970 resultados para Cultural crisis


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Hindi

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The goal of this paper is to investigate how the Untied States federal government, specifically through the National Endowment for the Arts, or NEA, has acted in the position of an arts patron in the past few decades. Specifically, this paper will focus on the past decade and a half since the 'arts crisis' of the late 1980s and the social and political backlash against the art community in the 1990s, which was only against ‘offensive’ art that was seen as morally and culturally corruptive. I explore the political, social, and economic forms the backlash took, particularly rooted in a perceived fear of degenerative arts as a corruption of and a catalyst for the eventual collapse of American culture and values. Additionally, I analyse the role the federal government played in ‘ameliorating’ the situation. I investigate how state arts patronage has affected and continues to affect both the concepts behind and the manifestations of art, as well as who is encouraged, sanctioned, or neglected in the production of art. To accomplish this, I explore how and why the federal government employs the arts to define and redefine morality and culture, and how does it express/allow the expressions of these through art.

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Este trabajo fue motivado por inquietudes personales y profesionales que apuntaban a preguntarme por la labor que cumple el gestor en nuestra sociedad. Pero también es fuente de motivación el aventurarse a abrir una puerta que estaba cerrada

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Resumen basado en el de la publicación

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

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The REMNANT/EMERGENCY Artlab was funded by the Australia Council InterArts ArtLab Program in 2010 and involves 22 months of rigorous research and experimentation in several countries. The process will be developed between a core transdisciplinary team of practicing media artists, designers and engineers where possible working in consultation and collaboration with local creatives at each venue. Our team asserts that today’s environmental crisis is underpinned by a deep cultural crisis - and so to get our ‘house in order’ we urgently need to create better and more powerful ‘images’ of what a ‘citizen-led’, sustainable world might be. This ArtLab’s core aim is therefore to begin to understand how to develop and create such ‘powerful images’.

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‘Grounded Media’ is a form of art practice focused around the understanding that our ecological crisis is also a cultural crisis, perpetuated by our sense of separation from the material and immaterial ecologies upon which we depend. This misunderstanding of relationships manifests not only as environmental breakdown, but also in the hemorrhaging of our social fabric. ‘Grounded Media’ is consistent with an approach to media art making that I name ‘ecosophical’ and ‘praxis-led’ – which seeks through a range of strategies, to draw attention to the integrity, diversity and efficacy of the biophysical, social and electronic environments of which we are an integral part. It undertakes this through particular choices of location, interaction design,participative strategies and performative direction. This form of working emerged out of the production of two major projects, Grounded Light [8] and Shifting Intimacies [9] and is evident in a recent prototypical wearable art project called In_Step [6]. The following analysis and reflections will assist in promoting new, sustainable roles for media artists who are similarly interested in attuning their practices.

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The habit of "drinking smoke" , meaning tobacco smoking, caused a true controversy in early modern England. The new substance was used both for its alleged therapeutic properties as well as its narcotic effects. The dispute over tobacco continues the line of written controversies which were an important means of communication in the sixteenth and seventeenth century Europe. The tobacco controversy is special among medical controversies because the recreational use of tobacco soon spread and outweighed its medicinal use, ultimately causing a social and cultural crisis in England. This study examines how language is used in polemic discourse and argumentation. The material consists of medical texts arguing for and against tobacco in early modern England. The texts were compiled into an electronic corpus of tobacco texts (1577 1670) representing different genres and styles of writing. With the help of the corpus, the tobacco controversy is described and analyzed in the context of early modern medicine. A variety of methods suitable for the study of conflict discourse were used to assess internal and external text variation. The linguistic features examined include personal pronouns, intertextuality, structural components, and statistically derived keywords. A common thread in the work is persuasive language use manifested, for example, in the form of emotive adjectives and the generic use of pronouns; the latter is especially pronounced in the dichotomy between us and them. Controversies have not been studied in this manner before but the methods applied have supplemented each other and proven their suitability in the study of conflictive discourse. These methods can also be applied to present-day materials.

