The philosophy of disenchantment,

Mode of access: Internet.

Writing disenchantment: British First World War Prose, 1914-30.

This book argues that disenchantment is not only a response to wartime experience, but a condition of modernity with a language that finds extreme expression in First World War literature. The objects of disenchantment are often the very same as the enchantments of scientific progress: bureaucracy, homogenisation and capitalism. Older beliefs such as religion, courage and honour are kept in view, and endure longer than often is realised. Social critics, theorists and commentators of the late nineteenth and early twentieth centuries provide a rich and previously unexplored context for wartime and post-war literature. The rise of the disenchanted narrative to its predominance in the War Books Boom of 1928 – 1930 is charted from the turn of the century in texts, archival material, sales and review data. Rarely-studied popular and middlebrow novels are analysed alongside well-known highbrow texts: D. H. Lawrence, Virginia Woolf, H. G. Wells and Rebecca West rub shoulders with forgotten figures such as Gilbert Frankau and Ernest Raymond. These sometimes jarring juxtapositions show the strained relationship between enchantment and disenchantment in the war and the post-war decade.

Designing competitive international compensation programs

Over the past 25 years, expatriate managers have voiced increased disenchantment with their compensation packages whíle abroad. This paper takes a prescriptive approach, outlíning severa I elements of a successful human resources strategy and stressing key ingredients of effective international compensation programs. Particular ettention is given to the adherence of cultural values and distrlbutive justice when working across nations and cultures.

Identité narrative et temporalité chez Christian Bobin : l'écriture du care comme réplique poétique au désenchantement

Cette thèse sur l’oeuvre de Christian Bobin (1951-) porte aussi et avant tout sur le lyrisme et le désenchantement contemporains. En posant pour horizon ces deux objets de discours, j’interprète le discours éthique et poétique sur l’« enchantement simple » chez l’auteur français. Dans une perspective herméneutique, il s'agit d'éprouver l'hypothèse selon laquelle les oeuvres de Bobin véhiculent un discours poétique « répliquant » (Ricoeur) à un certain discours intellectuel dominant, s'énonçant contre lui, mais aussi en réitérant plusieurs de ses credo. La première partie annonce la posture théorique et la méthode (comparatiste), puis définit le lyrisme et le désenchantement comme horizon d’interprétation. La seconde partie, qui interroge l’identité « poéthique » (Pinson) de l’auteur (entendu comme catégorie du texte), dévoile la manière dont l’auteur prend acte du désenchantement et du nihilisme : en masculinisant le désenchantement, le reliant au logos, et en féminisant l’enchantement, l’associant au muthos. Le parti pris du temps authentique est soutenu par la valorisation de conduites et d’attitudes temporelles relevant de l’éthique de l’authenticité (Rousseau), alors que le parti pris du féminin correspond à la valorisation d’attitudes relevant de l’éthique de la bonté (Levinas). Puisque la première éthique mise sur le temps du sujet et que la seconde favorise le temps de l’autre, un premier paradoxe émerge au coeur des messages spéculatifs véhiculés, dont on prend la mesure grâce au discours de l’auteur sur le temps, les hommes, les femmes et la bonté. Dans la troisième partie, je mets au jour le grand projet éthique dont l’auteur investit son oeuvre : écrire pour prendre soin, soigner. Après avoir défini ce que j’appelle « l’écriture du care » chez Bobin, je m’attarde aux figures féminines fondatrices de l’oeuvre et constate que l’ambition est triple chez l’auteur : premièrement, prendre soin du présent, deuxièmement, protéger les femmes de la misogynie et troisièmement, revaloriser les attitudes care qui leur sont traditionnellement reconnues et comprendre, dédramatiser, esthétiser leur « folie ». Apparaît alors un second paradoxe : la valorisation simultanée de figures charnelles inscrites dans la temporalité (maternité) et de figures atemporelles, hors temps (extase). Enfin, un regard sur les « femmes à venir » bobiniennes montrera trois figures promises à la pratique du soin promue par l’auteur. Au final, c’est non seulement la poéthique bobinienne qui est mise en lumière, mais aussi des postures éthiques et poétiques centrales en Occident, que plusieurs poètes lyriques adoptent « en temps de détresse » (Hölderlin).

