999 resultados para Godofredo Rangel
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The name Godofredo Rangel has been fixed itself in the history of Brazilian literature mainly as Monteiro Lobato's eternal friend and correspondent. Nevertheless, his memory is revered by writers of the same strain as Carlos Drummond de Andrade and Autran Dourado. The latter, above all, in more than one occasion, declared having had in Rangel a master in writing, whose guidance had been fundamental to the development of his literary vocation. In the novel Um artista aprendiz (n.t.: An apprentice artist), from 1989, Dourado narrates the trajectory of a novice writer, whose encounter with the literary personality of Godofredo Rangel, fictionalized by the author in the character of Sílvio sousa, is also decisive. This study consists of the comparison between the testimony of Autran Dourado about Godofredo Rangel and the fictional matter of the novel, searching in them the elements to understand what Dourado and others considered as being a work of mastery in the literary art.
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Pós-graduação em Letras - FCLAS
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Tesis (Maestría en Enfermería, con especialidad en Administración de Servicios) U.A.N.L.
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Tesis (Maestría en Ciencias Odontológicas con Especialidad en Endodoncia) U.A.N.L.
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[Tesis] ( Maestría en Administración de Empresas Especialidad en Recursos Humanos) U.A.N.L.
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Tesis (Maestría en Derecho con Especialidad en Derecho Público) U.A.N.L.
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UANL
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UANL
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UANL
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UANL
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UANL
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UANL
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For Ignácio Rangel economic development is an intrinsically contradictory movement through which technological innovation, whose dynamics explains the long cycle, is permanently in conflict with the existing capitals that it depreciates. Development in Brazil is not just defined by the opposition between the capitalist and the pre-capitalist sector; there is also an external duality that does not just express the relation between its stages of economic growth and the development of the world economy, but also tells us how its modern and its backward sector change at each stage. The duality has a double character: through the coexistence of relations of productions that correspond to two sequential historical phases, and through the existence, in the domestic and in the external “pole” of such duality, a relation of dependency toward the more advanced societies.