Pija Lindenbaum: Doris drar : - En övergripande studie i nutida bilderböcker

Syftet med uppsatsen är att göra en övergripande studie av nutida svenskspråkiga bilderböcker, exemplifierad genom Pija Lindenbaum och en genuin bilderbok av henne: Doris drar (2015). Uppsatsen diskuterar kring hur den nutida bilderboken har sin kontext i flera konstnärliga uttryck och successivt blivit alltmer estetiskt kvalificerad. Bilderboks-skaparna som debuterade under 1980- och 1990-talen, däribland Lindenbaum, fo-kuserade på nutida bildskapande, ord och bild i samverkan, barnrättsperspektivet, nedtonandet av pedagogiken samt ett kommersiellt tänkande. Barnlitteraturens grundmönster är handlingsförloppet: hem – uppbrott hemifrån – äventyr – hemkomst. Igenkänning, mönster och åtstramning är centralt. Detta är karakteristiskt för Lindenbaum och Doris drar. Den ingår i en följd av bilderböcker från 2000-talet där Lindenbaum utvecklat en egen stil i bild, text och upplägg. Det är psykologiska små dramer fyllda av hu-mor och fantasin är surrealistisk. Barnets perspektiv är uttalat i ord och bild. Barn-språkstexterna är dramatiska. Tilltalet är dubbelt. Doris är en nutida version av den klassiska sagohjälten.

A new genus and species of frog (Leptodactylidae) from Colombia, [by] Doris M. Cochran and Coleman J. Goin.

v.39:no.48(1961)

Literature of the receptaculitid algae : Matthew H. Nitecki -- , Kristine L. Bradof -- , Doris V. Nitecki --.

n.s. no.16(1987)

The ‘Dys-Appearing’ Body in Doris Lessing’s The Diary of a Good Neighbour and Margaret Forster’s Have the Men Had Enough?

If the old body is usually read as a synonym of fragility and upcoming illness, even though not the case for most elderly citizens, the reality is that the longer we live, the increased probability of being affected by different illnesses cannot be eluded or denied. In Doris Lessing’s The Diary of a Good Neighbour and Margaret Forster’s Have the Men Had Enough? the reader is invited to participate in the day-to-day routines of two aged female protagonists, as well as to empathize with their inner feelings as they go through their last life stage. In fact, their ‘dys-appearing’ bodies, marked by their respective terminal illnesses, force these characters to grow closer to those around them and to accept the help of their families and friends, despite their desire to keep their free will and independence until the very end. The analysis of the two novels within the framework of ageing studies aims to show the contradictions existing between a growing ageing society and the negative cultural connotations of old age in Western society and the need to revise them.

Produtos naturais das esponjas marinhas Aaptos sp., Hymeniacidon aff. heliophila, e do nudibrânquio Doris aff. verrucosa

Herein we describe the isolation of homarine and piridiniumbetaine B from the sponge Aaptos sp. Although homarine has a common occurrence among animals, piridiniumbetaine B was only recently isolated from the marine sponge Agelas dispar. The isolation of piridiniumbetaine B from two taxonomically distant marine sponges corroborate previous assumptions that such betaines should be regarded rather as primary metabolites. We have also isolated (9-[5'-(methylthio)-beta-D-xylofuranosyl]adenine (xylosyl-MTA) from the mantle of a nudibranch identified as Doris aff. verrucosa. The occurrence of xylosyl-MTA in the mantle of this animal strongly suggests that it is the same nudibranch species described for the Mediterranean sea. We have been unable to detect any other compound in the mantle extract of D. aff. verrucosa other than xylosil-MTA and sterols. GC-MS analysis of the sterol fraction from the nudibranch and its prey, the sponge Hymeniacidon aff. heliophila, revealed the occurrence of the ubiquitous sterols, cholesterol, brassicasterol, cholestanol, 24-methylcholesterol and 24-ethylcholesterol, as the only common metabolites, therefore precluding any assumption concerning the sequestration of secondary metabolites by the nudibranch from H. aff. heliophila.

Les premières oeuvres du sieur Pedoue : dédiées à Doris. [précédé d'une Notice sur François de Pedoue] / [signé : "Lucien Merlet"]

Comprend : Notice sur François de Pedoue

Letter - Col. Frank C. McCordick to daughter Doris

A letter from Col. Frank C. McCordick to his daughter, no date is provided, but it is sometime shortly after Christmas. He asks about Christmas gifts and mentions items he has sent her from Christmas.

Koty Doris Lessing

Artykuł poświęcony postaci kota w prozie Doris Lessing.

Hopengarten, Doris, interviewed by Desiree Shayer on January 11, 2009: Audio Recording

Some themes discussed are: • Colby—enrollment (1) • Colby—dating (2, 5) • Colby—Greek Life (2) • Colby—campus life (2-3, 5,8) • Holidays—Christmas (4) • Colby—student interaction with Waterville Jews (4) • Occupation—economics, psychology (6) • Colby—Winter Carnival (8-9)

Hopengarten, Doris, interviewed by Desiree Shayer on January 11, 2009: Audio Part Two

Some themes discussed are: • Colby—enrollment (1) • Colby—dating (2, 5) • Colby—Greek Life (2) • Colby—campus life (2-3, 5,8) • Holidays—Christmas (4) • Colby—student interaction with Waterville Jews (4) • Occupation—economics, psychology (6) • Colby—Winter Carnival (8-9)

Hopengarten, Doris, interviewed by Desiree Shayer on January 11, 2009: Transcript

Some themes discussed are: • Colby—enrollment (1) • Colby—dating (2, 5) • Colby—Greek Life (2) • Colby—campus life (2-3, 5,8) • Holidays—Christmas (4) • Colby—student interaction with Waterville Jews (4) • Occupation—economics, psychology (6) • Colby—Winter Carnival (8-9)

Doris Salcedo: memórias da exclusão e violência

The Colombian artist Doris Salcedo demonstrates, through his works, the universal vulnerability of human beings. The artist uses a concrete materiality such as furniture that is part of everyday life, and builds abstract works, sometimes unusual images, requiring the reader to excavate layers of memory and adjust his perception to decipher the poetic deviation and establish the sense. The theme is violence that humanity was and still been submitted in all corners of the world, particularly Latin America in the stories of oppression, dictatorships, civil wars, civil rights violated, etc. Her works echo the "silent scream" of the vulnerable.