Athēnaioi vivliographoi kai ktētores kōdikōn kata tous mesous aiōnas kai epi tourkokratias /

"Apospasma ek tēs Epetēridos tou Parnassou."

Charakterköpfe aus der antiken literatur ...

v. 1. Hesiod und Pindar. Thukydides und Euripides. Sokrates und Plato. Polybios und Poseidonios. Cicero.--v. 2. Diogenes der hund und Krates der kyniker. Epikur. Theokrit. Eratosthenes. Paulus.

Ek Rōmēs (1886) /

Mode of access: Internet.

Extracts from Greek authors : with notes and a vocabulary, for the use of the junior greek class in the University of Glasgow, in two parts.

Includes indexes.

Olam haneshamoth : or, a view of the intermediate state, as it appears in the records of the Old and New Testament, the Apocraphal [sic] books, in heathen authors, and the Greek and Latin fathers, with notes /

Mode of access: Internet.

A Greek and English dictionary : comprising all the words in the writings of the most popular Greek authors; with the difficult inflections in them and in the Septuagint and New Testament ... /

Mode of access: Internet.

Works of the British poets. Including translations from the Greek and Roman authors ...

Mode of access: Internet.

A Greek and English dictionary, comprising all the words in the writings of the most popular Greek authors; with the difficult inflections in them and in the Septuagint and New Testament.

Mode of access: Internet.

A Greek and English dictionary, comprising all the words in the writings of the most popular Greek authors; with the difficult inflections in them and in the Septuagint and New Testament ...

Mode of access: Internet.

A Greek and English dictionary, comprising all the words in the writings of the most popular Greek authors; in the Septuagint and New Testament. With an English and Greek vocabulary.

Mode of access: Internet.

A Greek and English dictionary, comprising all the words in the writings of the most popular Greek authors. Designed for the use of schools, [etc.].

"A vocabulary or concise dictionary of English and Greek", 102 pages at end.

An index of all passages in Greek and Latin authors which are illustrated or referred to in the syntax of Blomfield's translation of Matthiae's Greek grammar.

Mode of access: Internet.

Commentary on Paul's letter to Romans : with a revised Greek text, compiled from the best recent authors and a new translation /

Mode of access: Internet.

Greek misogynist tradition in Andreas Capellanus's De amore

The title of this brief article quite clearly illustrates its aims and evident limitations. In principle, a search for a Greek basis of the misogynist content of Andreas Capellanus's De amore is likely to lead researchers to focus on analysis of the sources -Greek sources, of course. However, there is no doubt that Ovid, the most frequently quoted ancient author, in this case the structural source, above all his Ars Amatoria, Remedia Amoris and Heroides, which is quite logical in light of the remarkable presence and influence of Ovid's works throughout that time. There was also a good knowledge of the works of Cicero, Virgil, Horace and Juvenal. However, other classical authors, even the Greeks -those who were known then-, were undoubtedly read in the schools, but the knowledge of their works was certainly superficial. Furthermore, given the scholastic method followed in De amore, it would be absurd not to consider the use of many quotations that appeared in the Compendia and in handbooks of religious instruction.

The Politics of Re-(en)visioning: Contemporary British Rewritings of Greek and Roman Tragedies

This thesis examines three different kinds of socio-political rewritings of Greek and Roman tragedies – Sarah Kane’s “Phaedra’s Love”, Tony Harrison’s “Prometheus”, and Martin Crimp’s “Cruel and Tender” – written, staged or screened in Britain (and, more precisely, England) between 1996 and 2004. Offering close readings of these re-visionary appropriations, this dissertation analyses some of the innumerable and unexpected forms that ancient tragedy can assume today. In particular, it explores how three talented British authors have subverted the conventions of the noblest literary and dramatic genre in order to (re)write contemporaneity in ways that oscillate between the personal and the public, the local and the global, the national and the transnational.