Lecturas personales: reflexiones nada académicas sobre Los poderes-omnímodos (Del Fabulador)

En el presente ensayo la autora reflexiona sobre varios aspectos de Los poderes omnímodos, de Alfredo Pareja Diezcanseco. Primero, el equilibrio entre las historias personales y la historia del país, más que de la vida del presidente Velasco Ibarra, parece ocuparse por reconstruir la memoria de una época de trágica importancia en el Ecuador, en el contexto de la historia mundial. Por otro lado, el personaje Pablo Canelos representa el arquetipo de una conciencia intelectual crítica, atenta, a veces incluso apegada al sentimiento, aunque padece de cierto desarraigo afectivo. En tercer lugar, los personajes femeninos por momentos parecen, otra vez, arquetipos, se destacan varios rasgos de Juanita Rincón: sus sentimientos casi siempre confusos respecto de sus relaciones y sus búsquedas afectivas, marcada por el parricidio y la orfandad materna temprana. Balbina Carrillo, construida a partir de valores femeninos tradicionales: afectuosa, sensible y sentimental, movida a complacer y a hacer feliz al hombre más allá de sus propias necesidades, pulsiones y deseos. Finalmente, en lo temático se reflexiona sobre el desencanto de los ideales revolucionarios frustrados. La novela puede considerarse una representación de cómo los ecuatorianos de la primera mitad del siglo XX enfrentaban la historia y la vida intelectual, política y social de su tiempo.

Max Weber in the thought of Edward Shils (1910–1995) and Ernest Gellner (1925–1995): the paradox of two Weberian approaches to the understanding of nations and nationalism?

This article traces the paradoxical impact of Weber's oeuvre on two major scholars of nationalism, Ernest Gellner and Edward Shils. Both these scholars died in 1995, leaving behind a rich corpus of writings on the nation and nationalism, much of which was inspired by Max Weber. The paradox is that although neither scholar accepted Weber's sceptical attitude to the concept of ‘nation’, they both used his other major concepts, such as ‘rationality’, ‘disenchantment’, ‘unintended consequences’, the ‘ethic of responsibility’ and ‘charisma’, in their very analyses of the nation and nationalism. And they both saw, each in his own way, the nation and nationalism as constitutive elements of modern societies. However, the paradox ceases being a paradox if one sees the integration, by Shils and Gellner, of concepts of the nation and of nationalism in the analysis of modernity, as a development of Weber's ideas.

Revolutionary insurgencies, paradigmatic cases

This essay will examine and compare the production of women's writing during and after the Nicaraguan and Cuban Revolutions, a corpus that includes novels, poetry, and testimonies, but also features considerable generic hybridity. Since both revolutions are separated by some twenty years, each must be understood in the context of the specific ideological conditions that framed women’s participation in culture and revolution, and must also be considered in light of evolving gender discourses, both national and international. As such, these texts respond to both local and transnational paradigms of feminine subjectivity, and highlight the particular problems that arise from women’s insertion into the revolution and its representation in literature. These writers also have to negotiate the evolving context of revolution itself, with its moments of euphoria and disenchantment – and it is here that the greatest contrasts can be found between the two revolutionary instances and their political features: whilst Cuba’s revolutionary process has somehow survived economic crisis and created a level of political stability and continuity (not without its own problems), the Nicaraguan case is characterised by ruptures and resentments which are clearly reflected in the work of writers before, during, and after the Sandinista revolution, and which continue to the present day. This chapter will address the work of the most prominent woman writer of the Nicaraguan revolution, Gioconda Belli, whose main work reflects her involvement in the Sandinista struggle; ex-commander Mónica Baltodano has recently compiled a four volume piece with testimonials of men and women who participated in the organization and actions led by the Frente Sandinista de Liberación Nacional, and Violeta Barrios de Chamorro, former president of Nicaragua, who has recently co-authored an autobiography. There are other women poets to consider, especially under the auspices of the Asociación de Mujeres Nicaraguenses Luisa Amanda Espinoza, such as Vidaluz Meneses, Michele Najlis and Daisy Zamora. The testimonios compiled by Margaret Randall are also important pieces to consider for both Nicaragua and Cuba. The most important voices of the Cuban revolution still resident on the island are poet Nancy Morejón and writers Mirta Yáñez and Aida Bahr, with younger writers such as Adelaida Fernández de Juan and Marilyn Bobes representing a more recent generation.

Cultural geography and enchantment: the affirmative constitution of geographical research

Thrift [2008. Non-representational theory: space, politics, affect, 65. Abingdon: Routledge] has identified disenchantment as “[o]ne of the most damaging ideas” within social scientific and humanities research. As we have argued elsewhere, “[m]etanarratives of disenchantment and their concomitant preoccupation with destructive power go some way toward accounting for the overwhelmingly ‘critical’ character of geographical theory over the last 40 years” [Woodyer, T. and Geoghegan, H., 2013. (Re)enchanting geography? The nature of being critical and the character of critique in human geography. Progress in Human Geography, 37 (2), 195–214]. Through its experimentation with different ways of working and writing, cultural geography plays an important role in challenging extant habits of critical thinking. In this paper, we use the concept of “enchantment” to make sense of the deep and powerful affinities exposed in our research experiences and how these might be used to pursue a critical, yet more cheerful way of engaging with the geographies of the world.

