Calligraphy and causation : two obstetric management cases - Hirst v Sydney South West Area Health and King v Western Sydney local health network

Two recent decisions of the Supreme Court of New South Wales in the context of obstetric management have highlighted firstly, the importance of keeping legible, accurate and detailed medical records; and secondly, the challenges faced by those seeking to establish causation, particularly where epidemiological evidence is relied upon...

Calligraphy and causation : two obstetric management cases

Child born with gross hydrocephalus - cerebral palsy - questions surrounding obstetrician's notes - ultrasound not ordered - illegible handwriting - importance of legible, accurate and detailed medical records - causation - child born with congenital varicella syndrome (CVS) - chicken pox - forseeability of risk.

Drawing the line: Chinese calligraphy, cultural materialisms and the “remixing of remix"

Remix in writing has very different expressions, and is grounded in very different legal, philosophical and creative materialisms, in Western and Chinese cultures. The infringement of authors’ Intellectual Property Rights (IPRs) in China is not only an irritant for Chinese-Western commercial and legal relations. It also points to different formations of the creative and legal domains across global space, and serves to introduce notions of creativity and originality that are largely unfamiliar in the West. Calligraphy, as a pictorial and material mode of writing, comprises a practice of Chinese remix in which the apprentice traces the lines of the master’s work: repetition of Yun 韵 (‘composed body movements’) stimulates the expression of Qing 情 (‘feelings’). What appears from a distance to be slavish imitation actually involves a philosophy of learning (or more precisely, of ‘unlearnt learning’) that, bypassing plagiarism’s traps, effectively ‘remixes remix’ as a creative model no longer dependent on the familiar Western rationales for the legitimacy of remix as appropriation, homage and/or pastiche. To see this though, one has to deploy a Taoist rather than a Confucian framework in the analysis of calligraphic practices. The case of Kathy Acker, allied with the work of Gilles Deleuze, reveals a largely invisible lineage of Taoist-influenced remix in Western creative writing. In this way, calligraphy emerges as a model of remix relevant to all forms of writing—for all writing is material, whether calligraphic or not. Further, as Acker shows, the materiality of writing constantly replenishes its remixing with cultural elements that may not be otherwise visible.

First editions and association copies of American, English and continental literature; science; calligraphy; music; color plates and sporting books; autograph letters ... etc.

335 items; priced.

