Correggio,

"Some books on Correggio": p. [69]

Memorie istoriche di Antonio Allegri detto il Correggio ...

Binder's title: Pungileoni. Vita di Correggio.

Lettera dell'abate ... al padre Luigi Pungileoni sopra un autographo di Antonio-Allegri riguardante la faniosa tavola della notte.

Mode of access: Internet.

Pitture di Antonio Allegri da Correggio /

Mode of access: Internet.

Pitture di Antonio Allegri da Correggio /

Includes bibliographical references.

Notizie di Antonio Allegri,

Mode of access: Internet.

S. Catharina /

Inscripción en parte inferior : "Neapoli in Aedibus Regiis vulgo a Capo di Monte"

Historical sketches of the old painters.

Appelles and Protogenes; Cimabue and Giotto; Leonardo da Vinci; Michelangelo Buonaroti; Raffaello Sanzio D'Urbino; Antonio Allegri da Coreggio; Giorgione and Tiziano; The three Carracci-Ludovico; Annibale and Agostino--with their school; Reubens and Vandike; Claude Gelée; Poussin; Salvator Rosa.

Peirush Don Yosef ibn Yaḥya ʻal Daniél = Paraphrasis Dn. Iosephi Iachiade in Danielem : cum versione vt annotationibus Constantini l'Empereur ab Oppyck, S.T.D. & S.L.P. quibus oratio de lingua hebraea subjungitur.

Includes index.

A bibliographical sketch of the Aldine press at Venice: forming a catalogue of all works issued by Aldus and his successors, from 1494 to 1597, and a list of all known forgeries or imitations ; translated and abridged from Ant. Aug. Renouard's "Annals de l'imprimerie des Aldes" ; revised and corrected by Edmund Goldsmid.

Includes index.

Ancient double-entry bookkeeping. Lucas Pacioli's treatise (A. D. 1494--the earliest known writer on bookkeeping) reproduced and translated with reproductions, notes and abstracts from Manzoni, Pietra, Mainardi, Ympyn, Stevin and Dafforne,

"Historical references": p. 7.

El deán Gregorio Funes & Dámaso Antonio Larrañaga : evocando el pasado desde un presente revolucionario

Resumen: El avance que presentamos tiene el propósito de estudiar los antecedentes proto-historiográficos rioplatenses, a través del análisis del “Ensayo de la Historia civil de Buenos Aires, Tucumán y Paraguay”, del Deán Gregorio Funes, y del “Descubrimiento y Población de esta Banda Oriental del Río de la Plata. 1494 - 1818”, del Pbro. Dámaso Antonio Larrañaga. Ambos autores fueron eclesiásticos de acción destacada en el período revolucionario. Se establecerán ciertos ejes comparativos los cuales pretenden abarcar: 1) el periodo colonial, 2) el proceso revolucionario, 3) los límites geográficos por los cuales sobrevuelan los relatos, 4) los modos en que son descriptos los pueblos originarios, 5) los asuntos eclesiásticos y religiosos

Some thoughts on Juan Antonio Ramírez´s iconologic-paranoid method for the study of Dali´s works

In 1990, Juan Antonio Ramírez made known his iconological paranoiac method to the academic world. It is a system devised to study Dalí´s work, born of happy matrimony between the catalonian artist´s critical paranoiac method and the first iconographic school of Warburg and Panofsky. What, at first sight, seemed to be an extravagant methodology with little academic credibility, turned out to be, by going forward in time, an effective research method when analyzing Dali´s initial works. It is no wonder that, at the beginning of XXI century, this hybridization between Dalí´s and Panofsky’s methods, were regarded as a strange and nonsensical idea. Nevertheless, twenty years after, blatant examples have been noted, which endorse the advantages of this new system for “iconographic” study. As usual, this new contribution by Juan Antonio Ramirez to art history methodology is called upon to have a successful future survival, in forthcoming generations. This article, attempts to analyze this method, inquiring into the validity, effectiveness and practical utility.