Why Italy entered into the great war, by Luigi Carnovale.

Advertising matter: p. [317]-337, 653-673.

Side lights, Luigi Carnovale, apostol [!] of humanity, the modern idealist,

Mode of access: Internet.

Il canto sospeso de Luigi Nono

This article explains how Nono's Il canto sospeso (1956), for solo voices, choir and orchestra, is structured in a logic of counterbalances for each musical action, overlapping a harmonic or ‘intuitive’ geometry, with a contrasting or ‘anti-intuitive’ plot. Unlike the typical relationships with the golden ratio, found in many musical examples in which it appears ‘naturally’ (see Tatlow 2001), intervals in the prime numbers series here are perceived as ‘counter-rhythm’; as a form of a counterintuitive distribution, or, as Jameson (2003:vii) suggests, as “a very irregular way” of apparent distribution.

Sobre el embrión humano y la cuestión de la personeidad : un argumento de Luigi Ferrajoli y su discusión

Resumen: El texto analiza las afirmaciones defendidas sobre el estatuto entitativo del embrión y de la solución ética a la cuestión de la legitimidad del aborto provocado, en un trabajo del jurista y pensador italiano, Luigi Ferrajoli, defensor de lo que puede denominarse el bioderecho “liberal”, con una posición decisivamente tomada en favor de la eticidad del aborto. Se advierte que cada uno de sus argumentos parte de una premisa: considerar las afirmaciones de la Iglesia Católica como inexorablemente erróneas, especialmente en lo atinente a la relación entre moral y derecho. La consecuencia más grave de este tipo de argumentación es la deriva anti-humanista del pensamiento contemporáneo con la consiguiente pérdida de toda racionalidad lógica.

Luigi Bernabò Brea (1910-1999)

Malone, C.A.T. and S.K.F. Stoddart,

Music of Today Series, UW Modern Ensemble, Inverted Space, "Music by Luigi Nono," February 25, 2014

Concert Program for Music of Today Series, UW Modern Ensemble, Inverted Space, Andre Richard, February 25, 2014

Formatividade e interpretação: a filosofia estética de Luigi Pareyson

The concept of formativity, coined by Luigi Pareyson, is a key to the development of countless contemporary aesthetic studies. The aim of this dissertation is to present a deep understanding of the notion of Formativity and Interpretation, as evidenciated by the title Formativity and Interpretation: the aesthetical philosophy of Luigi Pareyson. The work Aesthetics - Theory of Formativity, first published in 1954, is considered a mark in the rebirth of aesthetics. In this dissertation, the concept of Formativity is examined as a component applicable to every human action, and not limited to pre-determined practices, nor referred to the application of preexisting. I ve performed an investigation of the triple concept of doing-inventing-interpreting, which simultaneously grounds Formativity. In the first section, Pareyson s Aesthetical Propaedeutic is presented; in the second, the Theory of Formativity: the aesthetical character of the whole human experience is analysed; and in the third chapter, The Aesthetical of Form and the Metaphysics of Figuration is related to the formativity character of the knowledge. Through this analysis, I ve intended to evidence how human operability can be understood as search and trial, figuration and invention, in the search for success. In this sense, this thesis seeks to present an interpretation of the idea of work-form, speculating the inexorability of invention and interpretation in an attempt to establish a new bottom line for the studies Pareyson s Aesthetics in Brazil

Luigi Fantappiè: influência na matemática brasileira. Um estudo de história como contribuição para a educação matemática

Pós-graduação em Educação Matemática - IGCE