左中部梭状回枕颞沟内皮质对汉字加工的必要性、选择性和作用性质

A number of functional neuroimaging studies with skilled readers consistently showed activation to visual words in the left mid-fusiform cortex in occipitotemporal sulcus (LMFC-OTS). Neuropsychological studies also showed that lesions at left ventral occipitotemporal areas result in impairment in visual word processing. Based on these empirical observations and some theoretical speculations, a few researchers postulated that the LMFC-OTS is responsible for instant parallel and holistic extraction of the abstract representation of letter strings, and labeled this piece of cortex as “visual word form area” (VWFA). Nonetheless, functional neuroimaging studies alone is basically a correlative rather than causal approach, and lesions in the previous studies were typically not constrained within LMFC-OTS but also involving other brain regions beyond this area. Given these limitations, it remains unanswered for three fundamental questions: is LMFC-OTS necessary for visual word processing? is this functionally selective for visual word processing while unnecessary for processing of non-visual word stimuli? what are its function properties in visual word processing? This thesis aimed to address these questions through a series of neuropsychological, anatomical and functional MRI experiments in four patients with different degrees of impairments in the left fusiform gyrus. Necessity: Detailed analysis of anatomical brain images revealed that the four patients had differential foci of brain infarction. Specifically, the LMFC-OTS was damaged in one patient, while it remained intact in the other three. Neuropsychological experiments showed that the patient with lesions in the LMFC-OTS had severe impairments in reading aloud and recognizing Chinese characters, i.e., pure alexia. The patient with intact LMFC-OTS but information from the left visual field (LVF) was blocked due to lesions in the splenium of corpus callosum, showed impairment in Chinese characters recognition when the stimuli were presented in the LVF but not in the RVF, i.e. left hemialexia. In contrast, the other two patients with intact LMFC-OTS had normal function in processing Chinese characters. The fMRI experiments demonstrated that there was no significant activation to Chinese characters in the LMFC-OTS of the pure alexic patient and of the patient with left hemialexia when the stimuli were presented in the LVF. On the other hand, this patient, when Chinese characters were presented in right visual field, and the other two with intact LMFC-OTS had activation in the LMFC-OTS. These results together point to the necessity of the LMFC-OTS for Chinese character processing. Selectivity: We tested selectivity of the LMFC-OTS for visual word processing through systematically examining the patients’ ability for processing visual vs. auditory words, and word vs. non-word visual stimuli, such as faces, objects and colors. Results showed that the pure alexic patients could normally process auditory words (expression, understanding and repetition of orally presented words) and non-word visual stimuli (faces, objects, colors and numbers). Although the patient showed some impairments in naming faces, objects and colors, his performance scores were only slightly lower or not significantly different relative to those of the patients with intact LMFC-OTS. These data provide compelling evidence that the LMFC-OTS is not requisite for processing non-visual word stimuli, thus has selectivity for visual word processing. Functional properties: With tasks involving multiple levels and aspects of word processing, including Chinese character reading, phonological judgment, semantic judgment, identity judgment of abstract visual word representation, lexical decision, perceptual judgment of visual word appearance, and dictation, copying, voluntary writing, etc., we attempted to reveal the most critical dysfunction caused by damage in the LMFC-OTS, thus to clarify the most essential function of this region. Results showed that in addition to dysfunctions in Chinese character reading, phonological and semantic judgment, the patient with lesions at LMFC-OTS failed to judge correctly whether two characters (including compound and simple characters) with different surface features (e.g., different fonts, printed vs. handwritten vs. calligraphy styles, simplified characters vs. traditional characters, different orientations of strokes or whole characters) had the same abstract representation. The patient initially showed severe impairments in processing both simple characters and compound characters. He could only copy a compound character in a stroke-by-stroke manner, but not by character-by-character or even by radical-by-radical manners. During the recovery process, namely five months later, the patient could complete the abstract representation tasks of simple characters, but showed no improvement for compound characters. However, he then could copy compound characters in a radical-by-radical manner. Furthermore, it seems that the recovery of copying paralleled to that of judgment of abstract representation. These observations indicate that lesions of the LMFC-OTS in the pure alexic patients caused several damage in the ability of extracting the abstract representation from lower level units to higher level units, and the patient had especial difficulty to extract the abstract representation of whole character from its secondary units (e.g., radicals or single characters) and this ability was resistant to recover from impairment. Therefore, the LMFC-OTS appears to be responsible for the multilevel (particularly higher levels) abstract representations of visual word form. Successful extraction seems independent on access to phonological and semantic information, given the alexic patient showed severe impairments in reading aloud and semantic processing on simple characters while maintenance of intact judgment on their abstract representation. However, it is also possible that the interaction between the abstract representation and its related information e.g. phonological and semantic information was damaged as well in this patient. Taken together, we conclude that: 1) the LMFC-OTS is necessary for Chinese character processing, 2) it is selective for Chinese character processing, and 3) its critical function is to extract multiple levels of abstract representation of visual word and possibly to transmit it to phonological and semantic systems.

Anna Magdalena as Bach's Copyist

Among the wives of eighteenth-century composers, no one is perhaps more favourably and affectionately described than Bach's second wife, Anna Magdalena (1701-1760). She has been commonly pictured as her husband's trusted assistant, copying his works in handwriting which closely resembled her husband's beautiful calligraphy. No one appreciates her contributions more than today's musicologists, for her copies are usually 'neat and accurate', and are often among the most important primary sources when Bach's autographs do not survive. Occasionally, however, it is difficult to accommodate this patronising view of her role and its significance. It is well known, for instance, that her copy of Bach's Cello Suites (BWV 1007-1012) contains an unusually large number of inaccuracies and copying errors. One must ask how many of these blunders should be ascribed to her. How would a 'neat and accurate' copyist produce such an error-ridden manuscript if she had made it from a fair copy? In this paper, I shall first discuss Anna's copies of Bach's works, and see if any particular patterns or tendencies in her copying activities emerge when these are placed in this broader chronological context. In an attempt to evaluate her performance as a copyist, I shall look at typical situations in which she worked, while at the same time seeking to discover what additional values her copies may bring to our studies of Bach's life and works.

