acknowledging the context of genre, literary conventions, and artistic modes. The study critically views the futile, but nonetheless almost habitual juxtaposition of the reality of images, ideas, and metaphors, and the reality of supposedly factual historical events. Significantly, the thesis presumes the symbolic dimension to be a constitutive element of reality, not its cooked up misrepresentation. This presumption is reflected in a discussion of the concept of role , which should not be anachronistically understood as roles in which the king cast himself at different times and in different situations. Neither Gustav III nor other European sovereigns of this period played the roles as rulers or majesties. Rather, they were monarchs both in their own eyes and in the eyes of their contemporaries as well as in all relations and contexts. Key words: Eighteenth-Century, Gustav III, Cultural History, Monarchs, Royal Graces, the Vasa Court of Appeal, the Russo-Swedish War 1788–1790.
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von Gustav Adolf Müller-Czèrny
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bearb. von Gustav Adolf Schimmer. Hrsg. von der K. K. Statistischen Central-Commission
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Boberach: Es soll dokumentiert werden, wie trotz der errungenen Pressefreiheit der Redakteur einer mißliebigen Zeitung zu sechs Monaten Festungshaft sowie Beschlagnahme der Zeitung verurteilt werden konnte
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Boberach: Arbeiter und Dienstboten sollen sich ihr Wahlrecht nicht nehmen lassen, sich aber für die Vertreter von "Freiheit, Ordnung und Sicherheit", gegen alle Angriffe auf das Eigentum entscheiden
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Boberach: Behandelt werden die Märzereignisse und Mißstände vor der Revolution, insbesondere die Bürokratie, kommunistische und sozialistische Bestrebungen, die Lichtfreunde, Itzstein und die badischen Kammern, der Hungertyphus in Oberschlesien, die Entwicklung in Hannover, Sachsen und Württemberg und von den Politikern besonders Blum, Jacoby und Gagern. - Welsch (Projektbearbeiter): Mit lithographischen Porträts der Politiker Bassermann, Camphausen, Simon, von Itzstein, Graf von Schwerin, von Auerswald, Braun, von Vincke, Hansemann, von Beckerath, Welcker, Jordan, Erzherzog Johann, Robert Blum, Todt, Jacoby, Dittmer, Uhland, von Soiron sowie von Gagern
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Boberach: Behandelt werden nach "Intoleranten Glossen über Toleranz" von Walesrode u.a. "Die gesellschaftliche Stellung der Frauen" von Ehrenreich [i.e. Ehrenfried] Eichholz, die Errichtung von Volksbanken, die Beziehungen zu Polen und Ungarn, die Berliner Arbeiter-Verbrüderung, die Zivilehe, der Gründer der "Freien Gemeinde" in Halle Gustav Adolf Wislicenus, Arnold Ruges "Jugend und Kerkerleben", die Untergrabung der Volksfreiheit durch die Kirche, der Prozeß Waldecks, der Krieg in Schleswig-Holstein; eingestreut sind 12 Gedichte von H. Zeise, davon 3 über Polen