The constitution of the state of Virginia, adopted by the convention of 1901-2.

Includes also ordinances concerning registration of voters.

An Kaiser, Volk und Studenten : Mein Kaiser! hörtest Du die Glockenzungen ... ; am 18. März 1848

von Richard Rotter

Life in Corea,

Mode of access: Internet.

The eulogy of Richard Jefferies,/

"List of papers still unpublished": p. 368-369.

Richard Jefferies: his life & his ideals,/

First published in 1894 under title: Richard Jefferies : a study.

A monograph of the British fossil Brachiopoda ...

Also issued in Palæontographical society [Monographs] v. 4 (1850); v. 6 (1852); v. 7 (1853); v. 8 (1854); v. 10 (1856); v. 11 (1857); v. 12 (1858); v. 13 (1859); v. 14 (1860); v. 16 (1862); v. 17 (1863); v. 19 (1865); v. 20 (1866); v. 22 (1868); v. 24 (1870); v. 27 (1873); v. 30 (1876); v. 32 (1878); v. 34 (1880); v. 35 (1881); v. 36 (1882); v. 37 (1883); v. 38 (1884); v. 39 (1885)

Richard Jefferies; his life and work,

"Bibliography: books and other writings of Richard Jefferies": p. 329-335.

Memorial addresses on the life and character of William H. Crain (late a representative from Texas), delivered in the House of representatives and Senate, Fifty-fourth Congress, first session.

Mode of access: Internet.

The whole contention (1619) The Third quarto, 1619.

They form the basis of Shakespeare's Henry VI, pt. 2 and 3. The authorship and their relation to his version are much disputed. For discussion see the prefaces to the reprints of the first quartos, no. 37-38 in the same series.

The cross-bearers of the Saguenay

http://www.archive.org/details/crossbearersofsa00harruoft

BOULANGER, SATIE, AND DEBUSSY: THEIR SPHERES OF INFLUENCE ON FRENCH MELODIE AND AMERICAN ART SONG

This dissertation project explored the spheres of influence on art song by Nadia Boulanger, Erik Satie, and Claude Debussy within Boulangeries, Les Six, and Les Apaches. After World War I, American composers flocked to Paris to study with Boulanger. Boulanger gave her students the confidence to explore their native talents instead of mimicking foreign models. Works by Aaron Copland, Virgil Thomson, Theodore Chanler, John Duke, and Richard Hundley were included in the first dissertation recital on January 31, 2010: The Legacy of Nadia Boulanger: Her Influence on American Song Composers. Satie established a new modern French musical style, and was a catalyst for the formation of Les Six. Ned Rorem came to Paris, and had a close association with Les Six. Works by Satie, and three members of Les Six, Francis Poulenc, Arthur Honegger, Darius Milhaud; and Rorem were featured in the second recital on September 1, 2010: Satie, Selected Members of Les Six, and Rorem in Paris. Debussy was one of the most significant French composers in the late nineteenth century, predating Boulanger and Satie. Young composers exploring new directions were inspired by Debussy, forming the group Les Apaches. The final recital, April 7, 2011, featured works by Debussy and two members of Les Apaches, Maurice Ravel and Manuel de Falla: Debussy: A Catalyst for Les Apaches, Ravel and Falla. Falla‘s less well-known repertoire was presented. This dissertation showed the influence of these three major figures and that they embraced innovation in their own time, along with their followers. Recordings of these three performances may be obtained from the Michelle Smith Performing Arts Library in Clarice Smith Performing Arts Center at the University of Maryland, College Park.