American engravers upon copper and steel /

"The committee on publications of the Grolier club certifies that this copy of ʻAmerican engravers upon cooper and steel' is one of an edition of three hundred and fifty copies in two volumes, printed on imported mold-made paper, and three copies on imperial Japan paper, and that all were printed in nineteen hundred and seven."

British mezzotinto portraits : being a descriptive catalogue of these engravings from the introduction of the art to the early part of the present century : arranged according to the engravers, the inscriptions given at full length, and the variations of state precisely set forth : accompanied by biographical notes, and appendix of a selection of the prices produced at public sales by some of the specimens, down to the present time /

Includes indexes.

A complete catalogue of plates published by him, giving titles, prices, exact sizes, and names of the artists and engravers : a facsimile of the only copy known.

Mode of access: Internet.

Manual of the standard cost system for photo-engravers, with suggestions for a uniform system of bookkeeping and a method for making the cost system part of the general bookkeeping system ...

Cover-title.

Andrea Mantegna and the Italian pre-Raphaelite engravers.

Letterpress descriptive of plates on verso of preceding leaf.

A Dictionary of painters, sculptors, architects, and engravers : containing biographical sketches of the most celebrated artists, from the earliest ages to the present time, to which is added an appendix, comprising the substance of Walpole's Anecdotes of painting in England, from Vertue, forming a complete English school.

Compiled by John Gould.

Modern letter engraving in theory and practice; a manual for the use of watchmakers, jewelers and other metal engravers ...

Mode of access: Internet.

Ornamental treasure ; a collection of designs of all styles and periods, for architects, sculptors, modelers, gold and silversmiths, designers, porcelain and glass painters, glass stainers, engravers, lithographers, decorative painters, academies, school of industry, etc. /

Mode of access: Internet.

A catalogue of engravers : who have been born, or resided in England /

On spine: Walpole's anecdotes, v.

An inquiry into the origin and early history of engraving : upon copper and in wood, with an account of engravers and their works, from the invention of chalcography by Maso Finiguerra, to the time of Marc' Antonio Raimondi /

"The illustrations are fine copies from rare prints and the second volume contains [engravings] by Albert Durer, printed from the original blocks, preserved in the British Museum." -- H.C. Levis, Art & history of engraving (1912), p. 54.

A biographical and critical dictionary of painters and engravers : from the revival of the art under Cimabue, and the alledged discovery of engraving by Finiguerra, to the present time : with the ciphers, monograms, and marks, used by each engraver, and an ample list of their principal works, together with two indexes, alphabetical and chronological, to which is prefixed, an introduction, containing a brief account of the painters of antiquity /

Includes indexes.

Tokens of the eighteenth century connected with booksellers & bookmakers (authors, printers, publishers, engravers and paper makers)

Mode of access: Internet.

Biographical dictionary of medallists; coin, gem, and seal-engravers, mint-masters, &c., ancient and modern, with references to their works B.C. 500-A.D. 1900;

Vol. 1 of NUMRF copy is 1904 ed.

Commentary on the Engravers' Act (1735)

Legislation conferring exclusive rights, for a period of 14 years, on persons inventing and designing engravings and similar works. This was first occasion on which British copyright legislation extended to something other than literary works. The commentary describes the background to the Act, in particular the lobbying efforts of a small group of artists and engravers led by William Hogarth, and details similarities and differences which the legislation bore to the Statute of Anne 1710. The commentary suggests that, whereas the Statute of Anne essentially sought to regulate the production of the physical book, with the Engravers' Act the legislature began to articulate a more subtle distinction between the physical object and the subject of copyright protection, which was in this case, the engraved image.

La formación de las identidades y los imaginarios nacionales en Cuba a inicios del siglo XIX (Estudios)

Este trabajo analiza el proceso de nacimiento y formación de la conciencia nacional cubana desde la perspectiva del imaginario icónico, en el que tuvieron un destacado papel las imágenes que plasmaron pintores y grabadores europeos. Ese imaginario, trasladado al viejo continente, juega, aún hoy, un transcendente papel en la visión que tenemos del mundo americano y de forma concreta del mundo cubano. Más aun, veremos cómo ese imaginario se adoptó por aquel mundo y entró a formar parte de la conciencia e identidad nacional isleña.