Decorative art of Indian tribes of Connecticut,

Mode of access: Internet.

The two paths: being lectures on art, and its application to decoration and manufacture,

Bound with his Lectures on art.

Crafting organization

The recent shift in attention away from organization studies as science has allowed for consideration of new ways of thinking about both organization and organizing and has led to several recent attempts to 'bring down' organizational theorizing. In this paper, we extend calls for organization to be represented as a creative process by considering organization as craft. Organizational craft, we argue, is attractive, accessible, malleable, reproducible, and marketable. It is also a tangible way of considering organization studies with irreverence. We draw on the hierarchy of distinctions among fine art, decorative art, and craft to suggest that understanding the organization of craft assists in complicating our understanding of marginality. We illustrate our argument by drawing on the case of a contemporary Australian craftworks and marketplace known initially as the Meat Market Craft Centre ('MMCC') and then, until its recent closure, as Metro! ‡ Stella Minahan was a board member and then the Chief Executive Officer of the Metro! Craft Centre.

Les arts décoratifs au Tonkin; soixante-quatre planches hors texte et quarante-quatre dessins dans le texte;

"Bibliographie": p. [vi]

The artist : an illustrated monthly record of arts, crafts and industries.

Ed. statement from introductory page.

Kunstgewerbeblatt.

Editors: Oct. 1885-Sept. 1894, Arthur Pabst; Oct. 1894-Sept. 1905, Karl Hoffacker; June 1908-Sept. 1917, Fritz Hellwag.

Deutsche Kunst und Dekoration : Wohnungskunst, Malerei, Plastik, Architektur, Gärten, künstlerische Frauen-Arbeiten.

Editor: Alexander Koch.

Exposición Nacional de Bellas Artes de 1910: Catálogo

20 p.

The idea of Rome in Fascist art and architecture : the decorative program of the Palazzo dei Congressi in EUR, Rome

This paper engages with the notion of interspace by examining an understudied and unpublished cycle of mosaics and frescoes destined for the main hall of the Palazzo dei Congressi in Rome’s south-western suburb of EUR, a major building project by Roman architect Adalberto Libera. It first provides a socio-historical and aesthetic background to the building of EUR as Rome’s international exposition of 1942, which aimed to celebrate the achievements of Italian (and fascist) civilisation. It then focuses on the concept of Romanità (or Roman-ness) as a mythical and idealised past that was engaged on a number of levels as a teleological foundation for the advent (and eternity) of fascist rule. This past was adopted, interpreted and made manifest at the urban scale in the master plan of EUR, at the architectural scale in the buildings and at the interior scale in the decorative programs incorporated in each. It argues that the Palazzo dei Congressi allows us to gain further insight into the notion of interspace as it exemplifies this on a number of physical, symbolic and temporal levels. Physically, in the urban space, architectural form and interiors; symbolically, in the content and compositional layout of the mosaics; and temporally, in the use of historical elision and conflation between mythical pasts and idealised present.

Leadless decorative tiles, faience, and mosaic, comprising notes and excerpts on the history, materials, manufacture & use of ornamental flooring tiles, ceramic mosaic, and decorative tiles and faience, with complete series of recipes for tile-bodies, and for leadless glazes and art-tile enamels,

Mode of access: Internet.

Inventory of the collection of pictures, miniatures, decorative furniture, porcelain, objects of art, books, &c. /

Cover title: The Jones collection.

Handbook of decorative art in gold, silver, enamel on metal, porcelain and earthenware.

Mode of access: Internet.

The Greening pictorial system of landscape gardening; being a system of decorative planting based on pictorial art, designed for the easy comprehension of amateur gardeners and as a reference book for landscape architects. The illustrations contained are true photographs.

Mode of access: Internet.

Decorative art.

Mode of access: Internet.