Manor life in old France; from the Journal of the sire de Gouberville for the years 1549-1562,

Mode of access: Internet.

The Deleuze Spray, New York 1977 : an Interview with Sanford Kwinter, Professor of Architectural Theory and Criticism at the Harvard Graduate School of Design, on the Architectural Reception of Gilles Deleuze in America

So what do you want to know? I was in Paris between ‘75 and ‘78. But about half way through, Sylvère published the Anti-Oedipus issue of Semiotext(e) and, actually, that was for me one of the deciding events that made me decide to come to the United States, to come study at Columbia University. There appeared to be this little group working at Columbia working around these issues. In 1970, in Paris even, Deleuze was a cult – there was an incredibly small number of people following Deleuze... A transcript of my Interview with Kwinter about the Architectural Reception of Deleuze in America, which took place at Jerry’s,' Soho, New York, 15 January 2003. The transcript appeared as an Appendix at the back of my Masters Thesis undertaken at Yale School of Architecture, printed May 2003.

Encounters with the Virtual : The Experience of Art In Gilles Deleuze's Philosophy

My thesis concerns the notion of existence as an encounter, as developed in the philosophy of Gilles Deleuze (1925 1995). What this denotes is a critical stance towards a major current in Western philosophical tradition which Deleuze nominates as representational thinking. Such thinking strives to provide a stable ground for identities by appealing to transcendent structures behind the apparent reality and explaining the manifest diversity of the given by such notions as essence, idea, God, or totality of the world. In contrast to this, Deleuze states that abstractions such as these do not explain anything, but rather that they need to be explained. Yet, Deleuze does not appeal merely to the given. He sees that one must posit a genetic element that accounts for experience, and this element must not be naïvely traced from the empirical. Deleuze nominates his philosophy as transcendental empiricism and he seeks to bring together the approaches of both empiricism and transcendental philosophy. In chapter one I look into the motivations of Deleuze s transcendental empiricism and analyse it as an encounter between Deleuze s readings of David Hume and Immanuel Kant. This encounter regards, first of all, the question of subjectivity and results in a conception of identity as non-essential process. A pre-given concept of identity does not explain the nature of things, but the concept itself must be explained. From this point of view, the process of individualisation must become the central concern. In chapter two I discuss Deleuze s concept of the affect as the basis of identity and his affiliation with the theories of Gilbert Simondon and Jakob von Uexküll. From this basis develops a morphogenetic theory of individuation-as-process. In analysing such a process of individuation, the modal category of the virtual becomes of great value, being an open, indeterminate charge of potentiality. As the virtual concerns becoming or the continuous process of actualisation, then time, rather than space, will be the privileged field of consideration. Chapter three is devoted to the discussion of the temporal aspect of the virtual and difference-without-identity. The essentially temporal process of subjectification results in a conception of the subject as composition: an assemblage of heterogeneous elements. Therefore art and aesthetic experience is valued by Deleuze because they disclose the construct-like nature of subjectivity in the sensations they produce. Through the domain of the aesthetic the subject is immersed in the network of affectivity that is the material diversity of the world. Chapter four addresses a phenomenon displaying this diversified indentity: the simulacrum an identity that is not grounded in an essence. Developed on the basis of the simulacrum, a theory of identity as assemblage emerges in chapter five. As the problematic of simulacra concerns perhaps foremost the artistic presentation, I shall look into the identity of a work of art as assemblage. To take an example of a concrete artistic practice and to remain within the problematic of the simulacrum, I shall finally address the question of reproduction particularly in the case recorded music and its identity regarding the work of art. In conclusion, I propose that by overturning its initial representational schema, phonographic music addresses its own medium and turns it into an inscription of difference, exposing the listener to an encounter with the virtual.

Tanska keisari Kaarle V:n valtakunnan intresseissä 1521-1524

The master's thesis concerns the decisions of the imperial policy-makers in their Danish foreign policy during the crisis that culminated in the dissolution of the Nordic union of Kalmar during the years 1521-24. The sources consist of printed sources that mainly are collections of letters and diplomas, and additionally, acquaintance has been made with studies treating the subject. The aim of the study was to clarify the objectives, means and execution of the imperial policy and what priorizations did they make between the different objectives. Also, the part played by Denmark in the imperial foreign policy in general was to be assessed. Particularly, the aim was to find out and state a hierarchy between the importance of the different objectives by analyzing the choices made. It was observed that the continuing of peaceful relations in the North was clearly preferred in the imperial policy, especially as their war against France drew out. A war was seen as deteriorating the freedom of action of the main ally, king Christian II, and an armed conflict was to be prevented. The conceived impossibilty to intervene with armed forces to Christian's favour forced the imperial side to postpone their objectives in the fields of dynastical and alliance policy. In comparison to these, less weight was given to maintaining the rights and position of the empire and the rights granted in its name. To the Habsburgs, maintaining the economical embargo of Sweden, run forcefully by Christian II, was the least preferred objective. In light of the results of the master's thesis, the conceived priorities of the Northern European policy adopted by the imperial side resembled their political priorities in general.

Further evidence for linkage of Gilles de la Tourette syndrome (GTS) susceptibility loci on chromosomes 2p11, 8q22 and 11q23-24 in South African Afrikaners

Utilizing DNA samples from 91 Afrikaner nuclear families with one or more affected children, five genomic regions on chromosomes 2p, 8q, 11q, 20q, and 21q that gave evidence for association with GTS in previous case-control association studies were investigated for linkage and association with GTS. Highly polymorphic markers with mean heterozygosity of 0.77 were typed and resulting genotypes evaluated using single marker transmission disequilibrium (TDT), single marker haplotype relative risk (HRR), and multi-marker "extended" TDT and HRR methods. Single marker TDT analysis showed evidence for linkage or association, with p-values near 0.05, for markers D2S139, GATA28F12, and D11S1377 on chromosomes 2p11, 8q22 and 11q23-24, respectively. Extended, two-locus TDT and HRR analysis provided further evidence for linkage or association on chromosome 2 with p-values of 0.007 and 0.025, and chromosome 8 with p-values of 0.059 and 0.013, respectively. These results provide important additional evidence for the location of GTS susceptibility loci.

