The masterpieces of Goya (1746-1828) : sixty reproductions of photographs from the original paintings, affording examples of the different characteristics of the artist's work.

Mode of access: Internet.

A representação do feio na arte: um breve estudo sobre quatro gravuras de Francisco Goya

Pós-graduação em Artes - IA

Francisco de Goya,

"Catalogue of Goya's principal works": p. [62]-63.

Francisco Goya.

"List of Goya's work, with reference to th plates": p. 13-15.

Francisco Goya,

"Verzeichnis der hauptwerke Goyas": p. [62]

Art of Goya as a significant reflection of his time

This thesis examines the story of how Goya came to be the artist he was and of the times which made him what he was, and which he so well mirrored. Francisco Goya y Lucientes is a remarkable figure in the history of art. Rarely has an artist arisen from such a cultural vacuum; rarely has an artist done so much to establish a cultural reputation for his country; rarely has an artist reflected so accurately the spirit of his time; and rare is the artist who has such an important influence on all the significant art of the future.

Goya's late masterpiece : head of a monk

Francisco Goya painted few canvases during the last four years of his life spent in France. Several of his late masterpieces have fallen under scrutiny over the past ten years, their authenticity questioned by internationally respected scholars. Goya’s Head of a Monk can be counted among this group of disputed canvases. However, a comparison of the Monk with the artist’s sketchbooks, miniatures and murals created during his time in France as well as his last few years in Madrid indicate that this image as well as its underpainting were created by the master himself toward the end of his career.

Loan exhibition of paintings by El Greco and Goya for the benefit of the American Women War Relief Fund and the Belgian Relief Fund. On exhibition at the galleries of M. Knoedler & Company... on view until January 23rd inclusive, 1915.

Includes bibliographical references.

Goya's Caprichos : beauty, reason & caricature.

Bibliography: v. 1, p. 215-220.

Goya, an account of his life and works,

"Catalogue of the works of Goya": p. [121]-194.

Paintings and drawings /

"Bibliography of Francisco Goya": p. [197]-231..

Retratos da Espanha em Os fantasmas de Goya

1792, Madri. After years of inactivity, the Spanish Inquisition is born again with the mission of containing the laic winds that blow from the revolutionary France. Inês Bilbatúa, a rich merchant’s daugther, is victim of the inquisitorial machinery which tortures and violates her, through one of their abetters, the Dominican monk Lorenzo. Before being arrested, the young lady had served as model for the painter Francisco of Goya, who had also portrayed the monk Lorenzo. The Aragonese painter’s figure serves as narrative conductor of a history that narrates the young Inês’ via crucis and, at the same time, it recreates the historical scenery of the Napoleonic invasion (1808), through a basic element, the painting. Our work intends to analyze the relationships among movie, painting and history present in “Goya’s ghosts” (2006), of the Czech director Milos Forman (1932) - whose script was adapted to a homonymous book in 2007 -, a movie that is based on the artistic production of Francisco of Goya y Lucientes (1746 -1828), official painter of Carlos’ IV (1788 -1808) court and the most lucid columnist of his time, that knew how to capture in his works the religious fanaticism, the populist fervour, the governor’s hypocrisy and the horror and the violence of the war.

Despídese en Gandia San Francisco de Borja de sus hijos, y familia para entrar en la Compañia de Jesus [Material gráfico]

Anagrama de la Compañía de Jesús en la parte inferior de la imagen

La pintura del segle XVIII... El debat entre els antics i els moderns

Materials didàctics del grup d'investigació Observatori sobre la Didàctica de les Arts (ODAS)

La Pintura del segle XVIII... el retrat

Materials didàctics del grup d'investigació Observatori sobre la Didàctica de les Arts (ODAS)