Obras literarias de la Señora Doña Gertrudis Gomez de Avellaneda : Coleccion completa.

Mode of access: Internet.

Obras literarias de la Señora Doña Gertrudis Gomez de Avellaneda : Coleccion completa.

Mode of access: Internet.

Poesías de la Señorita Da. Gertrudis Gomez de Avellaneda.

Mode of access: Internet.

Mundos Prohibidos: El Poder en el Discurso Epistolar de Gertrudis Gómez de Avellaneda y Juana Borrero

This dissertation analyses, through a theoretical framework and a critical approach, letters of Cuban writers Gertrudis Gómez de Avellaneda and Juana Borrero. While love letters have captured the interest of some scholars, such as Claudio Guillén, Cintio Vitier and Alexander Roselló Selimov, the conflict that the analysis of non-literary texts poses has prevented further research in this field. Therefore, I propose a systematic method of analysis encompassing but not limited to evaluating letters based on their purpose, intent, interpretation, and temporal and spatial composition; analyzing the perspective and function of epistolary entities, and examining the textual signs that distinguish the epistolary forms from the literary forms. With this analytical tool, I examine a selection of letters of Gómez de Avellaneda and demonstrate that the writer displaces her identify from the autobiographic self to the epistolary self, in order to manipulate the perspective of her addressee. Caught between the Neoclassical way of thinking and the Romantic aesthetics, her assertive discourse, also reflected in her epistolary work, contributed to the incursion of women writers into the social and professional life of the nineteen century. Following the same method of investigation, an analysis of letters written by Borrero proves that, by building a world of delusion, hallucination and fantasy the writer brings to prose what first generation of female modernistas had done in poetry. In both cases, my focus is on the strategies that turn these letters into instruments of power, process that transformed the love-letter paradigm and forever renovated the women epistolary genre. This dissertation further explores the possibility of initiating a cycle in the study of personal letters to uncover a forgotten genre, mission that might build a bridge to embrace the new forms of written communication that scholars have already begun to explore in contemporary literature.

Women Writers and Women’s Rights: The Denunciation of Women’s Conditions in the Texts of Mary Leman Grimstone and Gertrudis Gómez de Avellaneda

Through the analysis of the prose of two nineteenth-century women writers: the English Mary Leman Grimstone and the Cuban-Spanish Gertrudis Gómez de Avellaneda, the present dissertation aims at unveiling the relationship between women’s writings and the struggle for the recognition of women’s rights in two different geopolitical locations. To do so, it weaves a Feminist Planetary Web between each writer and her context, as well as among both writers, finding points of connection and disconnection. It shows how women appropriated the pen in different geographical locations, exposing a particular female voice that denounced not only the oppression suffered by women, but also by other marginalized subjects. For each writer this dissertation exposes several macro-arguments present transversally in their work, like their critiques to the institution of marriage, the importance of proper education for women, the advocacy for religious tolerance, and the narrative construction of different male and female paradigms. The critiques to the institution of marriage is a point of connection between both authors. They also coincided in highlighting the importance of women’s right to access a proper education. Aside from these commonalities, this dissertation also analyses how Grimstone and Gómez de Avellaneda negotiated their position in the literary public realm, showing how it was precisely in this point that readers and critics can find noteworthy differences between them.

Poesías de la excelentísima señora Da Gertrudis Gómez de Avellaneda de Sabater

UANL

Gertrudis Gómez de Avellaneda : ¿escritora cubana, española o simplemente una mujer?

La cubanidad o españolismo de Gertrudis Gómez de Avellaneda ha sido tema explorado por muchos, ocasionando debates en la crítica. La primera parta de este trabajo destaca cómo la dualidad cubano-española de esta autora ha provocado juicios discrepantes sobre la nacionalidad literaria de su obra. La segunda intenta demostrar que ninguno de los países la llevó a reflejar un tema nacional marcadamente definido; ambos contribuyeron al desarrollo de sus ideas feministas, que es el tema más relevante de su obra literaria.

La historia de Nay y Sinar de Jorge Isaacs y Sab de Gertrudis Gómez de Avellaneda: un contrapunto (Dossier: Novela, historia y nación en América Latina)

En este texto el autor se propone cotejar la historia de Nay y Sinar incluida en la novela María, de Jorge Isaacs (1867), con la de Bernabé en Sab (publicada en Madrid en 1841), de Gertrudis Gómez de Avellaneda. Esta exploración busca, por un lado, crear un contrapunto de ambos textos, por otro lado, se propone pasar revista a temas como la construcción de lo masculino en los dos textos, la posición antiesclavista de las mismas y Madre Natura como antagonista y coadyuvante de los protagonistas. Para cerrar este trabajo el autor aplicará un par de ideas de Benedict Anderson intentando explicar lo siguiente: los personajes de Isaacs y Gómez de Avellaneda provienen de una comunidad imaginada perdida y se ven en la imposibilidad de reproducir en un contexto diferente los límites de ese reino que ya no existe o que quizá no existió, por ser parte de la imaginación comunitaria.

Historia de la literatura cubana : Del Monte. Heredia. Milanés. Saco. Gertrudis Gómez de Avellaneda. Zenea, etc. etc. /

First edition, Havana, 1890, has title: Estudio sobre el movimiento cientifico y literario de Cuba.

Poesias de la señorita D ?Gertrudis Gómez de Avellaneda /

Antep.

Los mejores cuentos americanos. Viana, Palma, Marti, Montalvo, Restrepo, Gutierrez, Najero, Blanco-Fombona, Jaimes Freyre, Delgado, Gomez de Avellaneda.

Mode of access: Internet.

Mundos prohibidos: El poder en el discurso epistolar de Gertrudis Gómez de Avellaneda y Juana Borrero

This dissertation analyses, through a theoretical framework and a critical approach, letters of Cuban writers Gertrudis Gómez de Avellaneda and Juana Borrero. While love letters have captured the interest of some scholars, such as Claudio Guillén, Cintio Vitier and Alexander Roselló Selimov, the conflict that the analysis of non-literary texts poses has prevented further research in this field. Therefore, I propose a systematic method of analysis encompassing but not limited to evaluating letters based on their purpose, intent, interpretation, and temporal and spatial composition; analyzing the perspective and function of epistolary entities, and examining the textual signs that distinguish the epistolary forms from the literary forms. With this analytical tool, I examine a selection of letters of Gómez de Avellaneda and demonstrate that the writer displaces her identify from the autobiographic self to the epistolary self, in order to manipulate the perspective of her addressee. Caught between the Neoclassical way of thinking and the Romantic aesthetics, her assertive discourse, also reflected in her epistolary work, contributed to the incursion of women writers into the social and professional life of the nineteen century. Following the same method of investigation, an analysis of letters written by Borrero proves that, by building a world of delusion, hallucination and fantasy the writer brings to prose what first generation of female modernistas had done in poetry. In both cases, my focus is on the strategies that turn these letters into instruments of power, process that transformed the love-letter paradigm and forever renovated the women epistolary genre. This dissertation further explores the possibility of initiating a cycle in the study of personal letters to uncover a forgotten genre, mission that might build a bridge to embrace the new forms of written communication that scholars have already begun to explore in contemporary literature.