The centaur's booty /

The centaur's booty.--The rout of the Amazons.--The gazelles and other poems.--Pan's prophecy.--To Leda, and other odes.--Theseus, Medea, and lyrics.

Influence of insoluble surfactant on the deformation and breakup of a bubble or thread in a viscous fluid

The influence of surfactant on the breakup of a prestretched bubble in a quiescent viscous surrounding is studied by a combination of direct numerical simulation and the solution of a long-wave asymptotic model. The direct numerical simulations describe the evolution toward breakup of an inviscid bubble, while the effects of small but non-zero interior viscosity are readily included in the long-wave model for a fluid thread in the Stokes flow limit. The direct numerical simulations use a specific but realizable and representative initial bubble shape to compare the evolution toward breakup of a clean or surfactant-free bubble and a bubble that is coated with insoluble surfactant. A distinguishing feature of the evolution in the presence of surfactant is the interruption of bubble breakup by formation of a slender quasi-steady thread of the interior fluid. This forms because the decrease in surface area causes a decrease in the surface tension and capillary pressure, until at a small but non-zero radius, equilibrium occurs between the capillary pressure and interior fluid pressure. The long-wave asymptotic model, for a thread with periodic boundary conditions, explains the principal mechanism of the slender thread's formation and confirms, for example, the relatively minor role played by the Marangoni stress. The large-time evolution of the slender thread and the precise location of its breakup are, however, influenced by effects such as the Marangoni stress and surface diffusion of surfactant. © 2008 Cambridge University Press.

Influence of surfactant solubility on the deformation and breakup of a bubble or capillary jet in a viscous fluid

In a previous study [M. Hameed, J. Fluid Mech. 594, 307 (2008)] the authors investigated the influence of insoluble surfactant on the evolution of a stretched, inviscid bubble surrounded by a viscous fluid via direct numerical simulation of the Navier-Stokes equations, and showed that the presence of surfactant can cause the bubble to contract and form a quasisteady slender thread connecting parent bubbles, instead of proceeding directly toward pinch-off as occurs for a surfactant-free bubble. Insoluble surfactant significantly retards pinch-off and the thread is stabilized by a balance between internal pressure and reduced capillary pressure due to a high concentration of surfactant that develops during the initial stage of contraction. In the present study we investigate the influence of surfactant solubility on thread formation. The adsorption-desorption kinetics for solubility is in the diffusion controlled regime. A long-wave model for the evolution of a capillary jet is also studied in the Stokes flow limit, and shows dynamics that are similar to those of the evolving bubble. With soluble surfactant, depending on parameter values, a slender thread forms but can pinch-off later due to exchange of surfactant between the interface and exterior bulk flow. © 2009 American Institute of Physics.

Cuerpos Intervenidos : Experiencias corporales diferenciadas de la feminidad y el cáncer de seno

Este proyecto de investigación se enfoca en estudiar la configuración de las feminidades en mujeres que han pasado por la experiencia del cáncer de seno. Teniendo en cuenta que cada una de ellas tiene una trayectoria social diferente que determina el desarrollo de la feminidad y de la experiencia de la enfermedad. La metodología que se utilizó dentro de la investigación fue de carácter etnográfico, ya que se pretendió dar cuentan de la experiencia de la enfermedad, la corporalidad y la subjetividad.

Parallel editing, multi-positionality and maximalism: cosmopolitan effects as explored in some art works by Melanie Jackson and Vivienne Dick

Garfield produces a critique of neo-minimalist art practice by demonstrating how the artist Melanie Jackson’s Some things you are not allowed to send around the world (2003 and 2006) and the experimental film-maker Vivienne Dick’s Liberty’s booty (1980) – neither of which can be said to be about feeling ‘at home’ in the world, be it as a resident or as a nomad – examine global humanity through multi-positionality, excess and contingency, and thereby begin to articulate a new cosmopolitan relationship with the local – or, rather, with many different localities – in one and the same maximalist sweep of the work. ‘Maximalism’ in Garfield’s coinage signifies an excessive overloading (through editing, collage, and the sheer density of the range of the material) that enables the viewer to insert themselves into the narrative of the work. In the art of both Jackson and Dick Garfield detects a refusal to know or to judge the world; instead, there is an attempt to incorporate the complexities of its full range into the singular vision of the work, challenging the viewer to identify what is at stake.

La tierra y su relación con el botín en el Cantar de Mio Cid

El análisis de la tierra como eje específico del botín y su relación con los alimentos, demuestra que el narrador no sólo los utilizó para demarcar la oposición entre las circunstancias del destierro del Cid y su brillante carrera en tierras de moros, sino que son también una línea temática vital para expresar este derrotero triunfal del castellano.

La tierra y su relación con el botín en el Cantar de Mio Cid

El análisis de la tierra como eje específico del botín y su relación con los alimentos, demuestra que el narrador no sólo los utilizó para demarcar la oposición entre las circunstancias del destierro del Cid y su brillante carrera en tierras de moros, sino que son también una línea temática vital para expresar este derrotero triunfal del castellano.

La tierra y su relación con el botín en el Cantar de Mio Cid

El análisis de la tierra como eje específico del botín y su relación con los alimentos, demuestra que el narrador no sólo los utilizó para demarcar la oposición entre las circunstancias del destierro del Cid y su brillante carrera en tierras de moros, sino que son también una línea temática vital para expresar este derrotero triunfal del castellano.