Género y metaforización de la creación literaria en dos obras de Ricardo Piglia

La reflexión en torno al lenguaje y a la experiencia de los límites que caracteriza a la literatura moderna ha tomado frecuentemente en las obras la forma de un debate contradictorio sobre la figura y el género femeninos. La ciudad ausente explora ese imaginario del sexo (im)posible y de la travesía del otro femenino con un dispositivo original en el que convergen la alegorización del funcionamiento textual y la ficcionalización de una femineidad subversiva, además de la evocación de algunos grandes modelos del canon literario del autor. El artículo analiza el sentido de los mitos de género (la mujer marginal y rebelde) y las variantes del relato de los orígenes de la creación literaria, así como la representación de la pareja fantasmática artista-obra en la novela, y concluye con una evaluación de la misma problemática en el libreto y en la performance operísticos

Género y metaforización de la creación literaria en dos obras de Ricardo Piglia

La reflexión en torno al lenguaje y a la experiencia de los límites que caracteriza a la literatura moderna ha tomado frecuentemente en las obras la forma de un debate contradictorio sobre la figura y el género femeninos. La ciudad ausente explora ese imaginario del sexo (im)posible y de la travesía del otro femenino con un dispositivo original en el que convergen la alegorización del funcionamiento textual y la ficcionalización de una femineidad subversiva, además de la evocación de algunos grandes modelos del canon literario del autor. El artículo analiza el sentido de los mitos de género (la mujer marginal y rebelde) y las variantes del relato de los orígenes de la creación literaria, así como la representación de la pareja fantasmática artista-obra en la novela, y concluye con una evaluación de la misma problemática en el libreto y en la performance operísticos

Género y metaforización de la creación literaria en dos obras de Ricardo Piglia

La reflexión en torno al lenguaje y a la experiencia de los límites que caracteriza a la literatura moderna ha tomado frecuentemente en las obras la forma de un debate contradictorio sobre la figura y el género femeninos. La ciudad ausente explora ese imaginario del sexo (im)posible y de la travesía del otro femenino con un dispositivo original en el que convergen la alegorización del funcionamiento textual y la ficcionalización de una femineidad subversiva, además de la evocación de algunos grandes modelos del canon literario del autor. El artículo analiza el sentido de los mitos de género (la mujer marginal y rebelde) y las variantes del relato de los orígenes de la creación literaria, así como la representación de la pareja fantasmática artista-obra en la novela, y concluye con una evaluación de la misma problemática en el libreto y en la performance operísticos

Hypercapitalism:Political economy, electric identity, and authorial alienation

Hypercapitalism, with its "knowledge economy", is the form of capitalism under which thought itself is produced, commodified, and exchanged within the globally integrated system of communication technologies. As such, hypercapitalism may be seen as not so much a revolution, but rather an evolution: the progressively thorough, inexorable totalisation of social relations by Capital. The study on which this paper is based synthesises the sociological perspectives of Marx (1970, 1844/1975, 1846/1972, 1976, 1978, 1981) and Adorno (1951/1974, 1991; Horkheimer & Adorno, 1944/1998), and the Critical Discourse perspectives of Fairclough (1989, 1992) and Lemke (1995) to argue that alienated thought and language are the fundamental, irreducible commodity-forms of Cybersociety’s knowledge economy.

Perceptions of authorial identity in academic writing among undergraduate accounting students: implications for unintentional plagiarism

The current study explores first, second and third year UK accounting students’ perceptions of authorial identity and their implications for unintentional plagiarism. The findings suggest that whilst all students have reasonably positive perceptions of their authorial identity, there is room for improvement. Significant differences in second year students’ perceptions were reported for some positive aspects of authorial identity. However, results for negative aspects show that second year students find it significantly more difficult to express accounting in their own words than first and third years. Furthermore, second years are significantly more afraid than first years that what they write will look unimpressive. Finally, the results for approaches to writing, which also have implications for unintentional plagiarism, revealed that students across all years appear to adopt aspects of top-down, bottom-up and pragmatic approaches to writing. Emerging from these findings, the study offers suggestions to accounting educators regarding authorial identity instruction.

The structural properties of sexual fantasies for sexual offenders : a preliminary model

While the phenomenon of sexual fantasy has been researched extensively, little contemporary inquiry has investigated the structural properties of sexual fantasy within the context of sexual offending. In this study, a qualitative analysis was used to develop a descriptive model of the phenomena of sexual fantasy during the offence process. Twenty-four adult males convicted of sexual offences provided detailed retrospective descriptions of their thoughts, emotions and behaviours—before, during and after their offences. A data-driven approach to model development, known as Grounded Theory, was undertaken to analyse the interview transcripts. A model was developed to elucidate the structural properties of sexual fantasy in the process of sexual offending, as well as the physiological and psychological variables associated with it. The Sexual Fantasy Structural Properties Model (SFSPM) comprises eight categories that describe various properties of sexual fantasy across the offence process. These categories are: origin, context, trigger, perceptual modality, clarity, motion, intensity and emotion. The strengths of the SFSPM are discussed and its clinical implications are reviewed. Finally, the limitations of the study are presented and future research directions discussed.

Panel 5: Memories and Fantasies of Genocides

Panel 5: Memories and Fantasies of Genocides Mark Hobbs, University of Winchester, United Kingdom: "Destroying Memory: The Attack on Holocaust Conscience and Memory in Britain 1942-2011" Download paper (login required) Kristen Dyck, Washington State University: "Hate Rock: White-Power Music in International Perspective" Download paper (login required) Audrey Mallet, Concordia University, Canada: “The Old Jewish Strangler and Other Ghost Stories: Poles’ Struggle to Come to Terms with the Holocaust” Download paper (login required) Tea Rozman-Clark, University of Nova Gorica, Slovenia: “Oral History: UN Peacekeepers and Local Population of the UN Safe Area Srebrenica” Download paper (login required) Chair: Kimberly Partee and Kathrin Haurand, Clark UniversityComment: Cecilie Felicia Stokholm Banke, Danish Institute for International Studies, Copenhagen

[Integration process and organ-related fantasies in patients undergoing organ transplantation]

This review deals with an important aspect of organ transplantation, namely the process of psychic organ integration and organ-related fantasies. The body schema and body self are two important concepts in the integration of a transplanted organ. Different models and theories on organ integration are presented and will be discussed. There is evidence that beside the emotional impact and the influence on well-being, organ integration depends closely on psychic processes involving in the incorporation of the transplanted organ and the respective organ-related fantasies. Therefore, these organ fantasies - whether unconscious or conscious - may play an important role in the future development of the instinctive and highly individual relation the patients elaborate with the new organ. Beside the concern with the new organ, a bereavement to the lost old and sick organ may also influence the patients thoughts. Moreover, the good resolving of all these issues evokes the "good practice" patients develop towards the new situation. This will bring up issues as compliance, infections, rejection episodes and - most important - also organ survival.

Literature after Postmodernism: Reconstructive Fantasies

Postmodernism, deconstruction and subversion have been the buzzwords of the last few decades. But not any longer. Ever since the end of the millennium an increasingly perceptible desire to turn towards other concerns can be noted. Only, what comes after postmodernism? Where are we going now? Irmtraud Huber suggests some answers to these questions, focusing on novels by Michael Chabon, Mark Z. Danielewski, Jonathan Safran Foer and David Mitchell and highlighting the ways in which they go beyond postmodernism and turn from deconstruction to reconstruction. Approaching the question from an unusual direction by exploring the novelists' particular use of the fantastic mode, this book offers both further insights into the present aesthetic shift and a new perspective on the literary fantastic.