987 resultados para Craig Thompson
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Le mémoire original s'accompagnait en annexe du livre-objet Le poids de l'oiseau sur la vitre.
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An interdisciplinary approach is used to identify a new graphic novel genre, 'comics camet', and its key features. The study situates comics camet in a historical context and shows it to be the result of a cross-pollination between the American and French comics traditions. Comics camet incorporates features from other literary genres: journalism, autobiography, ethnography and travel writing. Its creators, primarily European rriales, document their experiences visiting countries that Europe has traditionally defined as belonging to the 'East'. A visual and narrative analysis, using theoretical perspectives derived from cultural and postcolonial studies, examines how comics camet represents the non-European other and identifies the genre's ideological assumptions. Four representative texts are examined: Joe Sacco's Palestine (2001), Craig Thompson's, Camet de Voyage (2004), Guy Delisle's Pyongyang (2005) and Mrujane Satrpi's Persespolis 2 (2004). The study concludes that the comics camet genre simultaneously reinforces and challenges stereotypical assumptions about non-European people and places.
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Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)
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2
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1
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v.1:no.10(1898)
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v.17:no.1(1927)
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no.25(1927)
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v.17:no.4(1932)
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v.17:no.2(1930)
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v.27:no.1(1938)
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v.17:no.4(1932)