The life of a conspirator; being a biography of Sir Everard Digby by one of his descendants ;

Mode of access: Internet.

Sir Kenelm Digby and George Digby, earl of Bristol,

Mode of access: Internet.

The Croonian lecture for 1826. [On the propagation of the common oyster, and the large fresh-water muscle.]

Royal Society of London. Philosophical transactions, 1827, pp. 39-48.

Journal of a voyage into the Mediterranean,

Mode of access: Internet.

Sir Nugent Everard [membre de la conférence de la paix de Dublin] : [photographie de presse] / [Agence Rol]

Référence bibliographique : Rol, 60751

A remembravnce, of the woorthie and well imployed life, of the Right Honorable Sir Nicholas Bacon knight ... who deceased, the 20 daye of Februarie 1578. UUith an exhortation necessarie for euery estate.

"Reproduced from the copy in the Henry E. Huntington Library."

Sir William Davenant, poet venturer, 1606-1668,

Bibliography: p. 288-303.

Religio medici with annotations never before published, upon all the obscure passes therein : also, Observations by Sir Kenelm Digby, now newly added.

Mode of access: Internet.

Sir Giles Goosecap. 1606.

"Has been ascribed to Chapman or a disciple."--Camb. hist. of Eng. lit.

Measure for measure : (The text of the folio of 1623, with that of "The law against lovers, " by Sir William D'Avenant, 1622) /

With reproduction of t.-p. of 1676 ed. of The law against lovers.

Remarks concerning the recent visit of Leiutenant General George Digby Barker, C. B., and the diary of Leiutenant John Barker of the Fourth (King's own) regiment during the siege of Boston /

"Reprinted from the Publications of the Colonial society of Massachusetts, vol. v".

Correspondence of Sir Robert Kerr,

Mode of access: Internet.

The visitation of the county of Lincoln made by Sir Edward Bysshe, knight, Clarenceux king of arms, in the year of Our Lord 1666 /

Mode of access: Internet.

Browne's Religio medici and Digby's Observations.

Digby's "Observations" has separate paging and special t.-p.: Observations upon Religio Medici. Occasionaly Written by Sir Kenelome Digby, knight. London, Printed by R. C. for Daniel Frere, and are to be sold at his shop, at the Red Bull in Little Britaine, 1643.

Concerning the house museum and the picturesque landscape in the work of Sir John Soane : with raw hints for post-heritage museum space

The picturesque aesthetic in the work of Sir John Soane, architect and collector, resonates in the major work of his very personal practice – the development of his house museum, now the Soane Museum in Lincoln’s Inn Fields in London. Soane was actively involved with the debates, practices and proponents of picturesque and classical practices in architecture and landscape and his lectures reveal these influences in the making of The Soane, which was built to contain and present diverse collections of classical and contemporary art and architecture alongside scavenged curiosities. The Soane Museum has been described as a picturesque landscape, where a pictorial style, together with a carefully defined itinerary, has resulted in the ‘apotheosis of the Picturesque interior’. Soane also experimented with making mock ruinscapes within gardens, which led him to construct faux architectures alluding to archaeological practices based upon the ruin and the fragment. These ideas framed the making of interior landscapes expressed through spatial juxtapositions of room and corridor furnished with the collected object that characterise The Soane Museum. This paper is a personal journey through the Museum which describes and then reviews aspects of Soane’s work in the context of contemporary theories on ‘new’ museology. It describes the underpinning picturesque practices that Soane employed to exceed the boundaries between interior and exterior landscapes and the collection. It then applies particular picturesque principles drawn from visiting The Soane to a speculative project for a house/landscape museum for the Oratunga historic property in outback South Australia, where the often, normalising effects of conservation practices are reviewed using minimal architectural intervention through a celebration of ruinous states.