1000 resultados para Curatorial studies


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Based on a series of collage made from images of mega yachts, the Future Monument looks at the possibility of taking late capitalism more seriously as an ideology than it takes itself seriously. The project asks whether the private display of wealth and power represented by the yacht can be appropriated for a new language of public sculpture. The choreographed live performance of the construction of the large scale monument was scripted to a proposed capitalist manifesto and took place in a public square in Herzliya, Israel. It aimed to articulate the ideology latent in capitalism’s claims to a neutral manifestation of human nature. The Future Monument project was developed through reading seminars taking place at Goldsmiths College, as part of a research strand headed by Pil and Galia Kollectiv on irony and overidentification within the Political Currency of Art research group. This research has so far produced a series of silk screen collage prints, a sculpture commissioned by the Essex Council and a live performance commissioned by the Herzliya Biennale. However, the project is ongoing, with future outputs planned including a curated exhibition and conference in 2012, in collaboration with Matthew Poole, Programme Director of the Centre for Curatorial Studies at the University of Essex.

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Curated group exhibition entitled Episodes: Australian Photography Now, part of the Dong Gang International Photo Festival

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Curated group exhibition entitled Episodes: Australian Photography Now, part of the Dong Gang International Photo Festival.
An exhibition book produced by the Dong Gang Museum of Photography for the Dong Gang International Photo Festival. Special Exhibition curated by Natalie King and Olivia Poloni entitled Episodes: Australian Photography Now featuring the following artists: Patrick Pound, Christian Thompson, Destiny Deacon and Virginia Fraser, Martin Smith, Michael Cook, Paul Knight, Polixeni Papapetrou, Polly Borland,Tracey Moffatt, Trent Parke, William Yang.

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Julie Szego speaks to Patrick Pound about his Melbourne Now hit, the beguiling Gallery of Air. Cover story with illustrations.

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Catalogue and essays to accompany re.reading - Pound at the Lenton Parr Music, Visual and Performing Arts Library, an exhibition run in conjunction with Melbourne Rare Book Week 2014. Essay. Project Manager Georgina Binns. Essay entitled The Call of Patrick Pound written by Chris Bond.

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Catalogue and exhibition essay for Ex Libris. Essay by Lisa Sullivan, curator Geelong Gallery. Catalogue cover image by Patrick Pound, detail from 'From Darkness to Light.

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"To collect is to gather your thoughts through things (spellcheck wants to change curating to crating)"This paper unpacks the collection as artwork, will briefly look at how artists have put ideas of collecting and curating to the test, and will investigate some of the established ideas around this tradition, rethinking how artworks, which perform as collections, might make trouble for the work of curating and collecting, and making sense of things—as if on a dare

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