939 resultados para Culture practices


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The thesis entitled "Studies on improved practices of prawn farming for higher production in central Kerala" prepared by the author describes various practices prevailing in the study area in order to elucidate their relative merits. The study on semi-intensive farming at Mundapuram, Kannur was also carried out and included in the thesis for comparison.The author felt it important to make a critical study of the existing culture practices in the central Kerala, a region where it has been existing since time immemorial.Careful analysis of data accrued by the author has helped him to identify strength, weakness, opportunities and threats confronting the shrimp farming. As a result it was possible to evolve an appropriate management technology taking into consideration the various ecological (location specific), social and economical conditions prevalent in the vast study area.

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This study compared state-owned enterprises (SOEs) and joint ventures (JVs) in light of organizational culture practices. Data were obtained via a survey participated by 781 respondents from five enterprises. Factoring identified four cultural dimensions: Participation, Teamwork, Supervision, and Meetings. All four dimensions, except Participation, were rated significantly higher by respondents from SOEs as compared to the ratings in JVs. Based on the findings, this study concluded that culture practices valued in one type of enterprise might be liability in another. The implication for management is to gear culture practices to the characteristics of the organization to make it successful.

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Le jeu vidéo est un produit qui ne cesse de gagner en popularité alors que les expériences ludiques tendent de plus en plus à se diversifier. Les recherches académiques sur l’objet vidéoludique se sont multipliées dans les dernières années afin de comprendre les particularités du nouveau média, surtout en ce qui concerne l’analyse du produit lui-même et sa réception, mais laissant peu de place à sa créa-tion et sa production. Montréal est un lieu idéal pour étudier le médium : en peu de temps, l’industrie du jeu vidéo est devenue l’un des fleurons industriels québécois. La présente étude s’est intéressée aux développeurs de Montréal, ville où se situe la plus grande partie des studios au Québec, afin de connaître leur perception du produit vidéoludique et de l’industrie. Au travers d’une perspective phénoménologique, un séjour ethno-graphique a été effectué dans un studio de production vidéoludique où plusieurs développeurs ont été observés et interviewés. Ce travail s’inscrit dans une anthropologie du travail et rend compte de la com-plexité qui émerge lorsqu’un travail essentiellement créatif vient se heurter à des motifs de production strictes. Plus encore, il rend compte d’un paradigme opposant directement la création et la production dans un milieu qui se présente comme une avenue prometteuse pour une jeunesse désirant vivre d’un travail créatif. Cette condition est attribuable à la nature du jeu vidéo lui-même qui se situe, selon Kline, Dyer-Witheford et De Peuter (2003), à mi-chemin entre la culture, la technologie et les visées commerciales (marketing). Les développeurs se trouvent donc entre deux eaux : d’un côté ils sont influencés par la culture du jeu, relevant de leurs pratiques, leurs préférences et des commu-nautés de développeurs et, de l’autre côté, par l’industrie qui dicte les façons de faire et viennent selon eux minimiser leur potentiel créatif.

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Aquaculture has developed to become one of the fastest growing food producing sectors in the world.Today India is one among the major shrimp producing countries in the world.There are extensive and intensive shrimp culture practices. In extensive shrimp culture, shrimps are stocked at low densities (< 25 PLs m'2)in large ponds or tidal enclosures in which little or no management is exercised or possible. Farmers depend almost entirely on natural conditions in extensive cultures. Intensive shrimp culture is carried out in high densities (>200 PLs m'2). Much of the world shrimp production still comes from extensive culture.There is a growing demand for fish and marine products for human and animal consumption. This demand has led to rapid growth of aquaculture, which some times has been accompanied by ecological impacts and economic loss due to diseases. The expansion of shrimp culture always accompanies local environmental degradation and occurrence of diseases.Disease out breaks is recognised as a significant constraint to aquaculture production. Environmental factors, water quality, pollution due to effluent discharge and pathogenic invasion due to vertical and horizontal transmission are the main causes of shrimp disease out breaks. Nutritional imbalance, toxicant and other pollutants also account for the onset of diseases. pathogens include viruses, bacteria, fungi and parasites.Viruses are the most economically significant pathogens of the cultured shrimps world wide. Disease control in shrimp aquaculture should focus first on preventive measures for eliminating disease promoting factors.ln order to design prophylactic and proactive measures against shrimp diseases, it is mandatory to understand the immune make up of the cultivable species, its optimum culture conditions and the physico chemical parameters of the rearing environment. It has been proven beyond doubt that disease is an end result of complex interaction of environment, pathogen and the host animal. The aquatic environment is abounded with infectious microbes.The transmission of disease in this environment is extremely easy, especially under dense, culture conditions. Therefore, a better understanding of the immune responses of the cultured animal in relation to its environmental alterations and microbial invasions is essential indevising strategic measures against aquaculture loss due to diseases. This study accentuate the importance of proper and regular health monitoring in shrimps employing the most appropriate haematological biomarkers for application of suitable prophylactic measures in order to avoid serious health hazards in shrimp culture systems.

