976 resultados para Fauchet, Claude, 1744-1793.


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Vols. 1-5, 1744-1793 were not published until 1814-1821; The academy was supressed in 1793, and resumed its activities in 1804; The vol. for 1804 was published in 1807.

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The first five volumes ("t. 1-5") covering the years 1744-1793 were not published until 1814-21; the academy was suppressed in 1793, and resumed its activities in 1804; the volume for 1704 was published in 1807.

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Vol. 2 has subtitle: Nebst einer abhandlung des verfassers gegen die vermuthung, dass noch ueberbleibsel der alten Gothen in der Krim ... vorhanden seyn sollten ... und der biographischen skitze desselben, von J.D. Gerstenberg ... Hildesheim und St. Petersburg, Gerstenberg und Dittmar, 1797.

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Lawyer's form book containing sample forms for legal documents, compiled by most likely Walter Franklin Esq. of Philadelphia, Pennsylvania.

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Texto con apostillas marg.

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Patrick Danoy, Meng Wei, Hadler Johanna, et al. Association of variants in MMEL1 and CTLA4 with rheumatoid arthritis in the Han Chinese population. Ann Rheum Dis 2011;70:1793–97. The following authors were listed as contributing equally to the study...

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Contains business correspondence, accounts and documents relating to Jacob Franks of New York, his two sons, Moses and David, a nephew, Isaac, and a John Franks of Halifax, possibly a member of the family.

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Family tree, genealogical notes and master chart for the Adler family in Warburg, prepared by Claude Corty.

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Priest, A. (2005). In Common Cause: The NATO Multilateral Force and Mixed-Manning Demonstration on USS Claude V. Ricketts, 1964-1965. Journal of Military History, 69 (3), 759-789. RAE2008

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This thesis considers the three works of fiction of the Jamaican author Claude McKay (1889-1948) as a coherent transnational trilogy which dramatises the semi-autobiographical complexities of diasporic exile and return in the period of the 1920s and 1930s. Chapter One explores McKay’s urban North American novel, Home to Harlem (1928). I suggest that we need to ‘reworld’ conceptions of McKay’s writing in order to release him from his canonical confinement in the Harlem Renaissance. Querying the problematics of the city space, of sexuality and of race as they emerge in the novel, this chapter considers McKay’s percipient understanding of the need to reconfigure diasporic identity beyond the limits set by American nationalism. Chapter Two engages with McKay’s novel of portside Marseilles, Banjo (1929), and considers the homosocial interactions of the vagabond collective. A comparison of North America and France as supposed exemplars of individual liberty highlights the unsuitability of nationalistic prerogatives to an internally diverse black diaspora. Paul Gilroy’s Black Atlantic construct provides a suggestive space in which to re-imagine the possibilities of affiliation in the port. The latter section of the chapter examines McKay’s particular influence on, and relationship, to the Négritude movement and Pan-African philosophies. Chapter Three focuses on McKay’s third novel, Banana Bottom (1933). I suggest here that the three novels comprise a coherent New World Trilogy comparable to Edward (Kamau) Brathwaite’s trilogy, The Arrivants. This chapter considers both the Caribbean and the transnational dimensions to McKay’s work.