Genre et pouvoir : relation entre danseurs nus et clientèle féminine et masculine

L’objectif de ce mémoire est de comprendre l’influence du genre sur le rapport de force entre les danseurs nus et leur clientèle féminine et masculine. Depuis les années 1960, les bars de danseuses nues abondent à Montréal. De nombreuses recherches ont été menées à ce sujet, mais très peu concernent directement leurs homologues masculins, les bars de danseurs nus pour hommes et pour femmes. Notre mémoire analyse la relation de pouvoir entre les danseurs nus et leur clientèle féminine et masculine au 281 et au Stock bar. S’appuyant sur la littérature des bars de danseuSEs nuEs, nous étudions les quatre dimensions de la relation de pouvoir : l’influence des lieux sur les interactions, la liaison physique et sexuelle, l’échange marchand ainsi que le lien émotif. Pour répondre à notre question de recherche, nous avons effectué plusieurs séances d’observation non-dévoilée au 281 et au Stock bar. Afin d’analyser les données que nous avons recueillies, nous utilisons les théories de Judith Butler et la sociologie goffmanienne. Le concept de phallus de Butler nous permet de repérer qui domine en « ayant » le phallus et qui est dominé en « étant » le phallus. Nous concluons que les femmes sont, à quelques exceptions près, toujours celles qui « sont » le phallus pour les hommes danseurs et animateurs qui le « possèdent ». La structuration des soirées, établie selon le modèle hétérosexuel binaire prépondérant, rend très difficile pour elles de s’en emparer. En ce qui concerne le rapport entre les hommes danseurs et clients dans un contexte homosexuel, ce sont les danseurs qui « sont » le phallus pour les hommes clients qui l’« ont ». Leur relation est très similaire à celle que nous pouvons observer dans les bars de danseuses nues entre ces dernières et leur clientèle masculine. « Être » le phallus signifie que les danseuSEs nuEs ont le pouvoir de reconnaître ou non le phallus à l’homme client afin qu’il puisse (ou non) matérialiser son pouvoir masculin en subvenant à leurs besoins et en étant désirable à leurs yeux. Dans tous les cas, les danseurs nus font un travail émotionnel différent selon le genre des clientEs, rehaussant le statut social des hommes et diminuant celui des femmes.

The river, the railroad tracks, and the towers: How residents' worldview and use value transformed Wilton Manors into a diverse, gay-friendly, urban village

This case study examines the factors that shaped the identity and landscape of a small island-urban-village between the north and south forks of the Middle River and north of an urban area in Broward County, Florida. The purpose of the study is to understand how Wilton Manors was transformed from a “whites only” enclave to the contemporary upscale, diverse, and third gayest city in the U.S. by positing that a dichotomy for urban places exists between their exchange value as seen by Logan and Molotch and the use value produced through everyday activity according to Lefebvre. Qualitative methods were used to gather evidence for reaching conclusions about the relationship among the worldview of residents, the tension between exchange value and use value in the restructuration of the city, and the transformation of Wilton Manors at the end of the 1990s. Semi-structured, in-depth interviews were conducted with 21 contemporary participants. In addition, thirteen taped CDs of selected members of founding families, previously taped in the 1970s, were analyzed using a grounded theory approach. My findings indicate that Wilton Manors’ residents share a common worldview which incorporates social inclusion as a use value, and individual agency in the community. This shared worldview can be traced to selected city pioneers whose civic mindedness helped shape city identity and laid the foundation for future restructuration. Currently, residents’ quality of life reflected in the city’s use value is more significant than exchange value as a primary force in the decisions that are made about the city’s development. With innovative ideas, buildings emulating the new urban mixed-use design, and a reputation as the third gayest city in the United States, Wilton Manors reflects a worldview where residents protect use value as primary over market value in the decisions they make that shape their city but not without contestation.^

Rickettsial spotted fever in capoeirão Village, Itabira, Minas Gerais, Brazil

The present study investigated the infection by spotted fever rickettsia in an endemic area for Brazilian spotted fever (BSF; caused by Rickettsia rickettsii) in Minas Gerais State, Brazil. Human, canine and equine sera samples, and Amblyomma cajennense adult ticks collected in a rural area of Itabira City, Minas Gerais State were tested for rickettsial infection. Through Immunofluorescence Assay (IFA) we demonstrated the presence of antibodies anti-R. rickettsii in 8.2%, 81.3% and 100% of the human, canine and equine sera, respectively. None of the 356 tick specimens analyzed were positive for Rickettsia by the hemolymph test or Polymerase Chain Reaction technique (PCR) for the htrA and the gltA genes. Our serological results on horses and dogs (sentinels for BSF) appoint for the circulation of a SFG Rickettsia in the study area, however in a very low infection rate among the A. cajennense tick population.

Megan Henderson and Gay Walkington in Wattle Dance Group, Christmas 1968

Megan Henderson and Gay Walkington in Wattle Dance Group, Christmas 1968. The Wattle Dance Group met every Saturday in the Trades Hall, Brisbane, Australia. They held an concert at the end of each year. Janet Henderson was the mainstay and taught along with a few others. Jean Leary was the pianist. She took over from Eva Bacon.

Review of 'The Thai Village Economy in the Past'

This charmingly old-fashioned little book was first published in Thai in 1984, and now appears in an elegant English translation. The two major intellectual influences that gave it birth are rather older, dating from the 1950s, 1960s, and early 1970s. The first developed from the intersection of the academic pre-eminence of varieties of Marxist thinking about the Third World and the struggles of anticolonial peasant-based revolutionaries and produced a high age of romanticism about the Southeast Asian village and the unfortunate victims who inhabited them. The origins of the second are more uncertain, but probably represent, paradoxically, a Thai appropriation of those Western social-science constructions of Thai cultural uniqueness which were especially popular in the 1950s and 1960s.