The King of Schnorrers : grotesques and fantasies /

The King of Schnorrers.--The semi-sentimental dragon.--An honest log-roller.--A tragi-comedy of creeds.--The memory clearing house.--Mated by a waiter.--The principal boy.--An odd life.--Cheating the gallows.--Santa Claus.--A rose of the Ghetto.--A double-barrelled ghost.--Vagaries of a viscount.--The queen's triplets.--A successful operation.--Flutter-Duck: a Ghetto grotesque.

A narrative of the political and military events which took place at Naples in 1820 and 1821 : with observations explanatory of the national conduct in general, and of his own in particular, during that period : addressed to His Majesty, the King of the Two Sicilies /

"Howlett and Brimmer, Printers, 10, Frith Street, Soho Square."-- Colophon.

Alaeddin and the enchanted lamp; Zein ul Asnam and the King of the Jinn; two stories done into English from the recently discovered Arabic text by John Payne.

Limited to 500 copies.

Alaeddin and the enchanted lamp : Zein ul Asnam and the King of the Jinn /

Mode of access: Internet.

Rogeri de Wendover Liber qui dicitur Flores historiarum ab Anno Domini MCLIV. annoque Henrici Anglorum regis secundi primo. The flowers of history by Roger de Wendover: from the year of Our Lord 1154, and the first year of Henry the Second, king of the English.

"The present edition is confined to that portion of Wendover's chronicle which comprises the materials ... collected by himself" [i.e. 1154-1235]--Pref., v. 1.

King of the Renaissance: Art and Politics at the Neapolitan Court of Ferrante I, 1458-1494

In the second half of the fifteenth century, King Ferrante I of Naples (r. 1458-1494) dominated the political and cultural life of the Mediterranean world. His court was home to artists, writers, musicians, and ambassadors from England to Egypt and everywhere in between. Yet, despite its historical importance, Ferrante’s court has been neglected in the scholarship. This dissertation provides a long-overdue analysis of Ferrante’s artistic patronage and attempts to explicate the king’s specific role in the process of art production at the Neapolitan court, as well as the experiences of artists employed therein. By situating Ferrante and the material culture of his court within the broader discourse of Early Modern art history for the first time, my project broadens our understanding of the function of art in Early Modern Europe. I demonstrate that, contrary to traditional assumptions, King Ferrante was a sophisticated patron of the visual arts whose political circumstances and shifting alliances were the most influential factors contributing to his artistic patronage. Unlike his father, Alfonso the Magnanimous, whose court was dominated by artists and courtiers from Spain, France, and elsewhere, Ferrante differentiated himself as a truly Neapolitan king. Yet Ferrante’s court was by no means provincial. His residence, the Castel Nuovo in Naples, became the physical embodiment of his commercial and political network, revealing the accretion of local and foreign visual vocabularies that characterizes Neapolitan visual culture.

King of the Golden River

Mode of access: Internet.

King of the thundering herd : the biography of an American bison /

Mode of access: Internet.

Mount Hope; or Philip, king of the Wampanoags: an historical romance,

First edition. Wright II, 1231.

The King of the Hurons /

Republished in England as "Blanche Montaigne".

The king of the Philippine Islands, a ludicrous afterpiece ...

Covers plain, without printing.

Attila, king of the Huns.

A "supplement containing above six hundred additional lines to Attila books VIII, XI, and XII" was appended to the author's Works, 1842, p. [555]-580.

A letter to His Majesty George the IVth, king of the United Empire of Great Britain,&c.&c.&c.

Concerning the politics of the day.

The king of the town,

Mode of access: Internet.

The king of the Golden river;

Mode of access: Internet.