Perceiving the interactive body in dance: Enhancing kinesthetic empathy through art objects

Through a consideration of audience experience of embodiment in contemporary dance performance, this project used kinesthetic empathy as a theoretical construct to inform choreographic decision-making. The research outcome challenged the traditional performer/audience relationship through an interactive dance performance work entitled Planets. This acted as a platform that allowed both audience and performer to collaboratively listen to, process and form movement in a shared kinesthetic state. This connection was enabled through the distribution of interactive art objects, which responded to the shifting proximity between performer and audience. The performance was thus experienced through following a shared goal as instigated by the interactive technology. Through practice-led research, knowledge from kinesthetic empathy, embodied cognition and the mirror neuron system were used to develop the project’s aim in encouraging interactive audiences to engage in movement. This aim influenced studio explorations of movement through an enquiry into the kinesthetic self in dance. Investigations used movement quality, tension, mobility and acceleration to access a familiar movement vocabulary appropriate for a broad interactive audience. This informed the role of the researcher as performer. Planets was developed as a collaborative project between Michael Smith and interactive visual designer Andy Bates and performed over three nights at the Ars Electronica Festival 2014 in Linz, Austria. Supported by documented footage from Planets and audience responses to the performances, this paper draws together the theoretical underpinnings behind the development of the work and includes the experiential perspective of the performer.

Portfolio of Indian art : objects selected from the collections of the museum /

In portfolio.

Catalogue of a collection of oil paintings and water-color drawings by American and European artists, and of Oriental art objects, belonging to T. E. Waggaman.

Mode of access: Internet.

Catalogues of Antiquities: Art Objects - Egyptian, Greek, Roman, etc., and Native Art from All Areas of the World

Mode of access: Internet.

Objects of art (illustrations) : 450 examples of sculpture, furniture, metal-work, illuminations, miniatures, wax-reliefs, ivories, enamels, majolica, porcelain, crystal, glass, jewellery, snuff-boxes, siversmith's-work, etc.

Mode of access: Internet.

Selections from Oriental objects of art collected by Worcester Reed Warner, most of which have been presented to the Cleveland Museum of Art.

Descriptive letterpress on versos facing the plates.

Miquel Mai (ca. 1480-1546). Art i cultura a la cort de Carles V

The doctoral thesis was an study about Miquel Mai, a polític, jurist, bibliophile and art collector in Barcelona in the first half of the XVI century. The thesis presents the figure of Miquel Mai by his biographic history, with emphasis in the principals chapters that he was participant. After, there was a chapter whose principal theme its the connection between Miquel Mai and the Erasmism movement. Third, it was an analysis of all the art objects that Miquel Mai accumulates. Fourth, the thesis explores the library (formed by more than 2000 books). And finally, we studied the relationship between the art objects who decorate the library and the same books that was in the library.

Gathering collecting: art and the ethics of 'care at a distance'

Catalogue essay 2 in a catalogue of an exhibition held at SASA Gallery, Adelaide, 8 May-1 June 2007. He addresses the notion of what it is to collect and how art objects survive the transposition associated with collecting.

Rock Art at the Pleistocene/Holocene Boundary in Eastern South America

Background: Most investigations regarding the First Americans have primarily focused on four themes: when the New World was settled by humans; where they came from; how many migrations or colonization pulses from elsewhere were involved in the process; and what kinds of subsistence patterns and material culture they developed during the first millennia of colonization. Little is known, however, about the symbolic world of the first humans who settled the New World, because artistic manifestations either as rock-art, ornaments, and portable art objects dated to the Pleistocene/Holocene transition are exceedingly rare in the Americas. Methodology/Principal Findings: Here we report a pecked anthropomorphic figure engraved in the bedrock of Lapa do Santo, an archaeological site located in Central Brazil. The horizontal projection of the radiocarbon ages obtained at the north profile suggests a minimum age of 9,370640 BP, (cal BP 10,700 to 10,500) for the petroglyph that is further supported by optically stimulated luminescence (OSL) dates from sediment in the same stratigraphic unit, located between two ages from 11.7 +/- 0.8 ka BP to 9.9 +/- 0.7 ka BP. Conclusions: These data allow us to suggest that the anthropomorphic figure is the oldest reliably dated figurative petroglyph ever found in the New World, indicating that cultural variability during the Pleistocene/Holocene boundary in South America was not restricted to stone tools and subsistence, but also encompassed the symbolic dimension.

Olhares street art - investigação ação : de que forma abordagens de arte contemporânea nas escolas promovem a criatividade

In this study we intend to address a learning experience that was inspired by the intersection between public art and art education. We intend to make a reflection and analysis of pedagogical actions undertaken during this experience related to a theoretical framework to help us evaluate and improve the pedagogical and methodological strategies. The experience began with a visit to the exhibition "Street Art" at the AXA building in Porto. This visit was made with a group of children of different ages, accompanied by their parents, in May 2014. This exhibition brought new gazes for urban art. By recognizing obvious benefits such as proximity and accessibility, urban art, so rarely addressed in the classroom, may be an educational resource. Our intention in this study asks whether the contact with urban works of art can be motivating for students and facilitators of learning. We used a methodology of action research to approach urban art in visual art education lessons, exploring various art objects of the exhibition "Street Art" and the surrounding city with students. The study findings pointed out a positive response to initial questions

Russian icons and objects of ecclesiastical and decorative arts from the collection of George R. Hann.

Catalogue: p. [39]-[120].

The South Kensington Museum : examples of the works of art in the museum and of the decorations of the building with brief descriptions.

Mode of access: Internet.

International protection of works of art and historic monuments.

"English translation ... made from a revised text, published in 1939 and 1940, by the International Museums Office of the International Institute of Intellectual Cooperation in the volumes, Art et Archéologie: Recueil de législation comparée et de droit international."

Catalogue of a collection of pictures, including examples of the works of the brothers Le Nain, and other works of art.

"Suggested classification of the works of the brothers Le Nain," signed R. C. W. [i.e. Robert C. Witt]: p. 7-20.

Livre-journal de Lazare Duvaux, marchand-bijoutier ordinaire du roy 1748-1758. Précédé d'une étude sur le goût et sur le commerce des objets d'art au milieu du XVIIIe siècle, et accompagné d'une table alphabétique des noms d'hommes, de lieux et d'objets mentionnés dans le journal et dans l'introduction

360 copies printed.