Les Primeres indústries del Paleolític Superior al Nord de Catalunya: L'Aurinyacià del Reclau-Viver

En aquest treball s'intenta demostrar que els nivells inferiors de la Cova del Reclau-Viver de Serinyà s'han d'atribuir a un Aurinyacià Primitiu, els més profunds, i a un Aurinyacià Antic o Aurinyacià I els que ja estan en contacte amb el Gravetià

Algunes precisions sobre l’estratigrafia de la Cova de l’Arbreda (Serinyà, Girona)

Estudi de l’estratigrafia de la Cova de l’Arbreda, situada a Serinyà, a la comarca del Pla de l’Estany (Girona). Se centre en el reompliment que hi va haver al llarg del Paleolític Superior, en què s’observa un canvi a cop d’ull què, situat sobre els nivells solutrians, s’havia atribuït al pas vers el postglacial

Nuevas excavaciones en Serinyà

Resum de la comunicació presentada en el Congreso arqueológico nacional de Vitoria celebrat a l’octubre de 1975. En aquesta comunicació s’expliquen les excavacions dutes a terme a Serinyà a l’estiu de 1975, i es descriuen les del Dr. Corominas de 1972-1973

Las cuevas prehistóricas de Serinyà (Pla de l’Estany, Girona)

The Reclau Caves, which form part of the Serinyà Prehistoric Caves Park (Pla de l’Estany, Girona), are shelters formed by waterfall travertines which have been in turn affected by karstification phenomena. Though relatively small, these cavities were big enough to held human occupation. Its evolution has seen the falling of blocks and infilling of terrigenous materials. Thus, the caves were completely filled and had most of their original roofs fallen. The first excavations of these caves were made in the mid 1940s and they continued, albeit with some interruptions, until present times. The caves were occupied by humans since the late Middle Pleistocene until the Holocene. Hence, the main occupation periods can be attributed to the Middle Paleolithic and Upper Paleolithic cultures. Given the existence of these sites, the project of an archeological park was started and its first phase opened to the public in the summer of 1997. The creation of this park has led to the protection of the three main caves of the site (Arbreda, Mollet and Reclau Viver Caves). The caves have also been adapted and singposted to open them to the public. Other facilities of the park include a reception building and an activity area. The caves can be visited in guided tours which include the projection of a film, the visit to the permanent exhibition room, the three main caves and the participation in some prehistoric-related activities

UNESCO World Heritage „Prehistoric pile-dwellings around the Alps“: Chances and Challenges for Management and Research of Cultural Heritage Under Water

Research in prehistoric sites of lakes and bogs around the Alps started more than 150 years ago. In 2004 Switzerland took the initiative to propose an international UNESCO world heritage nomination, which was successful in 2011. Six countries – Austria, France, Germany, Italy, Slovenia and Switzerland – joined forces to obtain the precious label for an invisible cultural heritage of outstanding universal value. Archaeological sites under water or in bogs are of special importance because objects made of organic material like wood, bark, plant fibres and others survive in this milieu for hundred or thousands of years. The alpine pile-dwelling sites offer a highly precise dating possibility by using dendrochronology. All in all these sites have a high scientific potential but run also risks of long term conservation. Beside the scientific chances there are risks to consider: public access is difficult and a major challenge. New ideas are demanded to keep alive public interest.

La campanya d'excavacions del 1975, a Serinyà

Article sobre els resultats dels treballs de les excavacions arqueològiques a la Cova d’en Pau i a la Cova de l’Arbreda a Serinyà

Josep Mª. Corominas i Planellas (Llançà, 1906-Serinyà, 1984)

Article en memòria del Dr. Josep Mª. Corominas i Planellas, que va morir a Serinyà el 8 de juliol de 1984

Prehistoric hand stencils at Fern Cave, North Queensland (Australia): environmental and chronological implications of Raman spectroscopy and FT-IR imaging results

Raman spectroscopy and FT-IR imaging analyses of cave wall pigment samples from north Queensland (Australia) indicate that some hand stencils were undertaken during a dry environmental phase indicating late Holocene age. Other, earlier painting episodes also took place during dry environmental periods of the terminal Pleistocene and/or early Holocene. These results represent a rare opportunity to attain chronological information for rock art in conditions where insufficient carbon is present for radiocarbon dating.

An assessment of timber dwellings typical of the Queenslander era, and constraints associated with their relocation, component and adaptive reuse when considering 'regeneration'

This paper presents an explanation of why the reuse of building components after demolition or deconstruction is critical to the future of the construction industry. An examination of the historical cause and response to climate change sets the scene as to why governance is becoming increasingly focused on the built environment as a mechanism to controlling waste generation associated with the process of demolition, construction and operation. Through an annotated description to the evolving design and construction methodology of a range of timber dwellings (typically 'Queenslanders' during the eras of 1880-1900, 1900-1920 & 1920-1940) the paper offers an evaluation to the variety of materials, which can be used advantageously by those wishing to 'regenerate' a Queenslander. This analysis of 'regeneration' details the constraints when considering relocation and/ or reuse by adaption including deconstruction of building components against the legislative framework requirements of the Queensland Building Act 1975 and the Queensland Sustainable Planning Act 2009, with a specific examination to those of the Building Codes of Australia. The paper concludes with a discussion of these constraints, their impacts on 'regeneration' and the need for further research to seek greater understanding of the practicalities and drivers of relocation, adaptive and building components suitability for reuse after deconstruction.

Residents’ experiences of privacy and comfort in multi-storey apartment dwellings in subtropical Brisbane

Dwellings in multi-storey apartment buildings (MSAB) are predicted to increase dramatically as a proportion of housing stock in subtropical cities over coming decades. The problem of designing comfortable and healthy high-density residential environments and minimising energy consumption must be addressed urgently in subtropical cities globally. This paper explores private residents’ experiences of privacy and comfort and their perceptions of how well their apartment dwelling modulated the external environment in subtropical conditions through analysis of 636 survey responses and 24 interviews with residents of MSAB in inner urban neighbourhoods of Brisbane, Australia. The findings show that the availability of natural ventilation and outdoor private living spaces play important roles in resident perceptions of liveability in the subtropics where the climate is conducive to year round “outdoor living”. Residents valued choice with regard to climate control methods in their apartments. They overwhelmingly preferred natural ventilation to manage thermal comfort, and turned to the air-conditioner for limited periods, particularly when external conditions were too noisy. These findings provide a unique evidence base for reducing the environmental impact of MSAB and increasing the acceptability of apartment living, through incorporating residential attributes positioned around climate-responsive architecture.

The use of tin and bronze in prehistoric southern Indian metallurgy

The medieval icons of southern India are among the most acclaimed Indian artistic innovations, especially those of the Chola Tamil kingdom (9th–10th centuries), which is best known for the Hindu iconography of the Dance of Siva that captured the imagination of master sculptor Rodin.1 Apart from these prolific images, however, not much was known about southern Indian copperbased metallurgy. Hence, these often spectacular castings have been regarded as a sudden efflorescence, almost without precedent, of skilled metallurgy as contrasted with tin-rich China or southeast Asia, for instance, where a developed copper-bronze tradition has been better appreciated.