Certificate awarded to Lieutenant Colonel, the Honourable James George Currie of the 19th Lincoln Battalion of Canada from the ladies of the County of Lincoln

Certificate measuring 36 cm. x 47 cm. awarded to Lieutenant Colonel, the Honourable James George Currie of the 19th Lincoln Battalion of Canada from the ladies of the County of Lincoln to honour surviving veterans of the War of 1812. The calligraphy on the award was done by J. Matthews of St. Catharines who was listed in the 1877 St. Catharines Directory as an illuminator (medieval writing) and accountant. The award is signed by Elizabeth Carlisle on behalf of the ladies, Oct. 13, 1876.

L’impact de l’utilisation du traitement de texte sur la qualité de l’écriture d’élèves québécois du secondaire

Dans les dernières décennies, le présumé déclin de la compétence scripturale des élèves québécois a soulevé les passions. Force est d’admettre que leurs compétences sont lacunaires : tant les rapports du ministère de l’Éducation (Jalbert, 2006; Ouellet, 1984) que les études scientifiques ou gouvernementales (Bureau, 1985; Groupe DIEPE, 1995; Roberge, 1984) révèlent leur incapacité à s’approprier l’écriture. Les TIC pourraient bien faire partie de la solution : on sait pertinemment qu’elles favorisent la réussite scolaire dans certains contextes (Barayktar, 2001; Christmann & Badgett, 2003; Waxman, Lin, & Michko, 2003). Toutefois, modifient-elles le processus scriptural au point d’en faciliter l’apprentissage? Cette question constitue le cœur de l’actuel projet de recherche. Les modèles du processus d’écriture comme celui de Hayes et Flower (Flower & Hayes, 1981; Hayes, 1995; Hayes & Flower, 1980) rappellent que les TIC font partie du contexte de production; à ce titre, elles influencent autant la qualité des textes que les processus cognitifs et la motivation. Elles libèrent notamment des ressources cognitives, puisqu’elles prennent en charge certaines opérations, comme la calligraphie (Daiute, 1983). Partant, le scripteur peut se concentrer davantage sur des tâches plus complexes. Des méta-analyses (Bangert-Drowns, 1993; Goldberg, Russell, & Cook, 2003) attestent que le traitement de texte exerce un effet minime, mais statistiquement significatif sur la qualité de l’écriture. Toutefois, il est associé à des révisions en surface (Faigley & Witte, 1981; Figueredo & Varnhagen, 2006). Rares sont les projets de recherche qui explorent simultanément l’impact du traitement de texte sur plusieurs dimensions du processus scriptural; plus rares encore sont les travaux qui se sont intéressés à ce sujet depuis les années 1990. Pour pallier ce manque, cette thèse de doctorat vise à 1) mesurer l’effet des TIC sur la qualité de l’écriture; 2) décrire l’impact des TIC sur les processus cognitifs de révision et de traduction; 3) mesurer l’impact des TIC sur la motivation à écrire. Pour y arriver, nous recourons à une méthodologie mixte. D’une part, un devis de recherche quasi expérimental nous permet de comparer les scripteurs technologiques aux scripteurs traditionnels; d’autre part, une approche qualitative nous laisse accéder aux pensées et aux perceptions des utilisateurs de l’ordinateur. Les trois articles qui constituent le cœur de cette thèse rapportent les résultats relatifs à chacun des objectifs spécifiques de recherche. Dans le premier texte, nous avons mesuré les effets du traitement de texte sur la compétence scripturale. L’analyse statistique des données colligées nous a permis de dégager une amélioration des performances, strictement en orthographe d’usage. En comparaison, les élèves du groupe témoin se sont améliorés davantage en cohérence textuelle et ont mieux performé en orthographe grammaticale. Le deuxième article propose de faire la lumière sur ces résultats. Nous y étudions donc l’impact des TIC sur le processus cognitif de révision. Ce volet, basé sur une approche qualitative, recourt largement à l’observation vidéographiée. Nous y mettons d’abord en évidence le grand nombre d’erreurs commises lors des séances d’écriture technologiques; nous faisons également ressortir la sous-utilisation du vérificateur linguistique, qui pose peu de diagnostics appropriés ou qui est souvent ignoré des scripteurs. Toutefois, malgré cette sous-utilisation du traitement de texte, des entrevues de groupe font état de perceptions positives à l’égard des TIC; on leur prête des vertus certaines et elles sont jugées motivantes. Ce phénomène constitue le cœur du dernier article, au cours duquel nous tâchons de mesurer l’impact du mode d’écriture sur la motivation à écrire. Nous menons ce volet dans une perspective quantitative. La motivation des participants a été mesurée avec une échelle de motivation. L’analyse statistique des données montre que les élèves technologiques sont motivés intrinsèquement par les technologies, tandis que leurs pairs du groupe témoin sont amotivés. Lors du chapitre conclusif, nous mettons ces résultats en relation, tentant d’expliquer globalement l’impact des TIC dans le processus scriptural. Au terme de notre thèse, nous formulons des recommandations destinées aux praticiens et aux décideurs engagés dans le système éducatif.

