Andante et scherzo. [music] : for flute and piano /

Cover title.

Hungarian dances for violin and piano. [music] /

For violin and piano ; originally for piano, 4 hands.

[Collection of music arranged for violin and piano.]

Contains works by Beethoven, Appollinaire de Kontski, G. Scheller, H. Vieuxtemps, J.W. Kalliwoda, Mozart, F. von Suppé, F. Doppler, and L. Spohr.

Poem, for flute and orchestra. [music] : For flute and piano /

Mode of access: Internet.

AMERICAN WOMEN COMPOSERS: SELECTED PUBLISHED WORKS FOR FLUTE AND PIANO AND FOR UNACCOMPANIED FLUTE COMPOSED BETWEEN 1930 AND 2008

The music of women composers often comprises only a small percentage of flutists‘ repertoire, yet there are actually many active women composers, many of whom have written for the flute. The aim of this dissertation is to chronicle a selection of works by several American women composers that have contributed to accessible flute repertoire. For the purpose of this dissertation, accessibility is described by the following parameters: works that limit the use of extended techniques, works that are suitable for performers from high school through a reasonably advanced level, works that are likely to elicit emotionally musical communication from the performer to the listener, and works that are reasonably available through music stores or outlets on the Internet that have a fairly comprehensive reach to the general public. My subjective judgment also played a role in the final selection of the 25 works included as part of this dissertation, and performed on three musically well-balanced recitals. A variety of resources were consulted for the repertoire, including Boenke‘s Flute Music by Women Composers: An Annotated Catalog, and the catalogs of publishers such as Arsis Press and Hildegard Publishing, both of which specialize in the music of women composers. The works performed and discussed are the following: Adrienne Albert – Sunswept; Marion Bauer – Prelude and Fugue, Op. 43.; Marilyn Bliss – Lament; Ann Callaway – Updraft; Ruth Crawford – Diaphonic Suite; Emma Lou Diemer – Sonata; Vivian Fine – Emily’s Images; Cynthia Folio – Arca Sacra; Nancy Galbraith – Atacama; Lita Grier – Sonata; Jennifer Higdon – The Jeffrey Mode; Edie Hill – This Floating World; Katherine Hoover – Masks; Mary Howe – Interlude between Two Pieces; Laura Kaminsky – Duo; Libby Larsen – Aubade; Alex Shapiro – Shiny Kiss; Judith Shatin – Coursing Through the Still Green; Faye-Ellen Silverman – Taming the Furies; Augusta Read Thomas – Euterpe’s Caprice; Joan Tower – Valentine Trills; Ludmila Ulehla – Capriccio; Elizabeth Vercoe – Kleemation; Gwyneth Walker – Sonata; and Judith Lang Zaimont – ‘Bubble-Up’ Rag. All of these works are worthy alternatives to the more frequently played flute repertoire, and they serve as a good starting point for anyone interested i n exploring the works of women composers.

Differential cognitive responses to guqin music and piano music in Chinese subjects: an event-related potential study

目的 研究古琴(一种古老的中国乐器)和钢琴音乐对认知的影响.方法 记录和分析了中国被试在两种音乐背景(古琴音乐,钢琴音乐)下完成听觉oddball任务的行为和事件相关电位(event-related potential,ERP)数据.结果 中国被试在本土文化的音乐环境(古琴音乐)下,前额区诱导出更大的P300,这一结果和已有的相关研究是相符的.同时,不同音乐背景对ERP产生的影响在N1和LPC(包括P300和P500)上也表现出差别:中国被试在古琴音乐背景下比钢琴音乐背景下表现出更多的右前侧颞叶的参与.结论 因为古琴音乐的五声调式和汉语发音的音调具有对应关系,因此我们推断在古琴音乐下所表现出的这种特性与被试的汉语环境有关.

Crossmodal effects of Guqin and piano music on selective attention: An event-related potential study

To compare the effects of music from different cultural environments (Guqin: Chinese music; piano: Western music) on crossmodal selective attention, behavioral and event-related potential (ERP) data in a standard two-stimulus visual oddball task were reco

Crossmodal effects of Guqin and piano music on selective attention: An event-related potential study (vol 466, pg 21, 2009)

Special thanks to Christopher Blair and Mumtaz Baig for their suggestions. This work was supported by National Basic Research Program of China (973 Program, 2007CB411600), National Natural Science Foundation of China (30621092), and Bureau of Science and Technology of Yunnan Province.

Twenty sonatas for violin and piano. [music] : Original version (Urtext).

V. 1. No.19 (K. 57) F major. No.20 (K. 58) E (flat) major. No.22 (K. 60) E minor. No.24 (K. 296) C major. No.25 (K.301) G major. No.26 (K. 302 E (flat) major. No.27 (K.303) C major. No.28 (K. 304) E minor. No.29 (K. 305) A major No.30 (K. 306) D major. No.32 (K. 376) F major. No.33 (K. 377) F major -- v. 2. No.34 (. 378) B major. No.35 (K. 379) G major. No.36 (K. 380) E (flat) major. No.37 (K. 402) A major. No.40 (K. 454) B major. No.41 (K. 481) E (flat) major. No.42 (K. 526) A major. No.43 (K. 547) F major.

Two romances, opus 40 and opus 50, for violin and piano. [music] /

Acc. arr. for piano.

Scotch phantasy for violin and piano. [music] : opus 46 /

Mode of access: Internet.

Concerto no. 19 in D minor for violin and piano. [music] /

Mode of access: Internet.

Symphonie espagnole, for violin and piano.

Mode of access: Internet.

Twenty classic favorites for clarinet and piano /

Mode of access: Internet.

Favorite encore folio : for violin and piano /

Principally arrangements.