The People's Hour and the Social Gospel: George Howard Gibson's Gilded Age Search for an Organization of the Kingdom of God

Previous studies of the Social Gospel movement have acknowledged the fact that Social Gospelers were involved in multiple social reform movements during the Gilded Age and into the Progressive Era. However, most of these studies have failed to explain how the reform experiences of the Social Gospelers contributed to the development of the Social Gospel. The Social Gospelers’ ideas regarding the need to transform society and their strategies for doing so were largely a result of their personal experiences as reformers and their collaboration with other reformers. The knowledge and insight gained from interaction with a variety of reform methods played a vital role in the development of the ideology and theology of the Social Gospel. George Howard Gibson is exemplary of the connections between the Social Gospel movement and several other social reform movements of the time. He was involved in the Temperance movement, was a member of both the Prohibition Party and the People’s Party, and co-founded a Christian socialist cooperative colony. His writings illustrate the formation of his identity as a Social Gospeler as well as his attempts to find an organization through which to realize the kingdom of God on earth. Failure to achieve the changes he desired via prohibition encouraged him to broaden his reform goals. Like many Midwestern Social Gospelers Gibson believed he had found “God’s Party” in the People’s Party, but he rejected reform via the political system once the Populists restricted their attention to the silver issue and fused with the Democratic Party. Yet his involvement with the People’s Party demonstrates the attraction many Social Gospelers had to the reforms proposed in the Omaha Platform of 1892 as well as to the party’s use of revivalistic language and emphasis on producerism and brotherhood. Gibson’s experimentation with a variety of ways to achieve the kingdom of God on earth provides new insight into the experiences and contributions of lay Social Gospelers. Adviser: Kenneth J. Winkle

The gilded age, a tale of to-day,

Mode of access: Internet.

The gilded age, a tale of to-day,

Plate 89. missing.

"King Lehr" and the gilded age,

"Fifth impression."

OPERA IN AMERICA: MUSIC OF, BY, AND FOR THE PEOPLE­: A PERFORMANCE DISSERTATION

Opera in America: Music of, by, and for the people is a study of the relationship between American popular culture and opera in the United States. Four performance projects demonstrate the on-going exchange between the operatic community-including its composer, singers, and patrons-and the country's popular entertainment industry with its broad audience base. Numerous examples of artistic cross pollination between lowbrow and highbrow music will illustrate the artistic and social consequences created by this artistic amalgamation. Program #1, By George! By Ira! By Gershwin!, is a retrospective of Gershwin's vocal music representing a blending of popular and serious music in both style and form. The concert includes selections from Porgy and Bess, a work considered by many musicologists as the first American opera. Program #2, Shadowboxer, is a premiere performance of an opera by Frank Proto and John Chenault. For this newly commissioned work, I serve as Assistant Director to Leon Major. Shadowboxer provides a clear example of opera utilizing popular culture both musically and dramatically to tell the true story of American hero and legendary boxer, Joe Louis. Program #3, Just a Song at Twilight, is an original theatrical music piece featuring music, letters, diaries, and journals of the Gilded Age, an era when opera was synonymous with popular entertainment. Special attention is focused on tum-of­ the-century singers who performed in both opera and vaudeville. Program #4 is a presentation of Dominick Argento's Miss Manners on Music and illustrates the strong relationship that can exist between opera and American popular entertainment. Originally conceived as a song cycle, I have staged the work as a one-act opera sung and acted by soprano Carmen Balthrop. This piece is based on the writings of pop icon and newspaper columnist Judith Martin, otherwise known as Miss Manners. All four performances are recorded in audio and video formats.

The writings of Mark Twain [pseud.]

Each vol. has general half-title and special t.-p.

