Athēnaioi vivliographoi kai ktētores kōdikōn kata tous mesous aiōnas kai epi tourkokratias /

"Apospasma ek tēs Epetēridos tou Parnassou."

Charakterköpfe aus der antiken literatur ...

v. 1. Hesiod und Pindar. Thukydides und Euripides. Sokrates und Plato. Polybios und Poseidonios. Cicero.--v. 2. Diogenes der hund und Krates der kyniker. Epikur. Theokrit. Eratosthenes. Paulus.

Ek Rōmēs (1886) /

Mode of access: Internet.

Extracts from Greek authors : with notes and a vocabulary, for the use of the junior greek class in the University of Glasgow, in two parts.

Includes indexes.

Olam haneshamoth : or, a view of the intermediate state, as it appears in the records of the Old and New Testament, the Apocraphal [sic] books, in heathen authors, and the Greek and Latin fathers, with notes /

Mode of access: Internet.

A Greek and English dictionary : comprising all the words in the writings of the most popular Greek authors; with the difficult inflections in them and in the Septuagint and New Testament ... /

Mode of access: Internet.

Works of the British poets. Including translations from the Greek and Roman authors ...

Mode of access: Internet.

A Greek and English dictionary, comprising all the words in the writings of the most popular Greek authors; with the difficult inflections in them and in the Septuagint and New Testament.

Mode of access: Internet.

A Greek and English dictionary, comprising all the words in the writings of the most popular Greek authors; with the difficult inflections in them and in the Septuagint and New Testament ...

Mode of access: Internet.

A Greek and English dictionary, comprising all the words in the writings of the most popular Greek authors; in the Septuagint and New Testament. With an English and Greek vocabulary.

Mode of access: Internet.

A Greek and English dictionary, comprising all the words in the writings of the most popular Greek authors. Designed for the use of schools, [etc.].

"A vocabulary or concise dictionary of English and Greek", 102 pages at end.

An index of all passages in Greek and Latin authors which are illustrated or referred to in the syntax of Blomfield's translation of Matthiae's Greek grammar.

Mode of access: Internet.

Commentary on Paul's letter to Romans : with a revised Greek text, compiled from the best recent authors and a new translation /

Mode of access: Internet.

The use of cues for attention in ancient Greek art: aspects that influence concentration in the work of art and its elements

The goal of this study is to identify cues for the cognitive process of attention in ancient Greek art, aiming to find confirmation of its possible use by ancient Greek audiences and artists. Evidence of cues that trigger attention’s psychological dispositions was searched through content analysis of image reproductions of ancient Greek sculpture and fine vase painting from the archaic to the Hellenistic period - ca. 7th -1st cent. BC. Through this analysis, it was possible to observe the presence of cues that trigger orientation to the work of art (i.e. amplification, contrast, emotional salience, simplification, symmetry), of a cue that triggers a disseminate attention to the parts of the work (i.e. distribution of elements) and of cues that activate selective attention to specific elements in the work of art (i.e. contrast of elements, salient color, central positioning of elements, composition regarding the flow of elements and significant objects). Results support the universality of those dispositions, probably connected with basic competencies that are hard-wired in the nervous system and in the cognitive processes.

Italian Canzone d'autore and Greek Entechno tragoudi: a comparative overview

‘Canzone d’autore’ is the name that a vast community of Italian music critics, authors, per-formers, producers agreed upon in the mid-1970s, to describe the Italian singer-songwriter genre. Singer-songwriters, who had been missing from Italian popular music – with very few exceptions – until the late 1950s, had become increasingly popular after 1958, and were dubbed ‘cantautori’ in 1960. The term, which propagated to Spain, Catalonia, and Latin Amer-ica, is still in use, but ‘canzone d’autore’ superseded it as a genre label, highlighting the con-nections between authorship and artistic value, implied in the already established notion of ‘Cinéma d’auteur’ from which it was derived.

The expression ‘entechno laiko tragoudi’ (‘art-folk song’) was coined in Greece by Mikis The-odorakis in the 1950s, to describe a new music genre combining the urban-folk musical idi-om with lyrics coming from high-art poetry. Although the origins of the genre are tied to the work of composers like Theodorakis and Hatzidakis who did not perform as singers, from the 1970s onwards entechno became the privileged field of new generations of Greek singer-songwriters. Dropping ‘laiko’ (folk) from its label, entechno expanded its musical influences outside the urban-folk repertory and transformed into the more all-encompassing contempo-rary ‘art song’.