964 resultados para Garnett, James M. (James Mercer), 1770-1843.
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Cover-title: Biographical sketch of Hon. James Mercer Garnett, of Elmwood, Essex County, Virginia.
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"Errata": leaf at end.
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Mode of access: Internet.
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Mode of access: Internet.
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Editorship is attributed to William Allen, cf. Smith II:394.
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Vol. 3 has title: The works ... with a brief memoir of his life, by Dr. Gregory ...
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Considering the role of student voice in music education in connection with the role of music in identity formation. A report on a small-scale study.
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This article investigates the nature of enterprise pedagogy in music. It presents the results of a research project that applied the practices of enterprise learning developed in the post-compulsory music curriculum in England to the teaching of the National Curriculum for music for 11-to-14-year-olds. In doing so, the article explores the nature of enterprise learning and the nature of pedagogy, in order to consider whether enterprise pedagogy offers an effective way to teach the National Curriculum. Enterprise pedagogy was found to have a positive effect on the motivation of students and on the potential to match learning to the needs of students of different abilities. Crucially, it was found that, to be effective, not only did the teacher’s practice need to be congruent with the beliefs and theories on which it rests, but that the students also needed to share in these underlying assumptions through their learning. The study has implications for the way in which teachers work multiple pedagogies in the process of developing their pedagogical identity.
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The distinction between learning to perform on an instrument or voice and learning music in a wider sense is one that is made in many countries, and is especially pertinent in England in the context of recent policy developments. This article argues that, whilst this distinction has come to represent curricula based on the opposing paradigms of behaviourist and constructivist approaches to learning, this opposition does not necessarily extend to the pedagogy through which the curricula are taught. A case study of the National Curriculum in England highlights the characteristics of a curriculum based on constructivist principles, along with the impact this has when taught in a behaviourist way. It is argued that conceiving the curriculum in terms of musical competencies and pedagogy in terms of musical understanding would provide a basis for greater continuity and higher quality in the music education experienced by young people.
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Pós-graduação em Educação Matemática - IGCE
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Appendix, A.-C.: 103, [1] p. at end.
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Mode of access: Internet.