888 resultados para Bernard of Clairvaux


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Photocopy.

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Based on the edition of Jacob Merler, 1641.

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Includes index.

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Mémoire numérisé par la Division de la gestion de documents et des archives de l'Université de Montréal

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Mode of access: Internet.

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Mode of access: Internet.

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"Bibliographie sommaire": p. [118]-[120]

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This article examines medieval interpretations of the Song of Songs and their appearance in the correspondence of one of the greatest popes of the High Middle Ages: Innocent III (1198-1216). Innocent III’s depiction of heretics in the south of France as ‘the little foxes which destroy the vineyard of the Lord of Hosts’ was not unprecedented: decades earlier Saint Bernard of Clairvaux had also likened the ‘little foxes’ to heretics in his sermons. Bernard’s renown both as mystical theologian and tireless political advocate of the papacy meant that Innocent is likely to have drawn on such sermons for inspiration when composing his correspondence to the Christian faithful. Innocent’s references to the Song of Songs also provide conclusive evidence that a significant number of his letters have a highly personal flavour and that we really can discern a pope’s own ‘voice’ through his correspondence.

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Este artigo busca expor as críticas de Bernardo de Claraval às superfluidades humanas no texto da Apologia, especialmente aquelas referentes à arte arquitetural. em segundo lugar, procura analisar as implicações estéticas do ascetismo cisterciense e bernardiano. As críticas de Bernardo exercem uma influência decisiva na ornamentação e fazem nascer uma nova arquitetura.

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Includes bibliographical references and indexes.

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Mode of access: Internet.

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Mode of access: Internet.

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At head of title: Saeculum XII, annus 1153.

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Attributed to Bernard de Clairvauv, Peter Cellensis and Guigues du Chastel.