Livre-journal de Lazare Duvaux, marchand-bijoutier ordinaire du roy 1748-1758. Précédé d'une étude sur le goût et sur le commerce des objets d'art au milieu du XVIIIe siècle, et accompagné d'une table alphabétique des noms d'hommes, de lieux et d'objets mentionnés dans le journal et dans l'introduction

360 copies printed.

O mercado da arte moderna e contemporânea em Portugal : 2005-2013

Tese de doutoramento, História (História de Arte), Universidade de Lisboa, Faculdade de Letras, 2016

A collection of rare old Chinese porcelains collected by Sir William Bennett /

Mode of access: Internet.

Sold to the lady in the green hat.

Mode of access: Internet.

Het leven en de werken van Gerrit Dou, beschouwd in verband met het schildersleven van zijn tijd /

Includes index.

In and out of Africa

"During the colonial period in the 1920's, European interest in collecting African art stimulated a transnational trade between Africa and the West. Today this multi-million dollar trade lies largely in the hands of Muslim merchants. This is a story about Gabai Baare, a merchant who brings 'wood' from West Africa to sell in the United States. It is a story about the meaning of art"--Opening credits.

Mastai's classified directory of American art & antique dealers.

Includes advertising matter.

The industrial art manufactures of the Indian empire.

Errata slip inserted.

Autoethnography : critical appreciation of an emerging art

In this article, the author discusses how she applied autoethnography in a study of the design of hypermedia educational resources and shows how she addressed problematic issues related to autoethnographic legitimacy and representation. The study covered a 6-year period during which the practitioner’s perspective on the internal and external factors influencing the creation of three hypermedia CD-ROMs contributed to an emerging theory of design. The author highlights the interrelationship between perception and reality as vital to qualitative approaches and encourages researchers to investigate their reality more fully by practicing the art of autoethnography.

The lens of ludic engagement : evaluating participation in interactive art installations

Designers and artists have integrated recent advances in interactive, tangible and ubiquitous computing technologies to create new forms of interactive environments in the domains of work, recreation, culture and leisure. Many designs of technology systems begin with the workplace in mind, and with function, ease of use, and efficiency high on the list of priorities. [1] These priorities do not fit well with works designed for an interactive art environment, where the aims are many, and where the focus on utility and functionality is to support a playful, ambiguous or even experimental experience for the participants. To evaluate such works requires an integration of art-criticism techniques with more recent Human Computer Interaction (HCI) methods, and an understanding of the different nature of engagement in these environments. This paper begins a process of mapping a set of priorities for amplifying engagement in interactive art installations. I first define the concept of ludic engagement and its usefulness as a lens for both design and evaluation in these settings. I then detail two fieldwork evaluations I conducted within two exhibitions of interactive artworks, and discuss their outcomes and the future directions of this research.