Astronomical principles of religion, natural and reveald : in nine parts ... : together with a preface, of the Temper of mind necessary for the discovery of Divine truth, and of the Degree of evidence that ought to be expectes in Divine Matters /

Mode of access: Internet.

Religious emblems : being a series of emblematic engravings, with written explanations, miscellaneous observations and religious reflections, designed to illustrate divine truth, in accordance with the cardinal principles of Christianity /

With this are bound: Holmes, w. REligious allegories. 1860; and Baxter, R. Directions for getting ... spiritual peace. [18--?]

Exposition of the First epistle of Peter : considered in reference to the whole system of divine truth /

Mode of access: Internet.

A compendium of the system of divine truth : contained in a series of essays, in which the principal subjects contained in the Holy Scriptures are carefully arranged, briefly discussed, and improved ... /

A system of questions adapted to the foregoing system, by Herman Daggett -- p. [297]-304.

The Gospel its own witness: or, The holy nature, and divine harmony of the Christian religion, contrasted with the immortality and absurdity of deism.

With this is bound his A sermon on the importance of a deep and intimate knowledge of divine truth. [180-?]

Impossibilità di pensare Dio non esistente : il Proslogion di Anselmo d'Aosta come applicazione implicita dei moderni procedimenti di logica aletica

Resumen: La vera intenzione teologica di Anselmo d’Aosta nello scrivere il Proslogion e il vero significato del suo celebre unum argumentum vanno visti nella funzione che la ragione svolge necessariamente all’interno della vita di fede del cristiano. Anselmo, come Tommaso d’Aquino, non sostiene che l’esistenza di Dio sia un “articulus fidei” ma piuttosto uno dei “praeambula fidei”. La ragione naturale ha la certezza che Dio esiste, ancora prima della dimostrazione metafisica, e questo non fa che confermare l’assurdità di pensare che non esista il fondamento reale di tutte le cose esistenti.

Infected vision in the works of Thomas Middleton

This thesis investigates the extent and range of the ocular vocabulary and themes employed by the playwright Thomas Middleton in context with early modern scientific, medical, and moral-philosophical writing on vision. More specifically, this thesis concerns Middleton’s revelation of the substance or essence of outward forms through mimesis. This paradoxical stance implies Middleton’s use of an illusory (theatrical) art form to explore hidden truths. This can be related to the early modern belief in the imagination (or fantasy) as chief mediator between the corporeal and spiritual worlds as well as to a reformed belief in the power of signs to indicate divine truth. This thesis identifies striking parallels between Middleton’s policy of social diagnosis and cure and an increased preoccupation with knowledge of interior man which culminates in Robert Burton’s Anatomy of Melancholy of 1621. All of these texts seek a cure for diseased internal sense faculties (such as fantasy and will) which cause the raging passions to destroy the individual. The purpose of this thesis is to demonstrate how Middleton takes a similar ‘mental-medicinal’ approach which investigates the idols created by the imagination before ‘purging’ the same and restoring order (Corneanu and Vermeir 184). The idea of infection incurred through the eyes which are fixed on vice (or error) has moral, religious, and political implications and discovery of corruption involves stripping away the illusions of false appearances to reveal the truth within whereby disease and disorder can be cured and restored. Finally, Middleton’s use of theatrical fantasy to detect the idols of the diseased imagination can be read as a Paracelsian, rather than Galenic, form of medicine whereby like is ‘joined with their like’ (Bostocke C7r) to restore health.

Vérité et amour : une lecture de "La théologique" de Hans Urs von Balthasar

Thèse numérisée par la Division de la gestion de documents et des archives de l'Université de Montréal

O princípio metafísico da poética de Aristóteles

Aristotle's definition of tragedy indicates a metaphysical project insinuated by a notion of kátharsis. The reconstruction of Aristotle's method of definition is inspired in the concepts of enérgeia and dýnamis taken from Physics, understanding cause as substance. The Doctrine of the Four Causes is the theoretical basis of the definition of tragedy, placing tragedy in the genre of imitation and distinguishing its species: language (material cause), noble and complete action (formal cause), actors (efficient cause) and kátharsis (temporarily identified with the final cause). Nevertheless, there is no final cause in the definition of tragedy. The kátharsis of passions is experienced by the spectator when he witnesses tragedy, which is the imitation of a noble action, executed by actors and not narrated. Aristotle justifies hid proposition in favor of mimesis by assuming that imitation is natural to man since infancy and the view of objects allows whoever contemplates them to identify and learn the originals. As a metaphysical principle, kátharsis is projected to beyond definition of tragedy, where it is manifested cathartically, in the spectator. Research about the spectator brings one back to the definition of tragedy, where the imitation is an imperfect copy which evokes in the spectator the presence of the originals of the imitated sentiments, thus realizing the kátharsis of these emotions. In this way kátharsis reveals itself as selfknowledge and approach of divine truth and perfections.

The unhappy marriage of religion and politics:problems and pitfalls for gender equality

This article explores how religion as a political force shapes and deflects the struggle for gender equality in contexts marked by different histories of nation building and challenges of ethnic diversity, different state–society relations (from the more authoritarian to the more democratic), and different relations between state power and religion (especially in the domain of marriage, family and personal laws). It shows how ‘private’ issues, related to the family, sexuality and reproduction, have become sites of intense public contestation between conservative religious actors wishing to regulate them based on some transcendent moral principle, and feminist and other human rights advocates basing their claims on pluralist and time- and context-specific solutions. Not only are claims of ‘divine truth’ justifying discriminatory practices against women hard to challenge, but the struggle for gender equality is further complicated by the manner in which it is closely tied up with, and inseparable from, struggles for social and economic justice, ethnic/racial recognition, and national self-determination vis-à-vis imperial/global domination.

A Summary of the principal evidences for the truth and divine origin of the Christian revelation To which is added the celebrated Poem on death. Designed chiefly for the use of young persons.

"Death, a poetical essay:" p. 136-48.

The Christian's treasure, containing nine discourses on relative duties, and reasons for believing the truth of divine revelation.

"The fourth, fifth and sixth [discourse] are from the sermons of Franklin, and the two last from those of Riddoch. We have thus partly composed the second volume, as well as the first of the labours of others."--Notice of the publishing committee, p. [v]

A summary of the principal evidences for the truth and divine origin of the Christian revelation : designed chiefly for the use of young persons : to which is added the celebrated poem on death /

Mode of access: Internet.

The original, and present state of man, briefly considered; : wherein is shewn, the nature of his fall, and the necessity, means, and manner of his restoration, through the sacrifice of Christ, and the sensible operation of the divine principle of grace and truth, held forth to the world by the people called Quakers. : To which are added, some remarks on the doctrine of predestination, the scriptures, worship, and the kingdom of heaven. /

Smith, J. Friends' books

Milbank’s milieu : theorisations of truth, faith and reason

This article seeks to clarify and theorise three fundamental themes in the work of John Milbank: truth, faith and reason. In his work, Milbank often uses these terms in ambiguous ways, so the terminology requires clarity to facilitate further productive discussion. It is found that truth refers to the revelation of the divine relations in the Trinity, and these correspond with human relations when this revelation is apprehended by faith through participation. Faith means trust or persuasion, such that when the divine is graciously revealed, the mind is transformed and persuaded to participate in the divine relations. This faith is reconciled with reason, or logos, the divine word which is Christ and is the ultimate revelation of the Trinity through the Incarnation, which produces a reason that leads to peace based in faith.