Catalogue of an exhibition of ancient Egyptian art.

The catalogue was compiled by P. E. Newberry and H. R. Hall. Cf. Pref. note.

Leçons sur l'art égyptien,

Mode of access: Internet.

L'art egyptien; choix de documents, accompagnes d'indications bibliographiques,

Mode of access: Internet.

The tomb of Nefer-ḥotep at Thebes,

"Of this book, the text, in an edition of five hundred copies, was printed by the Southworth press, Portland, Maine...Of the plates in both volumes those in line were made and printed by Charles Whittingham and Griggs, London, England; those in color and monochrome collotype by Emery Walker, limited, London, England."

Die aegyptischen Denkmaeler in Miramar,

Includes bibliographical references and index.

Revolution to Revolution: Tracing Egyptian Public Art from Saad Zaghloul to January 25

Artists have spent a century claiming Egypt for the Egyptians. Now the powerful murals of January 25 have created a new public space dedicated to every citizen.

Catalogues of Antiquities: Art Objects - Egyptian, Greek, Roman, etc., and Native Art from All Areas of the World

Mode of access: Internet.

The sacred beetle : a popular treatise on Egyptian scarabs in art and history /

Includes index.

Southend Adult Community College: Walk like an Egyptian - A new reflection

Southend Adult Community College hosts a regular Middle Eastern and Egyptian dance class for all ages and abilities. For a performing art such as dance, learning and self-review aids such as mirrors are essential for improving technique and attainment. The Egyptian Dance course is very popular with many students enrolled. Therefore, sessions need to take place in a large hall within the college. Through inspired innovation and improvisation, the class now have an extremely useful reflective teaching aid using cameras and projectors.

Revolting Arts or Spatial Democracy: Performances of popular arts during the Egyptian Revolution?

This paper investigates how spatial practices of Public art performance had transformed public space from being a congested traffic hub into an active and animated space for resistance that was equally accessible to different factions, social strata, media outlets and urban society, determined by popular culture and social responsibility. Tahrir Square was reproduced, in a process of “space adaptation” using Henri Lefebvre’s term, to accommodate forms of social organization and administration.205 Among the spatial patterns of activities detected and analyzed this paper focus on particular forms of mass practices of art and freedom of expression that succeeded to transform Tahrir square into performative space and commemorate its spatial events. It attempts to interrogate how the power of artistic interventions has recalled socio-cultural memory through spatial forms that have negotiated middle grounds between deeply segregated political and social groups in moments of utopian democracy. Through analytical surveys and decoding of media recordings of the events, direct interviews with involved actors and witnesses, this paper offers insight into the ways protesters lent their artistry capacity to the performance of resistance to become an act of spatial festivity or commemoration of events. The paper presents series of analytical maps tracing how the role of art has shifted significantly from traditional freedom of expression modes as narrative of resistance into more sophisticated spatial performative ones that take on a new spatial vibrancy and purpose.

Sex, sin and salvation : a case study of the narrative pictorial cycle of Saint Mary the Egyptian at Bourges Cathedral

This paper studies the narrative stained glass cycle of the Life of Saint Mary the Egyptian at Bourges Cathedral within the context of prevailing—and often conflicting--civil and ecclesiastical attitudes toward sex, sexual sin, and prostitution in early thirteenth century France. Although the Church maintained that sexual sin was mortal sin, civil records suggest the public was skeptical. Through the example of a penitent harlot, this window, both structurally and in thematic content, attempts to map a doctrinally appropriate path from sexual sin to purity of spirit—and salvation—through complete submission to the Church and its clergy.

Greek, Roman and Egyptian antiquities ... /

"Pubic auction sale."

Tomb of Amenhotep, excavated artifact, Yuni and His Wife Renenutet, rear view, two scenes illustrating the ancient Egyptian ideal of affection and remembrance among family generations

Asyut, Egypt; painted limestone

A companion to the London Museum, and Pantherion : containing a brief description of upwards of fifteen thousand natural and foreign curiosities, antiquities, and productions of the fine arts : now open for public inspection in the Egyptian Temple, Piccadilly, London /

Mode of access: Internet.