影响汉字手写体识别的静态特征与动态特征的研究

In this study, the recognition of handwritten Chinese characters is studied by analyzing their static and dynamic factors. The main results are as follows: 1) The static factors of handwritten Chinese characters that have significant effects on recognition are similarity with other handwritten characters, changes of relative positions of strokes and shape changes of strokes; 2) The methods of writing handwritten Chinese characters used by different calligraphers are significantly consistent; 3)The subjects are sensitive to dynamic information contained in the handwritten Chinese characters; 4)The dynamic factors that effect recognition of handwritten Chinese characters are changes in the number of strokes and changes in the direction of strokes; 5)Although both static and dynamic factors of handwritten Chinese characters have significant effects on the recognition of handwritten Chinese characters, the effect of static factors plays a major role and the effect of dynamic factor plays of secondary role.

Of master Hongyi's last calligraphic work

Hongyi (1860-1942) est le maître de l’école bouddhiste appelée « Terre Pure » en Chine moderne. Dans l'histoire du bouddhisme chinois, il est le seul maître bouddhiste qui peut se classer parmi les plus grands calligraphes chinois. Dans l'histoire de la calligraphie chinoise, il est le premier moine-calligraphe qui allie sa foi bouddhiste avec son art calligraphique tout en appliquant des principes de la peinture occidentale à son travail de calligraphie. Son art serve bien sa croyance religieuse et n’est pas indépendent de celle-ci, ce qui est extraordinaire dans l’histoire calligraphique. Il utilise le concept bouddhiste de «une forme sans forme» pour interpréter la calligraphie chinoise, et propose une série de théories calligraphiques bouddhistes pour guider sa pratique. D’ailleurs, sa calligraphie ne sert qu'à retranscrire les textes bouddhistes classiques et contemporains. Ses œuvres illustrent donc l'influence du bouddhisme chinois sur la calligraphie chinoise. Traditionnellement, la dernière œuvre d'un calligraphe est souvent considérée comme son chef-d'œuvre en fonction de deux critères: sa technique et son contenu moral. En outre, quelques-unes des dernières œuvres de grands calligraphes ont survécu. La rareté les rend encore plus précieuses. Bei xin ji jiao («悲欣交集») est la dernière œuvre de Hongyi, qui a été achevée trois jours avant son nirvana. Ce mémoire sera d'étudier et d'analyser l'influence de sa pensée bouddhiste sur le contenu littéraire et la forme artistique de cette œuvre, et d’expliciter qu’elle guide pleinement vers l'état ultime de sa pratique bouddhiste au plus haut niveau de sa calligraphie.

Caligrafos e iluminadores portugueses : ensaio histórico-bibliográfico /

Includes index.

Dai Nihon meika zensho /

On double leaves, traditional oriental format.

Chi hong xuan suo jian shu hua lu.

Mode of access: Internet.

Dai Nihon meika zensho : shoga kantei /

On double leaves, oriental style, in case.

Shu hua chuan xi lu : [si juan /

Daoguang shi ba nian Ji Chengxian zi xu yan ji bian ke shu shi.

Books for asset management in hospitals in Seville.

Hospitals from ancient Seville had an important heritage for survival of the institution and its patients. In order to keep this heritage, the officialdom settled down several control mechanisms that would serve to manage a profitable management of their income and rights. For this purpose, they developed devising instruments able to preserve their possessions and put them into operation. This article attempts to identify the defining elements of these books, called “protocolos de bienes” (protocols goods), indicating their characteristics and evolution from archaic models until the final form. This final form was reached late sixteenth and early seventeenth century, at which time devoted use main codex of hospitality. To do this, we used the documentary collec-tions of Seville, preserved in different archives of the city, from where they have taken several significant examples showing the changes that occurred in both its internal structure and its mate-rials manufacturing, underlining the participation of official, booksellers, illuminators and calligraphers. Similarly, it has high-lighted the multifaceted and multifunctional character of this ins-titutions that became also a corporate identity. The multiplicity of hospitals in Sevilla had different types and features of protocols, which were modificated according to the different needs of each institution.