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Penaeid prawns form the most economically significant group in the marine and brackishwater fishery resources of India. This particular group contributes about 62% of the total prawn landings of the country. At present prawns have assumed an important place especially as a commodity supporting an export trade of sizable magnitude. Considerable interest has been shown in the last decade to increase prawn production through various culture practices, mainly due to the high demand for good quality prawns for export coupled with the stagnant and even depleting nature of marine catches. Available informations suggest that among the 15 species of shrimps and prawns occurring in Indian waters, which are deemed suitable for aquaculture, the Indian white prawn §.indicus is identified as one of the most important commercial species. Considering the increasing importance as an accepted species for prawn culture, £.indicus was selected for the present study. In the life history of prawns, moulting is an important event, which enables the animal to achieve growth. This dynamic physiological event continues through out the life span ofthe prawn, linking almost all biological activities with this process. Hence, a good knowledge pertaining to the physiology of moulting is imperative to understand the growth process. This knowledge will be of great use in the scientific prawn farming, so as to achieve high prawn production.

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Enhancement and culture of bivalves presents an opportunity to maximise and even increase production of many growing areas. Clam culture is less intensive both for capital and labour, involves simple farming and management techniques and is considered an efficient means of protein production. Clams are efficient converters of primary production and growth rate is fast with maximum production in 5-6 months. with culture, production is less influenced by poor recruitment. Stable production facilitates market development. Rivalves are being increasingly used in bio-medical research. Culture practices would ensure uninterrupted supplies of experimental material. Paucity of biological data restricts the development of efficient management and culture techniques of bivalves. This study was undertaken with a view to provide information on some aspects of biology of the bivalve S_. scripta which have hitherto been uninvestigated.

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Quantitation is an inherent requirement in comparative proteomics and there is no exception to this for plant proteomics. Quantitative proteomics has high demands on the experimental workflow, requiring a thorough design and often a complex multi-step structure. It has to include sufficient numbers of biological and technical replicates and methods that are able to facilitate a quantitative signal read-out. Quantitative plant proteomics in particular poses many additional challenges but because of the nature of plants it also offers some potential advantages. In general, analysis of plants has been less prominent in proteomics. Low protein concentration, difficulties in protein extraction, genome multiploidy, high Rubisco abundance in green tissue, and an absence of well-annotated and completed genome sequences are some of the main challenges in plant proteomics. However, the latter is now changing with several genomes emerging for model plants and crops such as potato, tomato, soybean, rice, maize and barley. This review discusses the current status in quantitative plant proteomics (MS-based and non-MS-based) and its challenges and potentials. Both relative and absolute quantitation methods in plant proteomics from DIGE to MS-based analysis after isotope labeling and label-free quantitation are described and illustrated by published studies. In particular, we describe plant-specific quantitative methods such as metabolic labeling methods that can take full advantage of plant metabolism and culture practices, and discuss other potential advantages and challenges that may arise from the unique properties of plants.

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Pós-graduação em Educação - IBRC

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The emergence of the diary as a digital form has generated the kinds of introduction and explanation that typically accumulate around emerging genres, even though online diarists in many ways strive to reproduce the stereotypical print diary. However, as diarists and readers explore the nature of blogs, both in diary entries and comments pages, a tension is apparent between users’ accounts or explanations of the genre and their actual practices, and this tension provides a rich site for studying the evolution of the diary genre. Readers’ and writers’ comments illustrate the blogging community’s ideas about genre as a concept and how these ideas transfer to the “new” world of online media. In this paper, I look at the diary’s transition from page to screen, and consider how readers and writers build on and diverge from print culture practices in establishing expectations and “rules” for Weblogs. Examining how diarists and their communities establish and police the digital diary, and how generic knowledge is circulated and codified, helps understand the particular social actions the diary can perform only on the Internet.

