Mary Pickford et Douglas Fairbanks arrivent à Southampton : [photographie de presse] / [Agence Rol]

Référence bibliographique : Rol, 59805

Mary Pickford et Douglas Fairbanks à Londres [voyage de noces en Europe, juin 1920] : [photographie de presse] / [Agence Rol]

Référence bibliographique : Rol, 59870

[20/7/20] Mary Pickford et Douglas Fairbanks à Paris : [photographie de presse] / [Agence Rol]

Référence bibliographique : Rol, 60146

[20/7/20, Mary Pickford et Douglas Fairbanks aux Halles de Paris] : [photographie de presse] / [Agence Rol]

Référence bibliographique : Rol, 60148

Laugh and live,

"A 'close-up' of Douglas Fairbanks, by George Creel, reprinted from Everybody's magazine...": P. [161]-190.

Miss Hollman [i. e. Dorothy Holman], 30-5-20 [championnat du monde à Saint-Cloud] : [photographie de presse] / [Agence Rol]

Référence bibliographique : Rol, 59470

Sénateur Joseph I. France, candidat à la présidence de la République des États-Unis, C.N. New York [cliché Central News] : [photographie de presse] / [Agence Rol]

Référence bibliographique : Rol, 59521

Amiral [Emile] Guépratte : [photographie de presse] / [Agence Rol]

Référence bibliographique : Rol, 60375

Zinoviev, dernier dictateur de Petrograd : [photographie de presse] / [Agence Rol]

Référence bibliographique : Rol, 60505

Mind majick : a study of the paintings by Harry Smith

Harry Smith was an American artist who worked primarily in the 1940s through the 1980s. Although largely an obscure figure in American culture, Smith is most commonly recognized for his achievements in anthropology and ethnology, experimental cinema, and musicology. This master’s research paper is the first in-depth scholarly study of Harry Smiths’ achievements as a painter. Only a few of Smith’s paintings exist today, which explains why they have received so little attention. However, there is enough work and information available to weave together a chronological study of Smith’s occupation as a painter. In this paper, one will see how Smith’s work and interests in various fields of study influenced his painterly aesthetic, and how he was able to tie together all of his disparate diversions into cohesive and unified visions upon a twodimensional surface.

Manor life in old France; from the Journal of the sire de Gouberville for the years 1549-1562,

Mode of access: Internet.