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Vieten's edited collection brings together papers that were given at the I M Young Memorial Symposium 'Inclusion and Democracy Revisited', held in Amsterdam in 2012. The different chapters presented explore in-depth, Young's models of a 'politics of cultural difference', and a 'politics of positional difference' read in combination with her critique of normalisation. Young regards the latter as decisive to any change for the better when reaching out politically to a fairer and more just democratic society.
With the current political, economic and socio-cultural crisis in mind, the contemporary world of global speed and transformed societies in and beyond Europe needs a refinement of what we understand 'normalisation' and 'difference' to be. How can we connect to each other, and in what ways can Young's 'structural inequality model' be applied to develop alternative outlooks on how to enhance inclusion and democracy in different nation states?

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Resumen tomado de la publicación

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Este artículo comienza con una presentación efectuada por Pello Ayerbe Echeverría que pretende ser el resumen de la ponencia presentada por José María Mardonés al VII Congreso Interunivesitario de Organización de Instituciones Educativas. Se inserta, después, el fragmento final de la ponencia con el titulo 'Educar para una sociedad más humana'. Se plantea de qué modo se puede abordar una educación más humana, para ello es importante detectar los problemas sociales y culturales que afectan a la educación: la pobreza, la precariedad y movilidad laboral y el individualismo y el consumismo. Si se consiguen detectar y describir los problemas se comprenderá mejor dónde está la tarea que se le presenta a la educación que consistirá en : trabajar para proporcionar sentido personal sin ocultar los problemas de la existencia, trabajar en la identidad personal y colectiva de forma abierta y ofrecer calor de hogar sin falsos proteccionismos que roben la propia responsabilidad.

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Este artículo es continuación de La formación del personal de televisión

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Se intentan analizar los aspectos fundamentales del cambio educativo producido en la universidad: transformación del modelo educativo de la universidad de los profesores (educación de una élite); las causas de la crisis y la transformación del alumnado. El cambio-crisis del modelo de universidad. Comparación de la situación en diferentes países y la visión del problema en diferentes estudios y autores. Se comparan los diferentes modelos de universidad, diacrónica y sincrónicamente, revisando sus características más importantes en cuanto a la estructura y organización del profesor universitario. En el capítulo 2 se revisan las controversias que giran en torno a la crisis versus cambio en Educación Superior y los factores que contribuyen a hacer necesaria la Reforma. La hipótesis de este trabajo es que la crisis no es decadencia absoluta de la vieja institución llamada universidad, sino más bien cambio radical que obedece a factores diversos. La crisis económica con la que se inicia la decada de los 70, puede provocar la verdadera explosión de la universidad. En el último capítulo se estudia y analiza el crecimiento de la población de la población estudiantil, su transformación desde el punto de vista sociodemográfico y las repercusiones de lo que se ha dado en llamar masificación universitaria. Continuo incremento de matriculados en los últimos años. Cambio en la composición del profesorado: aumento de profesores no numerarios desproporcionado. El privilegio de ser profesor universitario, sigue siendo importante. Existen una serie de factores que han contribuido a la necesidad de cambio en la institución universitaria y que son comunes a todos los países: expansión del tipo de enseñanza, incremento de los costes, cambio en la estructura de la población universitaria, cambio en el significado del título y su correspondiente currículum, una mayor exigencia de responsabilidades a las autoridades académicas; el derecho a estudiar en nuestra sociedad y factores de politización. La masificación es un fenómeno ideológico. La realidad es que las tasas de alumnos matriculados en España, son las más bajas en Europa. Alcanzadas ciertas cotas no se prevé un incremento similar en el futuro. Necesidad de planificación y coordinación a través del Ministerio de Universidades. La crisis del modelo actual de universidad, más que crisis concebida como algo que se desmantela, se trata de un proceso de cambio radical emergente y necesario dentro de la estructura de la universidad. Dicho proceso apunta hacia una necesidad de transformación integral de la universidad. La masificación es en nuestro país un fenómeno ideológico, no obstante la masificación puede resultar real debido a la escasez de recursos humanos y físicos y falta de planificación. Ahora bien, se prevé un estancamiento de las cotas alcanzadas. Las razones son económicas y de expectativas y el estancamiento o decrecimiento es un fenómeno ya vigente en diversos países europeos.

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Es continuación de la publicación: Boletín de la Comisión Española de la UNESCO