Handbook of the Etruscan collection,

"1,000 copies ... printed December, 1940."

Die Volumniergrab bei Perugia. Ein beitrag zur chronologie der etruskischen kunst. Mit einem exkurs über das kottabosspiel.

Mode of access: Internet.

Monumenti etruschi o di etrusco nome /

The imprint of general t.p. of v. 1 reads: Badia Fiesolana, 1821.

Etruskische spiegel.

Vol. 5, pts. 1-2 have title: Etruskische spiegel; hrsg. von Eduard Gerhard, im auftrage des Kaiserlich deutschen archäologischen instituts; bearb. von A. Klügmann und G. Körte.

Dissertazione accademica sopra un monumento etrusco ritrovato negli antichi suburbani di Volterra, 1746.

Cicognara,

Antiquitates etruscae /

Signatures: )(² A-2K² [2L]²(-[2L]2).

History of ancient pottery : Greek, Etruscan, and Roman /

Includes bibliographical references.

Catalogue of the celebrated and well-known collection of Assyrian, Babylonian, Egyptian, Greek, Etruscan, Roman, Indian, Peruvian, Mexican and Chinese antiquities,

"Translation of an extract from the Archaeolgische zeitung ... by Edward Gerhard ... 1851. Mr. B Hertz's collection of gems": xxiv p.

Outlines from the figures and compositions upon the Greek, Roman, and Etruscan vases of the late Sir William Hamilton; with engraved borders.

Mary Ann Beinecke Decorative Art Collection. Sterling and Francine Clark Art Institute Library.

Autoethnography : critical appreciation of an emerging art

In this article, the author discusses how she applied autoethnography in a study of the design of hypermedia educational resources and shows how she addressed problematic issues related to autoethnographic legitimacy and representation. The study covered a 6-year period during which the practitioner’s perspective on the internal and external factors influencing the creation of three hypermedia CD-ROMs contributed to an emerging theory of design. The author highlights the interrelationship between perception and reality as vital to qualitative approaches and encourages researchers to investigate their reality more fully by practicing the art of autoethnography.