Achieving and evidencing research 'impact'? Tensions and dilemmas from an ethic of care perspective

While many academics are sceptical about the 'impact agenda', it may offer the potential to re-value feminist and participatory approaches to the co-production of knowledge. Drawing on my experiences of developing a UK Research Excellence Framework (REF) impact case study based on research on young caregiving in the UK, Tanzania and Uganda, I explore the dilemmas and tensions of balancing an ethic of care and participatory praxis with research management demands to evidence 'impact' in the neoliberal academy. The participatory dissemination process enabled young people to identify their support needs, which translated into policy and practice recommendations and in turn, produced 'impact'. It also revealed a paradox of action-oriented research: this approach may bring greater emotional investment of the participants in the project in potentially negative as well as positive ways, resulting in disenchantment that the research did not lead to tangible outcomes at local level. Participatory praxis may also pose ethical dilemmas for researchers who have responsibilities to care for both 'proximate' and 'distant' others. The 'more than research' relationship I developed with practitioners was motivated by my ethic of care rather than by the demands of the audit culture. Furthermore, my research and the impacts cited emerged slowly and incrementally from a series of small grants in an unplanned, serendipitous way at different scales, which may be difficult to fit within institutional audits of 'impact'. Given the growing pressures on academics, it seems ever more important to embody an ethic of care in university settings, as well as in the 'field'. We need to join the call for 'slow scholarship' and advocate a re-valuing of feminist and participatory action research approaches, which may have most impact at local level, in order to achieve meaningful shifts in the impact agenda and more broadly, the academy.

Entre flores e espinhos: a atuação do técnico em enfermagem na estratégia saúde da família

It is about a study of an exploratory/descriptive type with a qualitative approach whose aim was to analyze the actuation of nursing technicians in Family Health Strategy (FHS), taking into consideration the defined attributions by the Ministry of Health (MH). Thus, it was sought to identify what activities they carry out, the difficulties encountered, what contributed to their professional performance, and what vision they have about FHS and about themselves in the context. Based on the assumption that the practice of Nursing Technician is not still geared to completeness and that the developed actions by this professional are predominantly individual and curative. We know that FHS proposes the work organization as a team, with territory definition, prioritization of promotion actions, protection and recovery of the individual/family/community health, choosing as a central point the establishment of entails between the professionals and the same ones. However, the team work pass through interdisciplinary, tying and competence, starting making the difference in the way of thinking and doing health. To the accomplishment of this study were interviewed twenty one Nursing Technicians of Family Health Units from Sanitário Oeste district in Natal-RN, using semistructured instrument. From the analysis, three empiric categories emerged: starting from the first, The reality of a dream: what FHS is for the Nursing Technician, we obtained two classifications: one inherent to the own conception they have about FHS, nominated The realization of a dream in the possible and another that corresponds to what they think about FHS, while project that doesn't take place fully, denominated of The beauty of a dream that doesn't take place. The second category was The FHS: a dream built in the daily of Nursing Technician treats of the day by day information of that professional; the activities they perform and how those are established. This created three other items, to know: The role of a Nursing Technician: a project that became routine; The pre-determined role of a Nursing Technician: the scale as factor of (non-)autonomy; and, Knowledge about the practice in FHS: challenges that are presented to the role of Nursing Technician. The third category, denominated of Charms and disenchantment in the beginning of a new practice, it is related to the facilities or difficulties in professional's actuation and how he sees himself in the context. From it emerged the "flowers" and the "thorns" found on the construction of a dream, which gave this study the title. The results indicate that, being considered the characteristics of researched professional category, it becomes fundamental the resizing of labor relations in FHS, being imperative that new glances is conducted, so that the way as those Nursing Technicians interacts with the families can become compatible, together with the team, as well as to return the attention for their possibilities and limits in face of the work process in FHS. Besides, it is necessary changes in the professional formation, so that it can guarantee the conceptual bases in the construction of new practices, seeking to answer to the model of current attention.

Trade policy making in Latin America: a compared analysis

Includes bibliography

Fluxos do espiritismo kardecista no Brasil: dentro e fora do continuum mediúnico

Pós-graduação em Ciências Sociais - FFC