988 resultados para Baggesen, Jens, 1764-1826


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Mode of access: Internet.

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v.1. Poetiske fortaellinger.--v.2. Lyriske digte. 1. samling.--v.3. Lyriske digte. 2. samling.--v.4. Blandede digte.--v.5. Riimbreve og poetiske epistler. 1. samling. Polemiske skrifter. 1. samling.--v.6. Riimbreve og poetiske epistler. 2. samling. Polemiske skrifter. 2. samling.--v.7. Polemiske skrifter. 3. samling. Senere samlede digte af blandet indhold. Thora; et fragment.--v.8. Labyrinthen. 1. deel.--v.9. Labyrinthen. 2. deel.--v.10. Labyrinthen. 3. deel.--v.11. Labyrinthen. 4. deel. Dramaturgisk critik. 1. samling.--v.12. Dramaturgisk critik. 2. samling. Niels Klims underjordiske reise; efter Holbergs latinske original.

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v. 1. Eventyr og fortaellinger.--2. Riimbreve og epistler. Første samling.--3. Riimbreve og epistler. Anden samling.--4. Blandede digte. Første samling.--5. Blandede digte. Anden samling.

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With: Anthologie aus den Gedichten von Baggesen und Oehlenschläger.

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Plate is aquatint by F. Hegi after Gessner's "Die Pferd-Tränke." Headpiece port. of Gessner on p. [3] etched by H. Meyer.

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"Eine vermehrte aufl. meiner letzten schrift vom jahre 1820 ["Malerkunst der alten"] - Pref.

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"Caulfield's remarkable characters' are persons famous for their eccentricity, immorality, dishonesty, and so forth"--Dict. nat. biog.

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Apparently an edition made up from the 12 v. ed. of 1825-27, omitting v. 2-4 and 10.

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The appendix (p. 45-67) comprises short reports and letters from Alden Partridge, William Eustis, Robert R. Livingston, John Stranger, S. H. Long, Thomas Jefferson, J. Priestley, Horatio Gates and Lindley Murray.

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Jens Baggesen and H.C. Andersen are both aspiring young authors when they set out on their respective journeys to Germany. The literary accounts of their travels - Labyrinten and Skyggebilleder - show how the authors perceive a foreign country, which, despite having a culture closely linked to their own, still contains elements that strike them as being unfamiliar and even bizarre. Their curiosity towards the strange features they encounter is accompanied by a strong desire to reaffirm their own national and cultural identity, forever relying on the comfort of the familiar. When confronted with experiences of strangeness and unfamiliarity that threaten to alienate them, both authors develop similar literary strategies. The poetical programmes that both writers implicitly subscribe to are illustrated in the way they perceive strange and alien elements and are therefore fundamentally and intrinsically interlinked with their aesthetic convictions as writers.