959 resultados para Boom literario
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En el presente trabajo nos hemos propuesto comparar dos momentos de la modernización cultural en América Latina, a principios del siglo XX y hacia los años 1960, durante el boom literario. El objetivo comparativo obedece a que es posible observar ciertos mecanismos similares en uno y otro momento. El campo literario español resulta elegido como el espacio de ciertas disputas y debates de la literatura latinoamericana. Las instancias de modernización literarias están acompañadas asimismo de discusiones sobre lo regional o lo universal de la literatura, la ubicación dentro de contextos mayores y la aspiración a pertenecer a una ‘república mundial de las letras’. Pese a todo, este reconocimiento no cierra el punto central de constitución de las literaturas nacionales, es decir, el vínculo de la lengua con un espacio nacional, sino que posibilita nuevas miradas y la formulación de otras problemáticas en el orden de la creación literaria, la comercialización y la distribución de las obras.
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Conselho Nacional de Desenvolvimento Científico e Tecnológico (CNPq)
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Fil: Maíz, Claudio. Universidad Nacional de Cuyo. Facultad de Filosofía y Letras
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Para legitimar su propia modernidad, los escritores y críticos asociados al Boom solían describir a Rómulo Gallegos como un autor arcaico, neonaturalista o neorromántico, todavía activo en el siglo XX. Este artículo se propone reconstruir el horizonte de expectativas que cimentó el prestigio inicial de Doña Bárbara. Se argumenta que su éxito se debió al menos parcialmente a la proximidad —que después dejaría de percibirse con claridad— entre el regionalismo o mundonovismo y la estética de vanguardia. La comprensión del interés de Gallegos en la cinematografía resulta esencial para entender dichas afinidades.
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There has been a boom in Australian horror movie production in recent years. Daybreakers (2010), Wolf Creek (2005), Rogue (2007), Undead (2003), Black Water (2008), and Storm Warning (2006) among others, have all experienced varying degrees of popularity, mainstream visibility, and cult success in worldwide horror markets. While Aussie horror’s renaissance is widely acknowledged in industry literature, there is limited research into the extent of the boom and the dynamics of production. Consequently, there are few explanations for why and how this surge has occurred. This paper argues that the recent growth in Australian horror films has been driven by intersecting international market forces, domestic financing factors, and technological change. In so doing, it identifies two distinct tiers of Australian horror film production: ‘mainstream’ and ‘underground’ production; though overlap between these two tiers results in ‘high-end indie’ films capable of cinema release. Each tier represents the high and low-ends of Australian horror film production, each with different financing, production, and distribution models.
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Australia is currently in the midst of a major resources boom. Resultant growing demands for labour in regional and remote areas have accelerated the recruitment of non resident workers, mostly contractors, who work extended block rosters of 12-hour shifts and are accommodated in work camps, often adjacent to established mining towns. Serious social impacts of these practices, including violence and crime, have generally escaped industry, government and academic scrutiny. This paper highlights some of these impacts on affected regional communities and workers and argues that post-industrial mining regimes serve to mask and privatize these harms and risks, shifting them on to workers, families and communities.
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While the role of executives’ cognition in organisations’ responses to change is a central topic in strategic cognition research, changes in firms’ environment are typically not measured directly but described either as an event (for example, new industry legislation) or represented by a time period (e.g. when a new technology impacted an industry). The Australian mining sector has witnessed a historically significant change in demand for its products and we begin by developing measures of changes in supply and demand for key commodities during the period 1992-2008. We identify sub-groups of firms based on their activities and commodity sector and examine the relation of these variables to executives’ cognition and to firms’ CapEx. We find industry, firm and cognitive variables are related to both strategic cognition and firms’ CapEx.
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This article examines the figure of the ‘Cashed-up Bogan’ or ‘Cub’ in Australian media from 2006 to 2009. It explains that ‘Bogan’, like that of ‘Chav’ in Britain, is a widely engaged negative descriptor for the white working-class poor. In contrast, ‘Cubs’ have economic capital. This capital, and the Cub’s emergence, is linked to Australia’s resource boom of recent decades when the need for skilled labour allowed for a highly demarcated segment of the working class to earn relatively high incomes in the mining sector and to participate in consumption. We argue that access to economic capital has provided the Cub with mobility to enter the everyday spaces of the middle class, but this has caused disruption and anxiety to middle-class hegemony. As a result, the middle class has redrawn and reinforced class-infused symbolic and cultural boundaries, whereby, despite their wealth, pernicious media representations mark Cubs as ‘other’ to the middle-class deservingness, taste and morality.