Of master Hongyi's last calligraphic work

Hongyi (1860-1942) est le maître de l’école bouddhiste appelée « Terre Pure » en Chine moderne. Dans l'histoire du bouddhisme chinois, il est le seul maître bouddhiste qui peut se classer parmi les plus grands calligraphes chinois. Dans l'histoire de la calligraphie chinoise, il est le premier moine-calligraphe qui allie sa foi bouddhiste avec son art calligraphique tout en appliquant des principes de la peinture occidentale à son travail de calligraphie. Son art serve bien sa croyance religieuse et n’est pas indépendent de celle-ci, ce qui est extraordinaire dans l’histoire calligraphique. Il utilise le concept bouddhiste de «une forme sans forme» pour interpréter la calligraphie chinoise, et propose une série de théories calligraphiques bouddhistes pour guider sa pratique. D’ailleurs, sa calligraphie ne sert qu'à retranscrire les textes bouddhistes classiques et contemporains. Ses œuvres illustrent donc l'influence du bouddhisme chinois sur la calligraphie chinoise. Traditionnellement, la dernière œuvre d'un calligraphe est souvent considérée comme son chef-d'œuvre en fonction de deux critères: sa technique et son contenu moral. En outre, quelques-unes des dernières œuvres de grands calligraphes ont survécu. La rareté les rend encore plus précieuses. Bei xin ji jiao («悲欣交集») est la dernière œuvre de Hongyi, qui a été achevée trois jours avant son nirvana. Ce mémoire sera d'étudier et d'analyser l'influence de sa pensée bouddhiste sur le contenu littéraire et la forme artistique de cette œuvre, et d’expliciter qu’elle guide pleinement vers l'état ultime de sa pratique bouddhiste au plus haut niveau de sa calligraphie.

Du tracé manuel à la ligne en mouvement : mutations esthétiques et sémiotiques dans la calligraphie latine contemporaine

Thèse en cotutelle Université de Montréal et Université Paris Diderot-Paris 7

Incorrigible and undisciplined lines in visual social research : ways of ‘writing’ and ‘drawing’ at the interstices

In this paper the author traces the possibilities afforded by engaging with the aesthetic, historic and socio-political nature of shodo (Japanese calligraphy) as an intersectional space. Shodo literally translated as 'the way of writing' is an artistic practice bringing together ink, brush and paper. It is simultaneously a juncture between studied discipline and an ongoing mediation of subjectivities. The calligrapher/writer/drawer communicates to the reader through the bold or subtle brush strokes, the pressure and movement at the completion of each stroke. The calligrapher/writer/drawer draws across the boundaries of text and image to meet the reader blurring the lines between subject and object. This discussion re-examines the hierarchical binaries of writing/drawing, text/image, self/Other as they play out from vanishing lines of distinction between truth and conjecture. Crossing these binaries opens up opportunity for decentring and questioning representational practice by enabling other possible meanings and practices to emerge (Lather, 2007). I work from a stance of theoretical promiscuity in order to disrupt constitutive discourses and restore the liminal in social research. Drawing across the fragments of research projects I illustrate the generative and speculative space of visualising pedascapes in educational research.

Sticker: colando idéias

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

Manual intermitente: notas sobre a poética ficcional de José Saramago

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)

O viés ensaístico na ficção de José Saramago

Coordenação de Aperfeiçoamento de Pessoal de Nível Superior (CAPES)