Arshile Gorky: paintings, drawings, studies.

Addendum slip inserted.

La prehistoria del Tribunal para Niños de Valladolid (1904-1948).

Se analiza el proceso histórico de gestación del Tribunal Para Niños de Valladolid creado en 1948. En esta evolución histórica se destaca la obra del Arzobispo Cos y Macho con la creación del Patronato de Niños Desamparados y Delincuentes (1904) y la obra del Obispo Gandásegui y el Reformatorio Regional de Valladolid (1930). Se crea el Tribunal Tutelar de Menores de Valladolid. El objetivo de estas instituciones era mejorar la situación de la infancia desamparada y delincuente.

Guide to health organization in the United States /

U.S. Public Health Service. Miscellaneous publication no. 35.

The transmission of electric power.

v.2. Unbalances and system disturbances.

Q. E. D.; M. I. T. in World War II.

"M. I. T. redeploys for peace, by James R. killian, Jr.": p. 313-325.

Construction of farm refrigerators & freezers /

Mode of access: Internet.

This night called day /

Mode of access: Internet.

Mémoires. Mitteilungen. Mathématiques et physique.

Publication suspended 1930-42.

Dong fang za zhi.

Issues for Sept. 10-Dec. 25, 1930; Feb. 1932-Oct. 16, 1941 have whole no. 444-451; 478- (Oct. 16, 1932- called also new no. 1- )

Dong fang za zhi

Issues for Sept. 10-Dec. 25, 1930; Feb. 1932-Oct. 16, 1941 have whole no. 444-451; 478- (Oct. 16, 1932- called also new no. 1- )

Physiological psychology.

Based upon the author's Introduction to physiological psychology.

Zentralblatt für allgemeine Pathologie u. pathologische Anatomie.

Description based on: Bd. 81, Nr. 1 (31. Mai 1943); title from caption.

Arshile Gorky: An Armenian in New York

Born in Armenia, the oldest Christian country in the world but nevertheless one of the youngest reinstated republics (1991) after the collapse of the Soviet Union, Arshile Gorky flew to the United States in 1920, where he chose to reinvent himself in the struggle to become an artist. This reinvention meant the creation of a persona with, or behind, which Gorky kept alive the artistic flame inside himself. Gorky became one of the most learned voices lecturing on contemporary European modernist artists and movements of the late nineteenth and early twentieth centuries in the United States (New York) without ever visiting Europe. Moreover, he was able to survive the traumatic events he underwent during the Armenian Genocide (1915-1919) to adapt to his new country and identity, to live through the years of the Depression and, eventually, to become the protagonistof a major artistic breakthrough. This paper proposes an insight into the experience of life and frame of work of this Armenian-American artist, whose simultaneously rich, traumatic, dislocated and reenacted life and work established one of the most fertile links between his middle‑eastern origins, his dreamed of Europe and the particular transit of his American artistic creation.