The theatre of the Greeks, a series of papers relating to the history and criticism of the Greek drama.

The first 3 editions of this work appeared under the name of the original author, P.W. Buckham. cf. British Mus. General cat. of printed books.

Web Classroom Application. Digital technologies to study theory, history and criticism of architecture at Escuela Superior de Arquitectura UPMadrid. The search for some guides to direct the inquiry learning

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The theatre of the Greeks, or, The history, literature, and criticism of the Grecian drama; with an original treatise on the principal tragic and comic metres.

"An introduction to the principal Greek tragic and comic metres in scansion, structure, and ictus; by James Tate": p. [455]-529.

The Kaleidoscope; or, Literary and scientific mirror, containing a variety of original and select articles, literature, men and manners, amusement, criticism, elegant extracts, poetry, anecdotes, biography, meteorology, the drama, arts and sciences, voyages and travels, natural history, diary of the months, fashions, &c. ...

Mode of access: Internet.

History of Art and Art Criticism: A System in Crisis

This article aims to reconstruct the critical debate regarding the examination of the crisis in the disciplines of art history and criticism with a particular focus on the proposal formulated by U.S. theorists who contributed to October journal. The discrediting of many modernist critical methods, particularly that of Clement Greenberg – the formalist diktat – marked the birth of the journal and gave rise to proposals set forth by critics committed to a new approach. Their divergent positions, nonetheless, have contributed to undermining the traditional concepts of the autonomy of art and criticism. The proposals discussed over the course of publication were the result of a reappraisal of the disciplinary instruments of art history and criticism pursuant to the crucial cultural changes which took place in the 1980s.

A Kind of Integrity: explorations in history and drama

All of our knowledge of history is mediated in one way or another. Even the experience of first hand witnesses are, it may be argued, subject to semiotic influences such as physical and emotional position, attitudinal point of view and accuracy of recall. A great deal of historical knowledge is acquired through dramatised versions of historical events. As the characters who actually took part in historical events become the dramatis personae of re-enacted accounts, their stories are edited not only to meet dramatic necessities but the social, psychological and cultural needs of both storytellers and audience. The process of popularising history in this way thus becomes as much about the effects of events on people as the events themselves. This chapter describes and analyses the way in which four historical events have formed the basis of school based drama workshops that explore this process. The Player in Tom Stoppard’s ‘Rosencrantz and Guildenstern Are Dead’ posits that actors do on stage what others are supposed to do off, which, he claims, ‘is a kind of integrity.’ The chapter discusses how drama may be used to explore not only stories from history but how those stories may be mediated and so become open to multiple interpretations. The process of dramatising events from history provides opportunities to develop and exercise a critical literacy that is concerned not so much with either fact or empathy as with interrogating both why and how stories are told. Thus, the experience of exploring the symbiotic relationship between drama and history is dependent on an internal logic which may indeed be perceived as a kind of integrity.

The new university for London; a guide to its history and a criticism of its defects,

Mode of access: Internet.

The history and topography of Ashbourne, the valley of the dove : and the adjaceant villages; with biographical sketches of eminent natives, &c.

Spine title: History of Ashbourne.

The history and antiquities of the cathedral church of Worcester: illustrated by a series of engravings of views, elevations, plans, and details of that edifice: including an architectural description of the church; and biographical anecdotes of the bishops and of other eminent persons connected with the cathedral.

Includes index.

Pinnock's improved edition of Dr. Goldsmith's abridgment of the History of Rome : to which is prefixed, an introduction to the study of roman history, and a variety of valuable information ... on the manners, institutions, and antiquities of the romans ... biographical and historical notes ... a dictionary explaining the most difficult words ... and questions for examination ...

Mode of access: Internet.

The Mirror of literature, amusement, and instruction: containing original essays; historical narratives; biographical memoirs; manners and customs; topographical descriptions; sketches and tales; anecdotes; select extracts from new and expensive works; poetry, and original and selected; the spirit of the public journals; discoveries in the arts and sciences; new facts in natural history, &c.

Editors: 1822-26, Thomas Byerley.--1827-38, John Timbs.

The theatre of the Greeks : a treatise on the history and exhibition of the Greek drama, with a supplementary treatise on the language, metres, and prosody of the Greek dramatists /

Includes index.