A natureza participante de Eisenstein / Eisenstein’s participant nature

Este artigo analisa alguns ensaios de Eisenstein escritos entre 1945 e 1947, que se encontram na antologia francesa intitulada La non-indifférente nature, de 1976. Fio condutor dos escritos é uma indagação sobre a natureza orgânica da obra de arte, encontrada nas mais variadas manifestações artísticas: em cinema, teatro, literatura, pintura, arquitetura, música. A “organicidade” das obras artísticas decorria do fato de elas serem construídas conforme os elementos estruturais do fenômeno representado: a ligação entre realidade e obra não consistiria numa reprodução de conteúdos, mas na recriação, em todos os níveis formais da obra, da lei dialética que rege a realidade. This paper analyses some essays by Eisenstein written between 1945 and 1947, included in a French anthology of 1976 entiled La non-différente in nature. The guideline of such writings is a quest for the “organic nature” of the work of art, found in the most varied artistic manifestations: cinema, drama, literature, painting, architecture, music. The “organicity” of works of art derived from the that they were built according to the structural elements of the phenomenon represented: the connection between reality and work would not consist of a duplication of contents, but in the recreation, in all the formal levels of the work, of the dialectic law which rules reality.

Grundriss der am Liman und Schwartzenmeer zu liegenden Vestung Oczakow : welche den 17. Decbr. 1788 unter Com̄ando des Russischen General Feld-Marschal Fürst von Potemkin Siegreich eingenommen worden ist

Titel d. Illustr.: Siegreiche Einnahme der Türkischen Vestung Oczakow der Russisch-Käyserlichen Truppen

Potemkin conservatism. An ideological tool of the Kremlin. OSW Point of View 48, February 2015

Since the beginning of his third presidential term, Vladimir Putin has consistently invoked conservative ideology. Thus he legitimises the Kremlin’s new political strategy, the aim of which is to stabilise the regime and prevent any political mobilisation in Russia around a liberal agenda. This strategy is also intended to strengthen the legitimacy of the current model of government, by portraying it as ‘traditional’ for Russia; and to justify the government’s repressive and anti-Western policies. It also includes the policy of reintegrating the post-Soviet space under the auspices of Moscow, as evidenced by the annexation of Crimea and the Novorossiya project. This strategy was devised as a response to the galvanisation of adherents of liberalisation in Russia, namely the new middle class and a part of the business and administrative elites who publicly demonstrated their dissatisfaction with the regime in 2011 and 2012. However, the dissonance between the conservative slogans mouthed by the ruling elite and its actual conduct suggest that the Kremlin’s ‘conservative project’ is purely instrumental in nature, which in the longer term will undercut its effectiveness by undermining its credibility in the eyes of Russian society.

Memoirs of Rear-Admiral Paul Jones. Now first compiled from his originals journals and correspondence; including an account of his services under Prince Potemkin,

Microfilm. Ann Arbor, Mich., University Microfilms [n.d.] (American culture series, Reel 246.7)

La historia a través del cine. La Unión Soviética

Este libro aborda diversos aspectos de un tema crucial en la historia contemporánea: la Unión Soviética. La Universidad del País Vasco, siguiendo la estela iniciada hace décadas en otros países, ha introducido en el plan de estudios de la carrera de Historia una asignatura optativa sobre "Historia Contemporánea y Cine", distancia que se ocuparon de acortar los estudios de, entre otros, Kracauer, Ferro, Sorlin, Paul Smith, Oms, Aldgate, Short, Jackson, O’Connor, Jarvie, Musser y Rosenstone. El cine se atreve a dar una visión diferente de la historia, que reconstruye utilizando medios distintos al del historiador. En este libro se muestran los diversos caminos que el cine tiene para acercarnos a la historia, centrándose en comentarios sobre las películas "El acorazado Potemkin", "El círculo del poder" y "Uno, dos, tres", además de una selección de documentales soviéticos sobre la Guerra Civil española y una relación no exhaustiva de otros filmes que hacen referencia a la historia de la Unión Soviética

东亚分布合叶苔属(苔纲:合叶苔科)三种植物的比较和评估(英文)

对最近被Potemkin作为同一种处理的合叶苔属Scapania中东亚分布的三种即细齿合叶苔S. parvidens Steph.、弯瓣合叶苔S. parvitexta Steph.和灰绿合叶苔S. glaucoviridis Horik.的模式标本及相关标本进行了比较研究。结果表明, 它们仍应该作为三个独立不同的种来处理。对三个种的模式标本进行了绘图和描述, 并详细讨论了三种之间的区别。

Sochinenïia.

"Prilozhenïe k zhurnalu 'Niva' na 1901 g."

Tonadillas; ou, Historiettes en action.

1. Le prix de la vie.--Un ministre sous Louis XV.--Le jeune docteur.--La conversion.--Le roi de carreau.--2. Judith.--Potemkin.