Gleusdorf Collection; Jewish community 1521-1984

Mr. William Adler, 1984.

Cinema e pensamento em Gilles Deleuze: a distinção dos automatismos pela passagem da imagem-movimento para a imagem-tempo

Esta dissertação investiga o conceito de imagem-movimento e de imagem-tempo do filósofo Gilles Deleuze por meio das implicações contidas na passagem de um conceito para o outro. O aparecimento de regimes de imagem constituem mundos e automatismos específicos: o automovimento do chamado regime orgânico e a autotemporalização presente no regime inorgânico. A substituição da imagem-movimento pela imagem-tempo caracteriza-se por uma reversão da subordinação do tempo pelo movimento. Dessa forma, apresenta a conquista da realidade íntima do tempo puro, em que o tempo aparece completamente emancipado de determinações cronológicas. Ao marcar essa passagem, deve ser entendido como Deleuze alcança um novo regime de imagem e pensamento a partir de uma aliança com a arte cinematográfica. A transposição entre esses dois regimes expressa a mudança de um regime que afirma um autômato motor para outro em que há o surgimento de um autômato capaz de levantar o fundamental do pensamento. E mais decisivamente erigir o plano de imanência.

Filosofia e Teoria da Imagem em Gilles Deleuze

O objectivo deste estudo é elucidar o estatuto da noção de imagem na filosofia de Gilles Deleuze. Para o atingir, começaremos por situar o nosso inquérito no problema que determina a sua primeira aparição no sistema – a «imagem do pensamento» –, seguindo de perto a sua acidentada trajectória em Nietzsche e a Filosofia, Proust e os Signos e Diferença e Repetição. Depois de clarificado o equívoco sentido do apelo de Deleuze, no magnum opus Diferença e Repetição, a um «pensamento sem Imagem» – que interpretamos, à luz das suas publicações ulteriores, menos como um rejeição do mundo das imagens do que como uma crítica da representação –, analisaremos a teoria da imagem-simulacro que, na mesma obra, se constitui como uma das principais formas de executar o programa do empirismo transcendental e de realizar aquela que é maior ambição da sua filosofia: instaurar um plano de univocidade e imanência desprovido de instâncias transcendentes. Na segunda metade deste estudo, que incide sobre os livros que Deleuze consagrou ao cinema – A Imagem-Movimento e a A Imagem-Tempo - examinaremos a singular aliança estabelecida pelo filósofo francês entre a teoria das imagens de Matéria e Memória de Bergson e a natureza do médium cinematográfico. Numa tentativa de pôr em evidência o aspecto sistemático do pensamento de Deleuze, a nossa análise desta nova filosofia da imagem – que não visa apenas as imagens cinematográficas mas pretende designar igualmente a própria textura do universo – deixar-se-á guiar pelo horizonte teórico e pelos principais problemas recortados no comentário a Diferença e Repetição que a precede: uma doutrina das faculdades renovada; uma filosofia do tempo distribuída em três sínteses passivas; a função da arte no empirismo transcendental e, acima de tudo, o papel atribuído à noção de imagem na instauração de um plano de imanência.

Le livre de la description des pays / de Gilles Le Bouvier, dit Berry... ; publié pour la première fois avec une introduction et des notes, et suivi de l'"Itinéraire brugeois" et de la "Table de Velletri" et de plusieurs autres documents géographiques, inédits ou mal connus du XVe siècle, recueillis et commentés par le Dr E.-T. Hamy,...

Collection : Recueil de voyages et de documents pour servir à l'histoire de la géographie depuis le XIIIe siècle jusqu'à la fin du XVIe siècle ; 22

Le livre de la description des pays / de Gilles Le Bouvier, dit Berry... ; publié pour la première fois avec une introduction et des notes, et suivi de l'"Itinéraire brugeois" et de la "Table de Velletri" et de plusieurs autres documents géographiques, inédits ou mal connus du XVe siècle, recueillis et commentés par le Dr E.-T. Hamy,...

Collection : Recueil de voyages et de documents pour servir à l'histoire de la géographie depuis le XIIIe siècle jusqu'à la fin du XVIe siècle ; 22

« Le Livre du Regime des princes, translaté de latin en françoiz par messire GILLES DE ROMME, archevesque de Bourges, en la faveur et contemplacion de tres excelent prince monseigneure Loys, filz ainsné de Philippe le Bel, roy de France ».

Commençant par : « Regnabit rex, etc. Le glorieux prophete Jheremie, qui fist le livre des Lamentations et pleurs sur la destruction des Juifz... » et finissant par : «... qui en trinité parfaicte vist et regne par l'infini siecle des siecles. An. Cy fine le livre de l'Informacion des princes » .

Actes des États-généraux des Pays-Bas, 1576-1585 : notice chronologique et analytique. I. 6 septembre 1576-14 août 1578 / par M. Gachard,...

[Acte. 1576-1585]

Actes des États-généraux des Pays-Bas, 1576-1585 : notice chronologique et analytique. II. 15 août 1578-30 décembre 1580 / par M. Gachard,...

[Acte. 1576-1585]