993 resultados para Burgundy, Dukes of.
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Title vignettes; head and tail pieces; initials. The plates and portraits are mounted.
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Duke of Somerset v Cookson (1735) occupies an important place in English legal history as a leading authority for Chancery jurisdiction to order specific delivery of movable property where an award of damages would be inadequate. The property at issue was the Corbridge lanx, now in the British Museum, but then claimed as treasure trove by the duke of Somerset as lord of the manor of Corbridge. This paper re-examines Cookson as the first reported English decision relating to treasure trove, and uses later treasure trove claims by the duke of Somerset's successors to the manor of Corbridge, the dukes of Northumberland, to shed fresh light on the 1735 decision and on the development of treasure trove practice from the eighteenth century onwards.
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Mode of access: Internet.
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Mode of access: Internet.
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Title vignettes; head and tail pieces; initials. The plates and portraits are mounted.
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Mode of access: Internet.
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Vol. 13 includes "Table sommaire de l'histoire des ducs de Bourgogne."
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Title continued: ... gouverneur du Luxembourg; & plusieurs autres monumens très-utiles pour l'éclaircissement de l'histoire du XIV. & XV. siecle. Avec une table des matieres, & des noms des familles les plus considerables dont il est fait mention dans l'ouvrage.
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Mode of access: Internet.
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Resumen: La presente investigación reivindica la persona de D. Henrique de Borgoña, padre del primer rey de Portugal, como inspirador de la política separatista que hizo del condado portugalense un reino reconocido de la Europa cristiana. Igualmente se pone de relieve la importancia del parentesco y relaciones familiares para conseguir ese éxito diplomático.
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Integran este número de la revista ponencias presentadas en Studia Hispanica Medievalia VIII: Actas de las IX Jornadas Internacionales de Literatura Española Medieval, 2008, y de Homenaje al Quinto Centenario de Amadis de Gaula
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Resumen: Abordamos en este trabajo algunas cuestiones referentes al problema sucesorio durante el reinado de Alfonso VI, y en concreto a la grave crisis planteada en 1103, cuando el rey, que carecía de descendencia masculina legítima, optó por su único hijo varón, habido de la princesa musulmana Zaida, como heredero. Entonces se vieron truncadas las expectativas de Raimundo de Borgoña, casado con la primogénita legítima del monarca, y, aunque en menor medida, las de Enrique de Borgoña, esposo de doña Teresa, otra hija del rey, así como en cierto modo las del abad Hugo de Cluny. Una particular atención hemos dedicado al análisis de la actitud de la alta nobleza en relación con tan conflictivo asunto, y en este sentido, creemos haber demostrado que Pedro Ansúrez encabezó al sector nobiliario contrario a las previsiones sucesorias de Alfonso VI.
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The present 30 volumes seem to have remained with the Dukes of Leuchtenberg, until the ducal library was acquired for sale in 1935 by the dealers Ulrich Hoepli (Milan) and Braus-Riggenbach (Basel). The volumes are not complete, as leaves have been wholly or partly removed throughout; this is particularly evident in preliminary volumes 2 and 10 and volume 75. Prints and the relatively small number of drawings are mostly French, with some German, Dutch and English, and are mostly of the 17th or 18th centuries. They are mounted generally on rectos of leaves, often with hand-written captions. Large prints are occasionally bound in directly; these are often folded. The engraved general title page (bearing the date 1788) appears at the beginning of each volume; below the printed title a hand-written volume number and brief title describing the volume's contents usually appear. In many volumes the title leaf is followed by a hand-written contents leaf listing the section titles, which are also written individually throughout the volume on leaves with etched decorative frames. Sections are numbered continuously throughout the work as a whole. Numbering of the leaves, when present, appears in black ink within each volume at top center recto. Printmakers include B. & J. Audran, Francesco Bartolozzi, Abraham Bosse, Stefano della Bella, Jacques Callot, François Chéreau, Wenceslaus Hollar, Romeyn de Hooghe, Raymond La Fage, Sébastien Le Clerc, Pierre Lepautre, Claude Mellan, Bernard Picart, and Simon Thomassin. There are also early color prints by Gautier-Dagoty and Jean-Baptiste Morret.