Modern Belgian architecture; a short survey of architectural developments in Belgium in the last half century,

Text on p. [2]-[3] of cover.

Aluminum in modern architecture,

Vol. 2 by Pual Weidlinger, has also special title: Engineering design and details.

Modern American architecture.

Mode of access: Internet.

Modern landscape

Landscape is a perennial source of conceptual material for most creative disciplines, and, arguably, everything else, but it is always irritating to landscape architects how it is seized on by architects when their own canon is boring them or their language of form is getting a bit straight. What is frustrating is that while landscape architecture attempts to come to terms with factors, systems and nuances of situations that may result in form, there is a tendency in architecture to make icons of generic 'natural' archetypes. This is not to say that landscape architecture has yet developed a strong formal language that engages with these nuances, just that the struggle with them is at its root, and this struggle with specificity in the face of generic-ness is a noble one. In the face of this, to see architecture describe a 'new' and 'innovative' interest in landscape in 'the ground' seems like a diversion: surely there must be innovation in a real, articulate and sophisticated understanding of the architectural canon.

Les concours publics d'architecture.

The plates of vols. 1-12, 1895-1907, of Concours publics d'architecture, edited by Wulliam and Farge, have been bound by subject matter with one final text volume.

Modern theatre construction.

Mode of access: Internet.

Modern architectural designs and details : a monthly publication, giving details of exterior and interior woodwork drawn to scale, gelatine plates of late work by prominent architects, and such other designs and details as are likely to prove useful in the practical work of an architect or builder.

Mode of access: Internet.

Riga Cathedral Exhibition of "The Architecture of Gunnar Birkerts," Riga, Latvia, 1989

[Conceptual Sketch of Floor Plan], untitled. Electrostatic print of sketch with original ink notations and signature, 11x17 inches [from photographic copy by Lance Burgharrdt]

Riga Cathedral Exhibition of "The Architecture of Gunnar Birkerts," Riga, Latvia, 1989

[Conceptual Sketch of Floor Plan], untitled. Blue ink sketch on tracing paper, 12 x 20 3/4 inches [from photographic copy by Lance Burgharrdt]

Lake Shore Drive Apartments

[Book] The potential of electric light as a new building “material” was recognized in the 1920s and became a useful design tool by the mid-century. Skillful lighting allowed for theatricality, narrative, and a new emphasis on structure and space. The Structure of Light tells the story of the career of Richard Kelly, the field’s most influential figure. Six historians, architects, and practitioners explore Kelly’s unparalleled influence on modern architecture and his lighting designs for some of the 20th century’s most iconic buildings: Philip Johnson’s Glass House; Louis Kahn’s Kimbell Art Museum; Eero Saarinen’s GM Technical Center; and Mies van der Rohe’s Seagram Building, among many others. This beautifully illustrated history demonstrates the range of applications, building types, and artistic solutions he employed to achieve a “nocturnal modernity” that would render buildings evocatively different at night. The survival of Kelly’s rich correspondence and extensive diaries allows an in-depth look at the triumphs and uncertainties of a young profession in the making. The first book to focus on the contributions of a master in the field of architectural lighting, this fascinating volume celebrates the practice’s significance in modern design.

Archivo Utopia : Diálogos imaginarios : Encuentros y desencuentros de las vanguardias

Selection of student research papers, course Utopia and Avant-garde, Architecture, EPS, UdG

Dancing the building : movements between bodies and built structures

The thesis elucidates a process by which the layers of perceptions experienced by dancers when using the built environment were developed to create a shared group compositional language.  This study draws on the work of architects, artists and philosphers interested in documenting and analyzing our sensory and affective relations with the built environment.