184 resultados para Fonologia Prosódica


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Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)

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This paper analyzes unconventional segmentation of word found in texts of the sixth grade of Elementary School. Through quantitative and qualitative analysis, we describe the prosodic characteristics that may be motivated the hyper and hippossegmentation of words found in 27,4% of 606 investigated texts. We identified a tendency toward a more text with hippossegmentation than hypersegmentation, characteristic similar to what is reported about children’s text. Taking into account the theoretical framework of Prosodic Phonology, we argue about the relevance of prosodic word and clitic group in the description of the regularities observed in data of unconventional segmentation of word. We note that (i) in cases of hipposegmentation, it predominates the hollow of a clitic followed by a phonological word, (ii) in cases of hypersegmentation, it predominates a segmentation of a prosodic word into a clitic group. We present evidences to be the spelling of clitic elements a challenge to students analyzed. By investigating in the grammatical class that owned the clitics spelled unconventionally, we verified that they are prepositions (“em, de, com”) and pronouns (“me, lhe, lo”), a characteristic that particularize these data in relation to data from students in the early stage of language acquisition.

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

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O presente trabalho configura um estudo sobre o emprego das pausas preenchidas eh (ɛ) e uh (ɘ) por brasileiros falantes de inglês como língua estrangeira em entrevistas do Teste de Profi ciência Oral em Língua Inglesa (TEPOLI). O estudo fundamenta-se sobre a teoria da Fonologia Prosódica de Nespor e Vogel (1986) e sobre os estudos de pausas preenchidas e o conceito de fluência de Moniz (2006), Merlo (2006) e Scarpa (1995). A investigação compõe-se de um olhar triplo: analisamos a escolha de eh e uh como sons preenchedores; investigamos os contextos prosódicos das pausas preenchidas; e examinamos a motivação cognitivo-discursiva para a inserção dessas pausas preenchidas. Os dados embasam uma reflexão sobre o conceito de fluência e oferecem maior poder descritivo à escala do teste, contribuindo, portanto, para seus estudos de validade e confiabilidade.

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Pós-graduação em Fonoaudiologia - FFC

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We intend to observe the function of a linguistic resource – the pause – in theatrical interpretation. Connected to the field of speech therapy, we search for theoretical support in the Linguistics field, mainly in prosodic phonology – specifically, we highlight intonational phrase and phonological utterance, prosodic constituents –, proposing a dialogue between these fields, regarding the work with actors. In speech therapy literature, the work with actors focuses, centrally, in organic issues involved in the vocal process, such as “misuse” or “voice abuse”. To a smaller extent, we find, in this literature, researches that emphasize issues regarding interpretation and expressive resources, besides a few emphasizing the importance of linguistic resources in interpretation. Differently, in linguistics literature, the pause is approached, to a larger extent, from the phonetic perspective, related to several language levels. In this research, we analyzed audio recordings of four actors from a same theatrical group, acting the theatrical text Brutas flores, focused on these aims: (1) detect the place where pauses happen in the interpretation of a single text by four actors; (2) survey physical characteristics of length of these pauses; (3) check to what extent the length of a pause is related to the place where it happens, regarding the prosodic limits of intonational phrases (I) and phonological utterance (U). We could observe that, although the interpretation is characterized by the subjectivity of the actor, the interpretation is constructed based in the possibilities offered by the prosodic organization of the text itself, being more or less flexible.We were also able to confirm, by considering the length of VVs units containing pauses, the prosodic hierarchy proposed by Nespor & Vogel, once the length of these units in U's limits was significantly higher than the length in I's limits. Thus, our results reinforce the premise that a linguistic structure overlaps the subjectivity of the actor, i. e., the premise that the strength of linguistic structure organization acts on the possible individual operation/style.

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This paper aims at discussing the characteristics of computer mediated language within a foreign language teaching and learning environment enabled by the use of synchronic writing resources – chat. The present research is based on (i) theoretical principles about the use of technologies and the teaching-learning of foreign languages in the scope of the Teletandem Brazil Project: Foreign languages for all – Projeto Teletandem Brasil: línguas estrangeiras para todos (TELLES, 2005); (ii) studies on the characteristics of the language within chat interactions; (iii) different theoretical perspectives on the relationship between spoken and written language, emphasizing the constitutive heterogeneity of writing perspective (CORRÊA, 1997, 1998, 2001); and (iv) some relevant concepts related to Prosodic Phonology field (NESPOR; VOGEL, 1986). Is being taken as research data, the written production of a Brazilian student (finishing a Licentiate in Literature) interacting with an American student (in Religious Studies) through Windows Live Messenger. The data were collected during a five-month period, during which the participants interacted through chat, totalizing 12 interactions in English and in Portuguese. During the analysis, a particular attention was given to the messages’ fragmentation, the use (or not) of punctuation signs and abbreviations within the Brazilian participant’s production, in order to discuss the representations she built of her writing, her interlocutor, herself and on the teaching-learning process of a foreign language.

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This article intends to study sandhi phenomena in Archaic Portuguese (13th century), in order to obtain clues about the prosodic status of clitics. Analyzing the texts of the reminiscent religious medieval cantigas (420 Cantigas de Santa Maria, compiled by Alfonso X, the Wise) this study intends to determine the cliticization direction, in order to find clues to the formation of superior prosodic constituents, based on the consideration of the syntactic structure of the sentence and the direction of the syntactic cliticization.

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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

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This paper is an outline of how intonation has been analyzed and described by phonologists and phoneticians within the framework of modern linguistics. Intonation is a prosodic reality that is concerned directly with the fundamental frequency in speech. Phonetically, intonation can be described physically with special equipments. But a phonological treatment of intonation data is a hard task for linguists. This paper presents part of this discussion.

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Tese de doutoramento, Linguística (Linguística para o Diagnóstico e Intervenção), Universidade de Lisboa, Faculdade de Letras, Faculdade de Medicina, 2016

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[EN] The current methodological tendencies give particular importance to the teaching of orality. Thus, several investigations have verified that reading aloud to children contributes positively to their cognitive development. However, in order to achieve the objective proposed with this type of reading, the prosodic aspect should not be forgotten. In spite of the few articles published up to now, the prosodic aspect is considered to be essential to provide a description of young people’s prosodic features when reading aloud, especially in order to create general rules that can be taught in our schools and universities. This paper is limited to the analysis of the types of rhythm, and for this, five informants have been selected and asked to read a text written in standard Basque.