Byzantine art and archaeology.

"Unabridged and unaltered republication of the first edition published... in 1911."

Byzantine art ...

From Architecture, v. XLVI, no. 3-4 (Sept. and Oct., 1922)

Byzantine enamels in Mr. Pierpont Morgan's collection,

"Reprinted from the Burlington magazine."

Byzantine mosaics in Greece, Hosios Lucas & Daphni,

Bibliographical foot-notes.

L'art byzantin à l'exposition de Grottaferrata.

At head of title: Antoine Muñoz.

Deltion tēs Christianikēs Archaiologikēs Hetaireias.

Mode of access: Internet.

Johannes von Gaza und Paulus Silentiarius: Kunstbeschreibungen Justinianischer Zeit,

Mode of access: Internet.

El arte latino-bizantino en España y las coronas visigodas de Guarrazar : ensayo histórico-crítico /

Mode of access: Internet.

The Influence of Constantinople on Middle Byzantine Architecture (843-1204) : A typological and morphological approach at the provincial level.

The influence of the architecture of the Byzantine capital spread to the Mediterranean provinces with travelling masters and architects. In this study the architecture of the Constantinopolitan School has been detected on the basis of the typology of churches, completed by certain morphological aspects when necessary. The impact of the Constantinopolitan workshops appears to have been more important than previously realized. This research revealed that the Constantinopolitan composite domed inscribed-cross type or cross-in-square spread everywhere to the Balkans and it was assumed soon by the local schools of architecture. In addition, two novel variants were invented on the basis of this model: the semi-composite type and the so-called Athonite type. In the latter variant lateral conches, choroi, were added for liturgical reasons. Instead, the origin of the domed ambulatory church was partly provincial. One result of this study is that the origin of the Middle Byzantine domed octagonal types was traced to Constantinople. This is attested on the basis of the archaeological evidence. Also some other architectural elements that have not been preserved in the destroyed capital have survived at the provincial level: the domed hexagonal type, the multi-domed superstructure, the pseudo-octagon and the narthex known as the lite. The Constantinopolitan architecture during the period in question was based on the Early Christian and Late Antique forms, practices and innovations and this also emerges at the provincial level.

A Byzantine paraphrase of Onasander,

Mode of access: Internet.

The aesthetic purpose of Byzantine architecture, and other essays,

Mode of access: Internet.

Historic ornament; treatise on decorative art and architectural ornament ...

[v. 1] Prehistoric art; ancient art and architecture; eastern, early Christian, Byzantine, Saracenic, Romanesque, Gothic, and renaissance architecture and ornament.--[v. 2] Pottery; enamels; ivories; metal work; furniture; textile fabrics; mosaics; glass; and book decoration.

Autoethnography : critical appreciation of an emerging art

In this article, the author discusses how she applied autoethnography in a study of the design of hypermedia educational resources and shows how she addressed problematic issues related to autoethnographic legitimacy and representation. The study covered a 6-year period during which the practitioner’s perspective on the internal and external factors influencing the creation of three hypermedia CD-ROMs contributed to an emerging theory of design. The author highlights the interrelationship between perception and reality as vital to qualitative approaches and encourages researchers to investigate their reality more fully by practicing the art of autoethnography.