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El siguiente artículo tiene dos lecturas: una primera parte en la que expongo de manera sucinta, algunas razones por las cuales considero necesario llevar a cabo éste proyecto de investigación, lo que podría ser leído, como el área de interés. En segundo término, me sumerjo en cuestiones más complejas, concretamente, desde que perspectivas es posible enmarcar conceptualmente, algunas de las categorías que sustenten teóricamente el "proyecto" de investigación. Muchos conceptos provienen de diferentes autores, por lo que éste eclecticismo, intentará ser compensado con precisiones teóricas mas ajustadas en una fase posterior, el marco teórico de la tesis. En ésta propuesta, la cuestión central, es comprender de qué manera, los jóvenes de ascendencia mapuche, logran a través de diferentes prácticas lúdicas significar diferentes procesos de identificaciones culturales. Por tal motivo, algunas referencias, a los conceptos de: Alteridad-otredad, Identidad Cultural, Prácticas, Representaciones, Juego, aparecen como categorías necesarias a ser explicitadas en el marco del trabajo. Aquí, por cuestiones de espacio haré un desarrollo dispar, priorizando algunas sobre otras. La investigación se vinculará, a la vertiente cualitativa-etnográfica, pues, éste parece ser el camino mas adecuado para captar la comprensión de un fenómeno social, desde la perspectiva de los "actores" ("agentes" o "sujetos sociales)" (Guber, R. 2001:20).

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El siguiente artículo tiene dos lecturas: una primera parte en la que expongo de manera sucinta, algunas razones por las cuales considero necesario llevar a cabo éste proyecto de investigación, lo que podría ser leído, como el área de interés. En segundo término, me sumerjo en cuestiones más complejas, concretamente, desde que perspectivas es posible enmarcar conceptualmente, algunas de las categorías que sustenten teóricamente el "proyecto" de investigación. Muchos conceptos provienen de diferentes autores, por lo que éste eclecticismo, intentará ser compensado con precisiones teóricas mas ajustadas en una fase posterior, el marco teórico de la tesis. En ésta propuesta, la cuestión central, es comprender de qué manera, los jóvenes de ascendencia mapuche, logran a través de diferentes prácticas lúdicas significar diferentes procesos de identificaciones culturales. Por tal motivo, algunas referencias, a los conceptos de: Alteridad-otredad, Identidad Cultural, Prácticas, Representaciones, Juego, aparecen como categorías necesarias a ser explicitadas en el marco del trabajo. Aquí, por cuestiones de espacio haré un desarrollo dispar, priorizando algunas sobre otras. La investigación se vinculará, a la vertiente cualitativa-etnográfica, pues, éste parece ser el camino mas adecuado para captar la comprensión de un fenómeno social, desde la perspectiva de los "actores" ("agentes" o "sujetos sociales)" (Guber, R. 2001:20).

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El siguiente artículo tiene dos lecturas: una primera parte en la que expongo de manera sucinta, algunas razones por las cuales considero necesario llevar a cabo éste proyecto de investigación, lo que podría ser leído, como el área de interés. En segundo término, me sumerjo en cuestiones más complejas, concretamente, desde que perspectivas es posible enmarcar conceptualmente, algunas de las categorías que sustenten teóricamente el "proyecto" de investigación. Muchos conceptos provienen de diferentes autores, por lo que éste eclecticismo, intentará ser compensado con precisiones teóricas mas ajustadas en una fase posterior, el marco teórico de la tesis. En ésta propuesta, la cuestión central, es comprender de qué manera, los jóvenes de ascendencia mapuche, logran a través de diferentes prácticas lúdicas significar diferentes procesos de identificaciones culturales. Por tal motivo, algunas referencias, a los conceptos de: Alteridad-otredad, Identidad Cultural, Prácticas, Representaciones, Juego, aparecen como categorías necesarias a ser explicitadas en el marco del trabajo. Aquí, por cuestiones de espacio haré un desarrollo dispar, priorizando algunas sobre otras. La investigación se vinculará, a la vertiente cualitativa-etnográfica, pues, éste parece ser el camino mas adecuado para captar la comprensión de un fenómeno social, desde la perspectiva de los "actores" ("agentes" o "sujetos sociales)" (Guber, R. 2001:20).

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This article analyses the painted panels of the moliceiro boat, a traditional working boat of the Ria de Aveiro region of Portugal. The article examines how the painted panels have been invented and reinvented over time. The boat and its panels are contextualized both within the changing socio-economic conditions of the Ria de Aveiro region, and the changing socio-political conditions of Portugal throughout the 20th century and until the present day. The article historically analyses the social significance of ‘moliceiro culture’, examining in particular the power relations it expresses and its ambiguous past and present relationships with the political and the economic powers of the Portuguese state. The article unpacks some of the complexity of the relations that have pertained between public and private, local and national, folk culture and ‘art’, and popular and institutional in the Ria de Aveiro region in particular, and Portugal more generally.

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Etnográfica, Vol. IX, N.1, pp. 171-193