The complete works of Mark Twain.

v.1. The adventures of Tom Sawyer -- v.2. The innocents abroad -- v.3. Pudd'nhead Wilson -- v.4. The America claimant -- v.5. A Connecticut Yankee in King Arthur's court -- v.6. Roughing it -- v.7. Life on the Mississippi -- v.8. The mysterious stranger -- v.9. The adventures of Huckleberry Finn -- v.10. The gilded age -- v.11. A tramp abroad -- v.12. What is man? -- v.13. Following the equator -- v.14. Tom Sawyer abroad -- v.15. The man that corrupted Hadleyburg -- v.16. In defense of Harriet Shelley -- v.17. Joan of Arc -- v.18. The $30,000 bequest -- v.19. Sketches old and new -- v.20. Europe and elsewhere -- v.21. The prince and the pauper -- v.22. Mark Twain's notebook -- v.23. Christian science -- v.24. Mark Twain's speeches.

The writings of Mark Twain.

URL additional copies of v.6 and 19: Hillcrest Edition.

The complete works of Mark Twain

- Autobiography. - [v.1.] The adventures of Tom Sawyer. -[v.2.] The innocents abroad. - [v.3.] Pudd'nhead Wilson. - [v.4.] The American claimant. - [v.5.] Connecticut Yankee in King Arthur's court. -[v.6.] Roughing it. - [v.7.] Life on the Mississippi. - [v.8.] The mysterious stranger. -[v.9.] The adventures of Huckleberry Finn. - [v.10.] The gilded age. - [v.11.] A tramp abroad. -[v.12.] What is man? - [v.13.] Following the equator. -[v.14.] Tom Sawyer abroad. - [v.15.] The man that corrupted Hadleybrug. -[v.16.] In defense of Harriet Shelley. - [v.17.] Joan of Arc. - [v.18.] The 30,000 bequest. - [v.19.] Sketches, new and old. - [v.20.] Europe and elsewhere. - [v.21.] - The Prince and the pauper. - [v.22.] Mark Twain's notebook. - [v.23.] Christian Science. -[v.24.] Mark Twain's speeches.

The moderate voice of John Sherman and the Republican agenda 1855-1898

Republican John Sherman, United States Congressman, Senator, Treasury Secretary, and Secretary of State had a political career of major importance from 1855 to 1898, yet there have been only casual references by historians and only two biographies of him, with the most recent published in 1902. From a strong Whig Party background, he was first elected to the United States House of Representatives in 1854; switching to the Republicans that same year. Then elevated to the Senate in 1861, he served in that body throughout the Civil War and Reconstruction when he was the most important voice of party unity and moderation. In 1877, the new President Rutherford Hayes appointed Sherman Secretary of the Treasury. He returned to the Senate after the Hayes administration where he sat for the following 15 years. In this particularly notable period, he not only led the upper house, but he engineered more bills in Congress which bore his name than any other member of either house. These included the critically important Sherman Silver Purchase Act, the Sherman Anti-Trust Act and Sherman Inter-State Commerce Act. In 1897 he left the Senate finally when William McKinley appointed him Secretary of State. ^ Through this long, distinguished career, Sherman was involved in all the important legislation that brought the country through the Civil War and Reconstruction and into the post-war world of the Gilded Age of rapid industrialization, and urban growth, Politically, he never strayed far from the nationalistic and economic principles of the Whig Party, and brought both these values to bear in the Republican Party that dominated American political life from 1860 to 1900. Similarly, party loyalty and loyalty to the President always characterized his service. He was indeed, an exemplar of political and statesmanship. ^ While research for this dissertation included review of both journal and monographic literature, its basis lies more critically in primary research in unpublished archival material in repositories from Maine to Ohio, in particular the Library of Congress. ^

The gilded man (El Dorado) and other pictures of the Spanish occupancy of America,

The gilded man: I. Cundinamarca. II. Meta. III. Omagua. IC. The expedition of Ursa and Aguirre.--Cibola: I. The Amazons. II. The seven cities. III. Francisco Vasquez Coronado. IV. The New Mexican pueblos. V. Quivira.---The massacre of Cholula (1519)--The age of the city of Santa Fé.--Jean L'Archévèque.