‘Terentius Culleo’, entre Boccaccio y Petrarca

Coordinardor: I. Ruiz Arzalluz. Editores: A. Martínez Sobrino, M. T. Muñoz García de Iturrospe, I. Ortigosa Egiraun, E. San Juan Manso. (Anejos de Veleia, Series Minor, 32)

Giovanni Boccaccio, Il Decameron .

F. Iv : titre du XVIe siècle : « Italien Le decameron de Brocasse les cent nouvelles de Bocasse ».F. 1-5 : table des matières.F. 1-182 : "Inchomincia ilibro chiamato Dechameron principe ghaleotto nel quale si chontengono ciento novelle dette da sette donne e tre giovani uomini ...-... Qui finisce la decima e ultima giornata del decameron, cognominato principe galeotto chompiltato e fatto per messer Giovanni Boccacci da Ciertaldo. Amen. Amen".F. 182 : indication biffée à l'encre brune d'une écriture cursive (ex libris) : "Questo libro e di simbaldo ... di filipo di simone ..."

Il realismo di un nuovissimo medio evo: Boccaccio in the age of neorealism

After the war Italian artists and intellectuals saw a significant and necessary confluence between their political desire to create a "new." Italy and their cultural ambition to re-invigorate the study of medieval Italy. This tendency is particularly evident, I argue, in the post-war scholarly and critical focus on Boccaccio, and especially Boccaccio’s Decameron. Not only within the academy but also in the popular press, Boccaccio was granted pride of place in the canon, venerated as the pioneer of socially conscious vernacular literary realism, the archetype for the pursuit of artistic truth in the face of social upheaval. As a result, I wish to suggest, Italian neorealism, which rose to prominence in the first years after the Second World War, was in a significant sense imbued with and realised through a profound engagement with the work of Boccaccio. In turn, the cultural currents affiliated with neorealism influenced Boccaccio studies, whose operative notions of medieval «realism» were to a perhaps surprising degree stimulated by approaches to the neo-realist poetics at work in the Italian films, novels, and criticism of the 1940s and ’50s. Situating the critical discourse surrounding Boccaccio within the post-war Italian context can therefore serve to shed unexpected light on both the cultural affirmation of neorealism and the disciplinary configuration of Italian medieval studies.

Else Gentner-Fischer als Boccaccion, Rollenbild, Kniestück, in: Franz von Suppé: Boccaccio

Signatur des Originals: S 36/F03962

Giovanni Boccaccio, Angelus Politianus, Giovanni Giorgio Trissino, Bernardo Divizio, Ludovico Ariosto {[u.a.], Brustbild, Gruppenbildnis

Signatur des Originals: S 36/G02565

Opere volgari di Giovanni Boccaccio, cor, su i testi a penna.

Ed. by I. Moutier.

Decamerone di Messer Giovanni Boccaccio.

"Indice delle voci antiche, oscure, di più significati, &c [comp. da C. Malanima]" v. 4, p. 271-312.

"Fiametta" di GIovanni Boccaccio /

Title page vignette.

Giovanni Boccaccio;

Mode of access: Internet.

The indebtedness of Chaucer's works to the Italian works of Boccaccio (a review and summary)

"The present work has developed from a dissertation ... submitted in April, 1914 ... The dissertation, never separately published, is now fully incorported in the present study."--Pref.

Novella: Madonna Dianora udinese di Giovanni Boccaccio, ed epistola: di una egregia nobile e famosa donna mandata al suo dolce amante Domeni co di Caronelli, tratte da un codice del secolo xiv.]

"Per le nozze Caimo-Dragoni-Mattioli."

Il Decameron di Messer Giovanni Boccaccio /

"Notizie intorno alla vita di Giovanni Boccacci, del cav. Girolamo Tiraboschi": v. 1, p. [iii]-xxvii.

Il Decamerone di Giovanni Boccaccio.

Each vol. has special t.-p., and is paged separately.

L'Ameto di Giovanni Boccaccio emendato su i manoscritti.

Mode of access: Internet.