Bach's B Minor Mass: an incarnation in Prague in the 1860s and its Consequences

A study of a performance of the Credo of the B minor mass in Prague in 1861, its context and impact on Dvorak.

Exploring Bach's B Minor Mass

The B-minor Mass has always represented a fascinating challenge to musical scholarship. Composed over the course of Johann Sebastian Bach's life, it is considered by many to be the composer's greatest and most complex work. The fourteen essays assembled in this volume originate from the International Symposium 'Understanding Bach's B-minor mass' at which scholars from eighteen countries gathered to debate the latest topics in the field. In revised and updated form, they comprise a thorough and systematic study of Bach's Opus Ultimum, including a wide range of discussions relating to the Mass's historical background and contexts, structure and proportion, sources and editions, and the reception of the work in the late eighteenth and early nineteenth centuries. In the light of important new developments in the study of the piece, this collection demonstrates the innovation and rigour for which Bach scholarship has become known.

Supplement: Suite in A major for violin and piano; Prelude from the Notebook of W. F. Bach (variant) Fugue in B minor (variant); Instrumentalsatz in F major; Two allemandes.

Mode of access: Internet.

[review] Ulrich LEISINGER (ED.), Bach: Messe in h-Moll BWV 232 (Stuttgart: Carus, [2014]), 312 pp + 1 DVD-ROM, ISMN: 9790007142599, €199

This latest edition of J. S. Bach’s B-minor Mass, by Ulrich Leisinger, described by the publisher as a ‘hybrid edition’, aptly addresses the needs of present-day performers and at the same time fulfils the scholarly expectations of new critical editions to conform to the current study environment

Mass in G minor ; Mass in G major. [music] /

Latin words.

The ‘Faust’ or ’Lucifer’ Sonata? On Liszt’s idea of programme music as exemplifi ed by his Piano Sonata in B minor

The musicological tradition places Liszt’s Sonata in B minor within the sphere of compositions inspired by the Faustian myth. Its musical material, its structure and its narrative exhibit certain similarities to the ‘Faust’ Symphony. Yet there has appeared a diff erent and, one may say, a rival interpretation of Sonata in B minor. What is more, it is well-documented from both a musical and a historical point of view. It has been presented by Hungarian pianist and musicologist Tibor Szász. He proposes the thesis that the Sonata in B minor has been in fact inspired by Milton’s Paradise Lost, with its three protagonists: Adam, Satan and Christ. He fi nds their illustrations and even some key elements of the plot in the Sonata’s narrative. But yet Milton’s Paradise Lost and Goethe’s Faust are both stories of the Fall and Salvation, of the cosmic struggle between good and evil. The triads of their protagonists – Adam and Eve, Satan, and Christ; Faust, Mephisto and Gretchen – are homological. Thus both interpretations of the Sonata, the Goethean and the Miltonian, or, in other words, the Faustian and the Luciferian, are parallel and complementary rather than rival. It is also highly probable that both have had their impact on the genesis of the Sonata in B minor.

《ロ短調ミサ曲》とバッハ研究:作品の伝承と楽譜編集史からみる研究上の諸問題

This article reviews the past research of Bach's B-minor Mass as part of the reception history of the work through the discussion of how the past editors produced various types of prints since 1833, and proposes how we might approach in the 21st century.

Quantifying uncertainty in critical loads: (B) acidity mass balance critical loads on a sensitive site

This paper reports an uncertainty analysis of critical loads for acid deposition for a site in southern England, using the Steady State Mass Balance Model. The uncertainty bounds, distribution type and correlation structure for each of the 18 input parameters was considered explicitly, and overall uncertainty estimated by Monte Carlo methods. Estimates of deposition uncertainty were made from measured data and an atmospheric dispersion model, and hence the uncertainty in exceedance could also be calculated. The uncertainties of the calculated critical loads were generally much lower than those of the input parameters due to a "compensation of errors" mechanism - coefficients of variation ranged from 13% for CLmaxN to 37% for CL(A). With 1990 deposition, the probability that the critical load was exceeded was > 0.99; to reduce this probability to 0.50, a 63% reduction in deposition is required; to 0.05, an 82% reduction. With 1997 deposition, which was lower than that in 1990, exceedance probabilities declined and uncertainties in exceedance narrowed as deposition uncertainty had less effect. The parameters contributing most to the uncertainty in critical loads were weathering rates, base cation uptake rates, and choice of critical chemical value, indicating possible research priorities. However, the different critical load parameters were to some extent sensitive to different input parameters. The application of such probabilistic results to environmental regulation is discussed.

Modification of the B meson mass in a magnetic field from QCD sum rules

Fundação de Amparo à Pesquisa do Estado de São Paulo (FAPESP)

Symphonic fantasia in B minor, 1912. A symphony in four linked movements: Stress--Love--Play--Now.

Mode of access: Internet.

Concerto in D [i.e. B minor] : for four solo violins, with accompaniment of string instruments (violas, cello and bass) and piano (cembalo) [op. 3, no. 10] /

Mode of access: Internet.

Concerto grosso for string orchestra, no. 12, B minor, op. 6, no. 12.

Mode of access: Internet.