Presságios literários e herança plástica: Emerson e Thoreau; Richard Serra, Waltercio Caldas e outros

O presente estudo ambiciona examinar as escritas literárias de Ralph Waldo Emerson (1803-1882) e Henry David Thoreau (1817-1862) considerando-as como uma forma de presságio de arte na América, ou seja, como uma escrita literária que parece ter sido herdada no ambiente artístico das obras plásticas contemporâneas de Richard Serra (1939-) e Waltercio Caldas (1946-), entre outras. Tal herança endossa a noção de linguagem ordinária, compreendida como o ponto de acolhimento, ou de uma inquietação, que se faz presente nas circunstâncias da contemporaneidade. Por sua vez, o gesto de endereçamento que envolve estas escrituras expressa a marca de uma indecibilidade acerca da continuidade ou descontinuidade da existência de categorias como literatura, filosofia e artes. Assim, a problematização dessas remissões ganha vulto no presente estudo, por meio de uma abordagem em perspectiva comparada entre Thoreau, Emerson, Waltercio, Serra e outros. E deste modo, a questão que se estabelece nesse panorama diz respeito aos problemas do pensamento, que em âmbito plástico parecem se estender para uma tradição crítica no Novo Mundo

Cartas a uma mulher de letras: correspondência de Ralph Waldo Emerson: tradução comentada

Tese apresentada sob a orientação científica da Mestre Helena Anacleto-Matias

26-8-20, Circuit de la Sarthe, Emerson sur A.B.C. : [photographie de presse] / [Agence Rol]

Référence bibliographique : Rol, 60737

The chief American poets : selected poems by Bryant, Poe, Emerson, Jong fellow, whittier, Holmes, Lowell, Whitman and Lanier

UANL

The poems of Ralph Waldo Emerson

UANL

Portrait de l'écrivain en ascète: Ralph Waldo Emerson et la modernité des exercices spirituels

Ce mémoire démontre que la pratique littéraire de l’écrivain américain Ralph Waldo Emerson s’inscrit dans le sillage de la tradition des exercices spirituels mise au jour par l’helléniste Pierre Hadot et qu’elle permet de penser une modernité insoupçonnée par ce dernier. La production de textes littéraires devient alors une manière d’établir « une relation originale avec l’univers » (cf. l’introduction de Nature). Le premier chapitre explique la spécificité de la spiritualité traditionnelle, où l’écriture consiste à implanter en soi le texte de la tradition. La pratique littéraire de Marc Aurèle, Sénèque et saint Augustin est étudiée afin de montrer comment ils tâchent de vivre conformément à la conception de la transcendance qui est la leur : personnelle chez les stoïciens, institutionnelle chez les chrétiens. Le deuxième chapitre montre comment Emerson renverse le rapport traditionnel au texte dans la vie de l’esprit en arguant que la révélation du Christ est, à l’origine, une expérience personnelle de la transcendance qui n’est pas institutionnalisable. Il se dégage de cette confrontation romantique avec le christianisme un concept de littérature lié au mysticisme et inséparable d’une compréhension « expressiviste » du langage (Charles Taylor). Le dernier chapitre examine l’ascèse littéraire d’Emerson : sa conception antiscolastique du « scholar » est étudiée puis mise en relief avec sa façon d’arrimer sa pratique de la pensée à une conception fluctuante de l’univers. La dernière section porte sur la façon dont son mode de vie expérimental suppose une conception de la littérature en tant que processus.

Cluster housing and the freedom of choice: a response to Emerson (2004)

Comments on the study of people with an intellectual disability. Inferiority of the standard of various objectively measured variables for the people living in cluster housing; Behavior of people living in cluster housing; Consideration of a study that compared pensioners with socialites on the extent of their social networks.

EMERSON AS A ROMANTICIST

It was the romanticists who tended to write poetry of “autobiography,” who inquired of themselves concerning themselves, and assumed that the world was interested in what they found. Nor was the habit of self-consciousness regarding the poetic office let drop by their successors. That the words poet and poetry were so often on Emerson’s lips would be evidence enough to students of literature, in its changing temper and shifting modes, of his probable localization in time. It is also evidence of his relation to certain European movements of thought to which he gave—comparatively late in their currency and much tempered —American expression. In his doctrine of the superiority and the aloofness of the poet, of the latter’s severance from others to whom he yet bears messages of light, in his self-sufficiency and his sovereignty, his belief in the intrinsic goodness of nature and of man, and his concern with poetic thought rather than poetic form, Emerson may be termed the American representative of ideas which already had had wide circulation in Europe. In great part they emanated from Rousseau, and some of them, especially the gospel of the rights and the supremacy of the individual, had metamorphosed the politics and the map of Europe as well as its literature.

Key to the soldiers of Angularitermes Emerson with a new species from Brazilian Amazonia (Isoptera: Termitidae: Nasutitermitinae)

An identification key based on characters of the soldier caste is provided for species of Angularitermes. Soldiers of previously described species in the genus, A. clypeatus, A. nasutissimus, A. orestes, A. pinocchio and A. tiguassu, are illustrated along with a new species, Angularitermes coninasus, n. sp., that is described and illustrated from soldier and worker castes. Samples of the new species were collected from epigeal nests at the Brazilian Amazon rainforest. The soldier of A. coninasus, n. sp. is distinguished from its congeners by having a short conical frontal tube, much wider at its base.